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Comments about the soundtrack for Daredevil (Graeme Revell)

Edit | Delete
But correct nonetheless
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• Posted by: Joe Irvin   <Send E-Mail>
• Date: Monday, October 27, 2003, at 8:17 a.m.
• IP Address: w101.z064002196.cmh-oh.dsl.cnc.net
• In Response to: That is not entirely correct (Curtis Beaulieu)

> Remember, Clemmensen is a self-professed Vangelis fan, and Vangelis is not
> a typical film music sound. How also would you explain his high ratings
> for the following scores?:

> Beetlejuice
Thunderheart
Il Postino
Eve's Bayou
A Patch of
> Blue
Incognito
Holy Smoke
Love's Labour's Lost
Cruel
> Intentions
Spy Game
The Mole
8 Femmes
Ararat
Frida

> These are not usual, orchestral hits. He also like John Ottman, who is
> irregular.

I can't explain it. Nevertheless, in reviews, he's more apt to praise full orchestral scores, whereas most of the time he'll smash more experimentally inclined scores with words like "unlistenable" and "noise."

> CB




Comments in this Thread:     Expand >>
  • Excellent summary  (3895 views)
       Fraley - Saturday, March 29, 2003, at 7:09 p.m.
    •    Excellent point!  (3340 views)
         Joe Irvin - Tuesday, April 1, 2003, at 1:04 p.m.
      •    That is not entirely correct  (3270 views)
           Curtis Beaulieu - Saturday, April 5, 2003, at 11:00 a.m.
        •      But correct nonetheless  (3242 views)    We're Here
             Joe Irvin - Monday, October 27, 2003, at 8:17 a.m.
    •    Re: Excellent summary  (3536 views)
         Robert Ritchie - Sunday, March 30, 2003, at 11:14 a.m.


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