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| 2004 Regular Releases: |
(see legend below for information on abbreviations and codes)
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| Title | Year |
Composer(s) | FR | VR |
VT | RD |
TR | Dates |
Notes |
| | The Alamo | 2004 | Carter Burwell | *** | 3.09 | 290 | | | 441 | 04/04 | |
| | Alexander | 2004 | Vangelis | ***** | 3.62 | 2,981 | ||| | 154 | 10/04 | |
| | Alien vs. Predator | 2004 | Harald Kloser | *** | 3.21 | 651 | | | 206 | 08/04 | |
| | Anacondas: The Hunt for the Blood Orchid | 2004 | Nerida Tyson-Chew | **** | 3.63 | 511 | || | 463 | 09/04 | |
| | Around the World in 80 Days | 2004 | Trevor Jones | **** | 3.20 | 434 | || | 460 | 06/04 | |
| | Arsène Lupin | 2004 | Debbie Wiseman | ***** | 4.13 | 392 | ||| | 813 | 02/06 | import |
| | Battlestar Galactica (TV) | 2003 | Richard Gibbs, Bear McCreary | *** | 3.30 | 216 | || | 547 | 04/04 | |
| | The Big Bounce | 2004 | George S. Clinton | **** | 3.06 | 137 | | | 749 | 04/04 | |
| | Bobby Jones: Stroke of Genius | 2004 | James Horner | ** | 3.30 | 628 | || | 651 | 05/04 | |
| | The Bourne Supremacy | 2004 | John Powell | *** | 3.60 | 1,369 | | | 150 | 08/04 | |
| | The Butterfly Effect | 2004 | Michael Suby | **** | 3.26 | 1,093 | || | 107 | 01/04 - 04/09 | |
| | Cellular | 2004 | John Ottman | *** | 3.06 | 206 | | | 809 | 01/05 | |
| | The Chorus | 2004 | Bruno Coulais | **** | 3.88 | 811 | | | 628 | 01/05 | |
| | The Chronicles of Riddick | 2004 | Graeme Revell | *** | 3.11 | 474 | | | 289 | 06/04 | |
| | The Clearing | 2004 | Craig Armstrong | ** | 3.02 | 310 | | | 1,060 | 07/04 - 08/04 | |
| | The Day After Tomorrow | 2004 | Harald Kloser, Thomas Wanker | *** | 2.69 | 841 | | | 303 | 06/04 | |
| | Deep Blue | 2004 | George Fenton | ***** | 4.15 | 262 | || | 627 | 07/04 - 03/06 | all albums |
| | Earthsea (TV) | 2004 | Jeff Rona | ** | 3.27 | 92 | | | 1,190 | 01/05 | |
| | Eternal Sunshine of the Spotless Mind | 2004 | Jon Brion | ** | 3.10 | 163 | | | 840 | 01/05 - 10/08 | |
| | Fahrenheit 9/11 | 2004 | Jeff Gibbs | ** | 2.44 | 490 | || | 541 | 10/04 | |
| | The Final Cut | 2004 | Brian Tyler | *** | 2.94 | 140 | | | 992 | 10/04 | |
| | Finding Neverland | 2004 | Jan A. P. Kaczmarek | **** | 3.92 | 1,492 | | | 187 | 10/04 | |
| | The Forgotten | 2004 | James Horner | ** | 3.11 | 416 | || | 536 | 10/04 | |
| | Godsend | 2004 | Brian Tyler | *** | 3.22 | 148 | || | 532 | 05/04 | |
| | Harry Potter and the Prisoner of Azkaban | 2004 | John Williams | **** | 4.10 | 6,717 | ||| | 58 | 05/04 | |
| | Hellboy | 2004 | Marco Beltrami | **** | 3.59 | 1,321 | | | 409 | 05/04 | |
| | Hidalgo | 2004 | James Newton Howard | **** | 3.66 | 947 | || | 299 | 03/04 - 04/09 | |
| | Home on the Range | 2004 | Alan Menken | **** | 3.35 | 640 | || | 512 | 04/04 | |
| | I, Robot | 2004 | Marco Beltrami | *** | 2.90 | 921 | || | 327 | 07/04 - 08/04 | |
| | The Incredibles | 2004 | Michael Giacchino | **** | 3.88 | 1,136 | ||| | 347 | 11/04 | |
| | King Arthur | 2004 | Hans Zimmer, Nick Glennie-Smith, Rupert Gregson-Williams | **** | 3.49 | 3,101 | ||| | 151 | 07/04 | |
| | Lauras Stern | 2004 | Hans Zimmer, Nick Glennie-Smith, Henning Lohner | **** | 3.53 | 733 | | | 860 | 03/05 | |
| | Laws of Attraction | 2004 | Edward Shearmur | *** | 2.81 | 276 | | | 734 | 05/04 | |
| | Lemony Snicket's A Series of Unfortunate Events | 2004 | Thomas Newman | **** | 3.47 | 1,448 | ||| | 367 | 12/04 | |
| | Man on Fire | 2004 | Harry Gregson-Williams, Various | ** | 2.93 | 177 | | | 497 | 02/05 | |
| | Miracle | 2004 | Mark Isham | *** | 3.32 | 315 | | | 619 | 04/04 | |
| | National Treasure | 2004 | Trevor Rabin | *** | 2.97 | 534 | || | 485 | 12/04 | |
| | The Notebook | 2004 | Aaron Zigman | *** | 4.01 | 1,669 | | | 125 | 09/04 | |
| | Open Water | 2004 | Graeme Revell | * | 1.82 | 306 | | | 688 | 08/04 | |
| | Paparazzi | 2004 | Brian Tyler | *** | 3.06 | 156 | || | 384 | 09/04 | |
| | The Passion of the Christ | 2004 | John Debney | **** | 3.00 | 13,757 | |||| | 101 | 02/04 - 04/09 | |
| | Paycheck | 2003 | John Powell | **** | 3.53 | 415 | || | 470 | 01/04 - 04/09 | |
| | The Phantom of the Opera | 2004 | Andrew Lloyd Webber | Varied | 2.47 | 25,556 | ||||| | 30 | 12/04 | all albums |
N | The Polar Express | 2004 | Alan Silvestri, Glen Ballard | *** | 3.09 | 116 | ||| | 1,274 | 09/09 | multiple albums |
| | The Punisher | 2004 | Carlo Siliotto | **** | 3.87 | 744 | || | 245 | 07/04 | |
| | Ray | 2004 | Craig Armstrong | **** | 3.36 | 387 | || | 778 | 01/05 | |
| | Resident Evil: Apocalypse | 2004 | Jeff Danna | *** | 3.07 | 406 | | | 352 | 10/04 | |
| | Shrek 2 | 2004 | Harry Gregson-Williams, Various | **** | 3.41 | 252 | | | 730 | 01/05 | |
| | Sideways | 2004 | Rolfe Kent | *** | 3.17 | 273 | | | 832 | 01/05 | |
| | Sky Captain and the World of Tomorrow | 2004 | Edward Shearmur | **** | 3.75 | 1,085 | || | 265 | 09/04 | |
| | Spider-Man 2 | 2004 | Danny Elfman, Christopher Young | **** | 3.50 | 2,027 | ||| | 230 | 08/04 | |
| | The Statement | 2003 | Norman Corbeil | ** | 3.02 | 257 | | | 1,172 | 01/04 - 04/09 | |
| | The Terminal | 2004 | John Williams | ***** | 4.14 | 2,528 | || | 233 | 06/04 | |
| | Thunderbirds | 2004 | Hans Zimmer, Ramin Djawadi | *** | 2.91 | 809 | || | 381 | 07/04 | |
| | Traffic: The Miniseries (TV) | 2004 | Jeff Rona | *** | 3.12 | 97 | | | 1,214 | 04/04 | |
| | Troy | 2004 | James Horner, Gabriel Yared | Varied | 2.92 | 3,650 | |||| | 59 | 05/04 | multiple albums |
| | Twisted | 2004 | Mark Isham | * | 1.93 | 173 | | | 822 | 04/04 | |
| | Two Brothers | 2004 | Stephen Warbeck | **** | 3.62 | 489 | | | 653 | 06/04 | |
| | Van Helsing | 2004 | Alan Silvestri | **** | 3.85 | 3,687 | || | 89 | 04/04 - 04/09 | |
| | Vanity Fair | 2004 | Mychael Danna | *** | 3.62 | 323 | || | 363 | 08/04 | |
| | A Very Long Engagement | 2004 | Angelo Badalamenti | *** | 3.15 | 321 | | | 947 | 02/05 | |
| | The Village | 2004 | James Newton Howard | **** | 3.77 | 2,109 | | | 143 | 07/04 | |
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| Title | Year |
Composer(s) | FR | VR |
VT | RD |
TR | Dates |
Notes |
| | Aladdin | 1992 | Alan Menken | ** | 4.03 | 7,233 | ||| | 50 | 09/96 - 10/04 | expanded |
| | Alias (Season 2) (TV) | 2001 | Michael Giacchino | *** | 3.15 | 239 | ||| | 748 | 11/03 - 03/09 | all albums |
| | Amerika (TV) | 1987 | Basil Poledouris | **** | 4.01 | 291 | || | 1,065 | 09/04 | limited |
| | Basic Instinct | 1992 | Jerry Goldsmith | **** | 4.05 | 3,200 | | | 106 | 12/96 - 05/04 | expanded |
| | Big Wednesday | 1978 | Basil Poledouris | **** | 4.00 | 229 | || | 1,080 | 07/04 | limited |
| | Born Free | 1964 | John Barry | *** | 3.56 | 491 | || | 424 | 04/00 - 08/04 | all albums |
| | Cherry 2000/No Man's Land | 1987 | Basil Poledouris | **** | 4.04 | 271 | ||| | 474 | 07/97 - 09/04 | all albums |
| | Clear and Present Danger | 1994 | James Horner | *** | 3.34 | 173 | || | 516 | 06/98 - 03/05 | re-issue |
| | Dances With Wolves | 1990 | John Barry | ***** | 4.31 | 6,165 | || | 26 | 06/97 - 05/04 | albums |
| | Die Another Day | 2002 | David Arnold | ** | 2.14 | 5,189 | |||| | 113 | 11/02 - 12/08 | bootleg |
| | Godzilla | 1954 | Akira Ifukube | ***** | 3.35 | 820 | || | 535 | 06/99 - 03/09 | multiple albums |
| | The Great Train Robbery | 1979 | Jerry Goldsmith | *** | 2.99 | 98 | || | 1,297 | 07/09 | expanded |
| | Hero | 2002 | Tan Dun | **** | 3.69 | 1,420 | || | 270 | 08/04 | re-issue |
| | The Manchurian Candidate/The Manchurian Candidate | 1962 2004 | David Amram, Rachel Portman | Varied | 3.40 | 376 | || | 476 | 09/04 | |
| | The Missouri Breaks | 1976 | John Williams | ** | 3.14 | 559 | || | 948 | 06/99 - 10/07 | re-issue |
| | Narrow Margin | 1990 | Bruce Broughton | *** | 3.42 | 349 | | | 1,209 | 07/04 | limited |
| | The Phantom of the Opera | 2004 | Andrew Lloyd Webber | * | 2.47 | 25,556 | ||||| | 30 | 12/04 | expanded/limited |
N | The Piano | 1993 | Michael Nyman | *** | 3.37 | 84 | || | 1,313 | 09/09 | re-issue |
N | The Polar Express | 2004 | Alan Silvestri, Glen Ballard | *** | 3.09 | 116 | ||| | 1,274 | 09/09 | multiple albums |
| | RoboCop | 1987 | Basil Poledouris | *** | 3.60 | 200 | || | 780 | 01/04 - 04/09 | expanded |
| | Star Wars: A New Hope | 1977 | John Williams | **** | 4.21 | 11,269 | ||| | 3 | 01/97 - 02/05 | single and set |
| | Star Wars: Return of the Jedi | 1983 | John Williams | **** | 4.18 | 9,318 | |||| | 27 | 03/97 - 02/05 | single and set |
| | Star Wars: The Empire Strikes Back | 1980 | John Williams | **** | 4.31 | 7,954 | |||| | 36 | 01/97 - 02/05 | single and set |
| | Terror Tract (TV) | 2000 | Brian Tyler | *** | 2.77 | 114 | | | 1,210 | 07/04 | |
| | Timeline | 2003 | Jerry Goldsmith | **** | 3.50 | 577 | ||| | 380 | 12/03 - 03/09 | limited |
| | Troy | 2004 | Gabriel Yared | ***** | 2.92 | 3,650 | |||| | 59 | 05/04 | bootlegs |
| | Unlikely Heroes | 2003 | Lee Holdridge | **** | 3.45 | 76 | || | 1,140 | 04/05 | |
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| Title | Year |
Artist(s) | FR | VR |
VT | RD |
TR | Dates |
Notes |
| | Jerry Goldsmith at 20th Century Fox | 2004 | Various | *** | 4.03 | 1,103 | || | 678 | 04/04 | limited |
| | Music from The Lord of the Rings Trilogy | 2004 | Howard Shore | **** | 4.30 | 348 | || | 726 | 09/04 | |
| | Reel Chill: The Cinematic Chillout Album | 2004 | The City of Prague Philharmonic, Crouch End Festival Courus | *** | 3.85 | 273 | | | 1,115 | 09/04 | |
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Status:
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N
| - indicates a new review that has been published in the last 90 days
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R
| - indicates an older review that has been significantly revised in the last 90 days
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Year:
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Year of Debut (a golden year indicates that the music won or was nominated for a major award)
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Ratings:
| FR |
- Filmtracks Rating ("Varied"
indicates a split rating with no overall designation)
| | VR |
- Viewer Rating (overall average)
| | VT |
- Vote Total (for viewer ratings)
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Comments:
| Comment Total (the number of messages posted in the review's comment area)
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Review Depth:
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- Massive Review (over 4,000 words)
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- Very Long Review (between 2,200 and 4,000 words)
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- Long Review (between 1,200 and 2,200 words)
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- Average Review (between 800 and 1,200 words)
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- Short Review (under 800 words)
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Traffic Rank:
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Popularity Rank (lower numbers indicate more cumulative reads; new reviews take time to climb the ranks)
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Dates:
| 1st
| - indicates the month and year during which the review was first published
| | 2nd
| - indicates the month and year of the review's most recent significant revision (if any)
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