SUPPORT FILMTRACKS! CLICK HERE FIRST:
Amazon.com
Amazon.co.uk
iTunes (U.S.)
Amazon.ca
Amazon.fr
eBay (U.S.)
Amazon.de
Amazon.es
Half.com
Glisten Effect
Editorial Reviews
Scoreboard Forum
Viewer Ratings
Composers
Awards
   NEWEST MAJOR REVIEWS:
     1. Incredibles 2
    2. Solo: A Star Wars Story
   3. Deadpool 2
  4. Avengers: Infinity War
 5. A Quiet Place
6. Ready Player One
   CURRENT MOST POPULAR REVIEWS:
         1. Star Wars: The Last Jedi
        2. Gladiator
       3. Blade Runner 2049
      4. Batman
     5. Thor: Ragnarok
    6. The Avengers
   7. Spider-Man: Homecoming
  8. Avatar
 9. Dunkirk
10. Phantom Thread
Home Page
Menu Options ▼
Comments about the soundtrack for The Empire Strikes Back (John Williams)

Edit | Delete
Re: Better than Episode IV
Profile Image
• Posted by: Admiral Hull   <Send E-Mail>
• Date: Tuesday, May 23, 2006, at 7:43 a.m.
• IP Address: int-gw-baylor-epb-10.baylorschool.org
• In Response to: Re: Better than Episode IV (Amuro)

I believe James Horner is a great film composer. In fact he's one of my favorites, second only to John Williams. Then again I've only hear his older scores such as The Wrath of Kahn and Willow. On the other hand, I agree with the guy a few posts back: EVERYBODY STEALS STUFF! Also, although I love movie music as a passion, it is generally not created to be a singular entity or to be totally original; if a composer thinks that a peice of music he wrote five years ago for another film will fit perfectly in a new one, then by all means, let him put it in; however, I agree that the composer shouldn't use this method extensively.
As for the thematic thing, they're both good at writing themes and underscore, but I generally think John Williams is just a little bit better at both. If you listen to The Wrath of Kahn and compair it to The Empire Strikes Back, you will see that The Empire Strikes Back has much more variety in its score.
On a histroical note, the reason the original score for Star Wars sounds like Dvorak and Holst is because George Lucas was originally intending to create a soundtrack of pre-existing works, but then Spielburg happened along and suggested John Williams. Instead of letting the pre-fabricated score go to waste, Williams based much of his original score of the other material (and we all see what a fantastic finished product it was (no sarcasm)).
And to conclude, weren't we supposed to be talking about how Episode V is better than Episode IV, not how Williams is better than Horner and vise versa?




Comments in this Thread:     Expand >>


Copyright © 1998-2018, Filmtracks Publications. All rights reserved.
The reviews and other textual content contained on the filmtracks.com site may not be published, broadcast,
rewritten or redistributed without the prior written authority of Christian Clemmensen at Filmtracks Publications. Scoreboard created 7/24/98 and last updated 4/25/15.