SUPPORT FILMTRACKS! CLICK HERE FIRST:
Amazon.com
Amazon.co.uk
iTunes (U.S.)
Amazon.ca
Amazon.fr
eBay (U.S.)
Amazon.de
Amazon.es
Half.com
Glisten Effect
Editorial Reviews
Scoreboard Forum
Viewer Ratings
Composers
Awards
   NEWEST MAJOR REVIEWS:
     1. Transformers: Last Knight
    2. Cars 3
   3. The Mummy
  4. Wonder Woman
 5. POTC: Dead Men Tell No Tales
6. Alien: Covenant


   CURRENT BEST-SELLING SCORES:
       1. Rogue One: A Star Wars Story
      2. Fantastic Beasts/Find Them
     3. Willow
    4. The Ghost and the Darkness
   5. An American Tail
  6. The Wind and the Lion
 7. Doctor Strange
8. 10 Cloverfield Lane
   CURRENT MOST POPULAR REVIEWS:
         1. Star Wars: Force Awakens
        2. E.T. The Extra-Terrestrial
       3. Titanic
      4. Avatar
     5. Nineteen Eighty-Four
    6. Gladiator
   7. Star Wars: A New Hope
  8. Animal Farm
 9. LOTR: Fellowship of the Ring
10. Harry Potter: Sorcerer's Stone
Home Page
Menu Options ▼
Comments about the soundtrack for The Haunting (Jerry Goldsmith)

Edit | Delete
Hauntingly beautiful and creepy score
• Posted by: Jouko Yli-Kiikka   <Send E-Mail>
• Date: Tuesday, March 11, 2008, at 7:15 a.m.
• IP Address: a88-112-181-232.elisa-laajakaista.fi
• Now Playing: Arn - Knight Templar by Tuomas Kantelinen

For some time I have been willing to write about this - very underrated - horror score by the late maestro Jerry Goldsmith. The Haunting was a pleasant if not downright very scary movie in 1999. One of the definitely better aspects of the film was the original score composed by Goldsmith, who was very groundbreaking in the horror genre - The Omen from 1976 still being my absolutely favourite horror score.

However The Haunting couldn't been more different to the 1976 classic Oscar-winning score. Goldsmith creates an atmosphearic, "spacy" mood with the help of magnificent Newman Scoring Stage studio orchestra. You can hear the mysterious noices echoing around the humongous Hill House. The music sort of brings the old manor slowly to life; you got to hear it yourself to truly understand what I mean.

I would say The Haunting belongs to Goldsmith's more leitmotivic works: there is a carousel theme (heard in The Carousel & Return to the Carousel), a lovely and beautiful theme for Eleanor and her connection to Hill House (heard in A Place for Everything, The Curtains & Home Safe) and finally the central main theme or actually the theme for Hill House itself which is present in every track in a form or another.

This is not music that scares the hell out of you. The Haunting is a subtle, sometimes gothic and slowly building score that grows on you every repeated listenings. It is well organized musical work that demands careful listening. I consider it one of the very final masterpieces of Goldsmith's canon. This truly is ghost music at its best!






Copyright © 1998-2017, Filmtracks Publications. All rights reserved.
The reviews and other textual content contained on the filmtracks.com site may not be published, broadcast,
rewritten or redistributed without the prior written authority of Christian Clemmensen at Filmtracks Publications. Scoreboard created 7/24/98 and last updated 4/25/15.