Track one is almost excellent.
Track 2 is a hardcore and a little corny, but bitchin.
Track 12 employs some melodic electronic rythms that don't suck
TRACK 14.. Actually kind of awesome. Terrific finale, great use of electric guitar AND Hollywood Studio Symphony AND vocals.
How it can appear on the same soundtrack as the rest of this unlistenable garbage (and I'm a Rabin fan!), is beyond me