> Remember, Clemmensen is a self-professed Vangelis fan, and Vangelis is not
> a typical film music sound. How also would you explain his high ratings
> for the following scores?:
A Patch of
Love's Labour's Lost
> These are not usual, orchestral hits. He also like John Ottman, who is
I can't explain it. Nevertheless, in reviews, he's more apt to praise full orchestral scores, whereas most of the time he'll smash more experimentally inclined scores with words like "unlistenable" and "noise."