SUPPORT FILMTRACKS! CLICK HERE FIRST:
Amazon.com
Amazon.co.uk
iTunes (U.S.)
Amazon.ca
Amazon.fr
eBay (U.S.)
Amazon.de
Amazon.es
Half.com
Glisten Effect
Editorial Reviews
Scoreboard Forum
Viewer Ratings
Composers
Awards
   NEWEST MAJOR REVIEWS:
     1. Transformers: Last Knight
    2. Cars 3
   3. The Mummy
  4. Wonder Woman
 5. POTC: Dead Men Tell No Tales
6. Alien: Covenant


   CURRENT BEST-SELLING SCORES:
       1. Rogue One: A Star Wars Story
      2. Fantastic Beasts/Find Them
     3. Willow
    4. The Ghost and the Darkness
   5. An American Tail
  6. The Wind and the Lion
 7. Doctor Strange
8. 10 Cloverfield Lane
   CURRENT MOST POPULAR REVIEWS:
         1. Star Wars: Force Awakens
        2. E.T. The Extra-Terrestrial
       3. Titanic
      4. Avatar
     5. Nineteen Eighty-Four
    6. Gladiator
   7. Star Wars: A New Hope
  8. Animal Farm
 9. LOTR: Fellowship of the Ring
10. Harry Potter: Sorcerer's Stone
Home Page
Menu Options ▼
Comments about the soundtrack for Crimson Tide (Hans Zimmer)

Edit | Delete
Re: Zimmer and Goldenthal
Profile Image
• Posted by: Pawel Stroinski   <Send E-Mail>
• Date: Friday, August 2, 2002, at 8:41 a.m.
• IP Address: pc18.pi.tpsa.pl
• In Response to: Zimmer and Goldenthal (Kyri)

> We got over all of that. Try reading the more recent posts.

I was talking about your correspondence with Blake particularly.

> Wrong. I prefer any kind of music when the music is done good. I enjoy
> listening to Contemporary music the same way as i enjoy studying
> classical(i'm a music student). It's just that i can tell when i listen to
> serious music that's serious. And it's not just me saying that, because i
> find Goldenthal' music more to my taste. When i listen to his music(not
> just film scores) i find that i get rewarded once i understand it. Try
> it.It's a very unique feeling.

Well, sorry here . I hope I didn't offend you. I will try Goldenthal (I have only Alien 3 score though), but I wob't buy any of his scores without listening them in context (sorry. I prefer tonal music). And I agree with Blake here. I don't want to understand music after few listens. I want to feel its influence with the first listen. But I agree that after few listens you find some things (for example in orchestration) that you didn't notice earlier.

And what do you study.

> Yes, but when you listen to a lot of classical music you will discover
> that Zimmer all he does is basically copy those composers (like Horner). I
> don't find that his works have a very distinctive neoclassical style that
> will persuade me (you might say they do, but IMHO Goldenthal does it way
> better). Take for example Mr.Goldenthal's Final Fantasy score: He uses
> 19th Century Straussian orchestration with heavy brass, yet you can very
> distinctively hear that it is Goldenthal music. It has a certain style
> that persuades you as a listener.

> Thanks for reading.

> k

No, actually Hannibal is quite distinct. Zimmer didn't just rip off Mahler, (for instance he gave very needed unease to the score). If you would like discuss this particular score feel free to ask me. It is my favorite Zimmer.
It is the only score that was written to be liked by the main character of the movie (yes, I think Dr Lecter would fall in love with it ).




Comments in this Thread:     Expand >>


Copyright © 1998-2017, Filmtracks Publications. All rights reserved.
The reviews and other textual content contained on the filmtracks.com site may not be published, broadcast,
rewritten or redistributed without the prior written authority of Christian Clemmensen at Filmtracks Publications. Scoreboard created 7/24/98 and last updated 4/25/15.