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Unacceptable disrespect
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Unacceptable disrespect |
Tuesday, April 6, 2010 (9:08 p.m.) |
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There is so much disrespect in this review that it cannot even be considered acceptable satire. Clemmensen is still an amateur, nothing more.
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Mike
(c-24-99-221-252.hsd1.ga.comcast.n
et)
In Response to:
↑ Chariau
Responses to this Comment:
↓ Man With No Name |
Re: Unacceptable disrespect |
Tuesday, April 6, 2010 (10:52 p.m.) |
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> There is so much disrespect in this review that it cannot even be
> considered acceptable satire. Clemmensen is still an amateur, nothing
> more.
then why the f*** do you keep visiting his website. go cry somewhere else
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Re: Unacceptable disrespect |
Thursday, April 8, 2010 (7:29 p.m.) |
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> then why the f*** do you keep visiting his website. go cry somewhere else
Exactly. This score is TERRIBLE. I'm sick to death of this kind of completely unoriginal scoring.
Zimmer really needs to give people like Djawadi a good talking to.
John Powell he ISN'T. Zimmer Clone he IS.
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Mike
(modemcable160.176-202-24.mc.video
tron.ca)
In Response to:
↑ Chariau
Responses to this Comment:
↓ Marcato |
Re: Unacceptable disrespect |
Saturday, April 17, 2010 (10:57 a.m.) |
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> There is so much disrespect in this review that it cannot even be
> considered acceptable satire. Clemmensen is still an amateur, nothing
> more.
Respect is earned.
The music for this film is dreadful.
It is, in my opinion, one of the very worst soundtracks written in the last 20 years. And I think there have been a LOT of crappy soundtracks.
So who exactly here deserves respect? The hacks who grind out the crap that passes for a filmscore like this one?
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Let me tell you about disrespect |
Thursday, April 29, 2010 (7:32 p.m.) |
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> Respect is earned.
Tell that to the tens of thousands of young American females who line up backstage after concerts to have the chance to suck and screw the members of smalltime regional rock bands.
> The music for this film is dreadful.
This however, is true.
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Re: Unacceptable disrespect |
Wednesday, April 28, 2010 (5:01 p.m.) |
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> There is so much disrespect in this review that it cannot even be
> considered acceptable satire. Clemmensen is still an amateur, nothing
> more.
The greater disrespect is to the composers who would use actual imagination and ability given a project like this, but instead it is handed over to apes like The Remote Control crew, who churn out a score like this.
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