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| 1998 Regular Releases: |
(see legend below for information on abbreviations and codes)
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| Title | Year |
Composer(s) | FR | VR |
VT | RD |
TR | Dates |
Notes |
| | American History X | 1998 | Anne Dudley | **** | 3.38 | 82 | || | 1,526 | 07/10 | |
| | Antz | 1998 | John Powell, Harry Gregson-Williams, Various | **** | 3.92 | 2,691 | | | 285 | 12/98 - 01/07 | |
| | Apt Pupil | 1998 | John Ottman | **** | 3.16 | 159 | | | 1,105 | 09/03 - 04/09 | |
| | Armageddon | 1998 | Trevor Rabin, Harry Gregson-Williams | *** | 2.95 | 4,816 | || | 106 | 12/98 - 01/07 | all albums |
| | As Good As It Gets | 1997 | Hans Zimmer | **** | 3.36 | 1,409 | | | 112 | 01/98 - 01/07 | |
| | The Avengers | 1998 | Joel McNeely | *** | 2.82 | 825 | || | 472 | 12/98 - 03/08 | |
| | Beloved | 1998 | Rachel Portman | ** | 2.69 | 239 | | | 947 | 12/98 - 01/07 | |
| | Blade | 1998 | Mark Isham | ** | 2.71 | 148 | || | 1,079 | 09/03 - 11/08 | |
| | A Bug's Life | 1998 | Randy Newman | *** | 3.18 | 3,518 | || | 331 | 02/99 - 03/08 | |
| | A Civil Action | 1998 | Danny Elfman | *** | 2.89 | 557 | || | 751 | 01/99 - 04/07 | |
| | Dangerous Beauty | 1998 | George Fenton | ***** | 4.13 | 2,004 | | | 211 | 04/98 - 03/08 | |
| | Dark City | 1998 | Trevor Jones | **** | 3.20 | 765 | ||| | 407 | 04/98 - 01/07 | all albums |
| | Deep Impact | 1998 | James Horner | *** | 3.38 | 1,918 | || | 105 | 05/98 - 03/08 | |
| | Deep Rising | 1998 | Jerry Goldsmith | ** | 2.78 | 681 | || | 589 | 02/98 - 01/07 | |
| | Disturbing Behavior | 1998 | Mark Snow | * | 2.44 | 319 | | | 682 | 08/98 - 01/07 | |
| | Elizabeth | 1998 | David Hirschfelder | *** | 3.50 | 571 | | | 780 | 02/99 - 07/07 | |
| | Enemy of the State | 1998 | Trevor Rabin, Harry Gregson-Williams | ** | 2.62 | 1,111 | || | 579 | 12/98 - 01/07 | |
| | Ever After: A Cinderella Story | 1998 | George Fenton | **** | 3.69 | 3,442 | || | 114 | 08/98 - 01/07 | |
| | Godzilla | 1998 | David Arnold | **** | 3.44 | 1,366 | ||| | 60 | 05/98 - 09/08 | all albums |
| | Great Expectations | 1998 | Patrick Doyle | **** | 3.86 | 2,814 | || | 198 | 01/98 - 03/08 | |
| | Halloween H20 (Portrait of Terror) | 1998 | John Ottman | *** | 3.16 | 160 | || | 893 | 10/98 - 03/08 | rejected score |
| | Hard Rain | 1998 | Christopher Young | **** | 3.16 | 233 | || | 855 | 01/98 - 01/07 | |
| | The Horse Whisperer | 1998 | Thomas Newman | **** | 3.86 | 2,295 | || | 260 | 06/98 - 04/08 | |
| | Incognito | 1997 | John Ottman | ***** | 4.00 | 1,469 | || | 748 | 07/98 - 07/07 | |
| | A Kid in Aladdin's Palace | 1998 | David Michael Frank | **** | 3.07 | 162 | | | 1,094 | 08/98 - 01/07 | |
| | The Legend of 1900 | 1998 | Ennio Morricone | *** | 4.03 | 3,304 | || | 257 | 12/99 - 08/08 | all albums |
| | Les Misérables | 1998 | Basil Poledouris | ***** | 4.27 | 5,549 | ||| | 142 | 04/98 - 06/07 | all albums |
| | Life is Beautiful | 1998 | Nicola Piovani | *** | 3.33 | 2,163 | | | 71 | 02/99 - 03/08 | |
| | Little Boy Blue | 1998 | Stewart Copeland | ** | 2.02 | 230 | | | 1,030 | 08/98 - 01/07 | |
| | Lost in Space | 1998 | Bruce Broughton | ** | 2.92 | 1,296 | || | 233 | 04/98 - 08/08 | all albums |
| | The Man in the Iron Mask | 1998 | Nick Glennie-Smith | *** | 3.44 | 1,101 | || | 396 | 03/98 - 07/07 | |
| | The Mask of Zorro | 1998 | James Horner | ***** | 4.13 | 7,767 | ||| | 19 | 06/98 - 03/08 | |
| | Meet Joe Black | 1998 | Thomas Newman | *** | 3.21 | 1,865 | | | 140 | 12/98 - 01/07 | |
| | Mercury Rising | 1998 | John Barry | *** | 2.83 | 519 | || | 807 | 04/98 - 07/07 | |
| | Merlin (TV) | 1998 | Trevor Jones | **** | 3.83 | 3,824 | | | 136 | 05/97 - 03/07 | |
| | The Mighty | 1998 | Trevor Jones | **** | 3.49 | 281 | || | 697 | 01/99 - 03/08 | all albums |
| | Mighty Joe Young | 1998 | James Horner | ** | 2.72 | 1,207 | | | 336 | 12/98 - 03/08 | |
| | Moby Dick (TV) | 1998 | Christopher Gordon | **** | 3.68 | 340 | || | 658 | 03/98 - 07/07 | |
| | Mulan | 1998 | Jerry Goldsmith, Matthew Wilder | **** | 4.06 | 9,957 | ||| | 38 | 06/98 - 07/07 | all albums |
| | The Negotiator | 1998 | Graeme Revell | *** | 3.06 | 386 | || | 415 | 08/98 - 01/07 | all albums |
| | The Object of My Affection | 1998 | George Fenton | ** | 2.98 | 219 | | | 486 | 04/98 - 03/07 | |
| | One True Thing | 1998 | Cliff Eidelman | *** | 2.88 | 180 | || | 1,102 | 05/01 - 03/08 | |
| | Patch Adams | 1998 | Marc Shaiman | *** | 3.48 | 322 | | | 460 | 02/99 - 03/07 | |
| | Paulie | 1998 | John Debney | *** | 2.52 | 195 | | | 970 | 05/98 - 03/07 | |
| | Pleasantville | 1998 | Randy Newman | *** | 3.31 | 856 | | | 540 | 02/99 - 03/07 | |
| | The Prince of Egypt | 1998 | Hans Zimmer, Stephen Schwartz | **** | 4.10 | 13,228 | |||| | 33 | 12/98 - 03/08 | all albums |
| | Princess Mononoke | 1997 | Joe Hisaishi | **** | 4.22 | 13,060 | || | 69 | 10/99 - 08/08 | all albums |
| | Quest for Camelot | 1998 | Patrick Doyle, David Foster, Carole Bayer Sager | **** | 3.57 | 367 | |||| | 549 | 08/03 - 04/09 | multiple albums |
| | The Replacement Killers | 1998 | Harry Gregson-Williams, Steve Jablonsky | * | 2.56 | 750 | | | 418 | 08/98 - 03/07 | |
| | Return to Paradise | 1998 | Mark Mancina | **** | 3.46 | 197 | | | 1,136 | 08/99 - 03/08 | |
| | Ronin | 1998 | Elia Cmiral | *** | 3.05 | 412 | | | 837 | 01/00 - 04/08 | |
| | Saving Private Ryan | 1998 | John Williams | *** | 3.40 | 12,154 | ||| | 34 | 07/98 - 03/08 | |
| | Shakespeare in Love | 1998 | Stephen Warbeck | **** | 3.89 | 4,910 | || | 73 | 12/98 - 03/08 | |
| | Six Days, Seven Nights | 1998 | Randy Edelman | *** | 3.25 | 669 | | | 250 | 06/98 - 03/07 | |
| | Small Soldiers | 1998 | Jerry Goldsmith | **** | 3.40 | 2,657 | || | 127 | 07/98 - 03/08 | |
| | Snake Eyes | 1998 | Ryuichi Sakamoto | ** | 2.78 | 189 | | | 1,070 | 05/99 - 07/07 | |
| | Soldier | 1998 | Joel McNeely | *** | 2.85 | 292 | || | 681 | 11/98 - 04/07 | |
| | Sphere | 1998 | Elliot Goldenthal | ** | 2.51 | 582 | || | 768 | 03/98 - 07/07 | |
| | Star Kid | 1998 | Nicholas Pike | *** | 2.72 | 145 | | | 1,187 | 06/98 - 04/07 | |
| | Star Trek: Insurrection | 1998 | Jerry Goldsmith | **** | 3.79 | 3,920 | |||| | 189 | 12/98 - 09/08 | all albums |
| | Stepmom | 1998 | John Williams | *** | 3.57 | 3,280 | | | 156 | 12/98 - 07/07 | |
| | The Truman Show | 1998 | Burkhart Dallwitz, Philip Glass | *** | 3.43 | 74 | ||| | 1,466 | 11/09 | |
| | Twilight | 1998 | Elmer Bernstein | ** | 2.32 | 216 | | | 874 | 04/98 - 04/07 | |
| | U.S. Marshals | 1998 | Jerry Goldsmith | ** | 2.70 | 507 | | | 476 | 03/98 - 04/07 | |
| | The Velocity of Gary | 1998 | Peitor Angell | ** | 2.29 | 215 | | | 547 | 08/99 - 04/07 | |
| | Wag the Dog | 1997 | Mark Knopfler | ** | 1.87 | 647 | || | 495 | 01/98 - 04/07 | |
| | What Dreams May Come | 1998 | Michael Kamen, Mark Snow | **** | 3.61 | 2,093 | || | 141 | 10/98 - 03/08 | |
| | Wild America | 1997 | Joel McNeely | *** | 3.25 | 189 | | | 1,035 | 03/97 - 07/07 | |
N | Wild Things | 1998 | George S. Clinton | *** | 2.90 | 38 | || | 1,636 | 01/12 | |
| | The X-Files: Fight the Future | 1998 | Mark Snow | *** | 3.54 | 8,622 | || | 92 | 06/98 - 07/07 | |
|
| Title | Year |
Composer(s) | FR | VR |
VT | RD |
TR | Dates |
Notes |
| | Air Force One | 1997 | Randy Newman | ** | 3.83 | 3,831 | ||| | 61 | 07/97 - 05/07 | rejected score bootleg |
| | Amazon (IMAX) | 1997 | Alan Williams | **** | 3.79 | 191 | | | 1,023 | 08/98 - 02/08 | |
| | Armageddon | 1998 | Trevor Rabin, Harry Gregson-Williams | *** | 2.95 | 4,816 | || | 106 | 12/98 - 01/07 | promotional |
| | Body Heat | 1981 | John Barry | **** | 4.02 | 313 | || | 538 | 06/97 - 05/07 | re-recording |
| | Braveheart | 1995 | James Horner | **** | 4.18 | 27,361 | ||| | 2 | 09/96 - 09/08 | French set |
| | Close Encounters of the Third Kind | 1977 | John Williams | ***** | 3.78 | 1,913 | ||| | 83 | 05/98 - 04/08 | expanded |
| | Excalibur | 1981 | Trevor Jones | *** | 3.19 | 83 | ||| | 1,414 | 01/10 | bootleg |
| | Fantastic Voyage | 1966 | Leonard Rosenman | ** | 3.18 | 109 | | | 1,051 | 12/98 - 05/06 | limited |
| | Fortress | 1993 | Frederic Talgorn | *** | 2.80 | 71 | | | 1,261 | 08/98 - 06/06 | promotional |
| | The Funhouse | 1981 | John Beal | **** | 3.39 | 102 | | | 1,304 | 01/05 | promotional |
| | Gettysburg | 1993 | Randy Edelman | *** | 3.49 | 134 | ||| | 1,456 | 12/09 | deluxe |
| | Ghostbusters | 1984 | Elmer Bernstein | ** | 3.92 | 191 | ||| | 592 | 03/06 - 04/06 | bootleg |
| | Glory | 1989 | James Horner | ***** | 4.34 | 10,901 | ||| | 63 | 08/97 - 07/06 | bootlegs |
| | Good Will Hunting | 1997 | Danny Elfman | *** | 3.12 | 654 | || | 300 | 03/98 - 07/07 | promotional |
| | Halloween | 1978 | John Carpenter | *** | 2.98 | 479 | || | 601 | 01/00 - 07/08 | all albums |
| | Innerspace | 1987 | Jerry Goldsmith | *** | 3.40 | 389 | ||| | 760 | 07/03 - 02/10 | bootleg |
| | Krull | 1983 | James Horner | **** | 3.63 | 912 | ||| | 295 | 08/97 - 09/10 | limited |
| | The Last Valley | 1970 | John Barry | **** | 3.77 | 735 | || | 961 | 07/03 - 03/09 | all albums |
| | The Living Daylights | 1987 | John Barry | ***** | 4.13 | 1,075 | |||| | 312 | 06/98 - 04/08 | expanded |
| | Lonesome Dove (TV) | 1989 | Basil Poledouris | **** | 3.95 | 807 | || | 289 | 11/98 - 04/07 | expanded |
| | The Master of Ballantrae (TV) | 1984 | Bruce Broughton | *** | 3.31 | 258 | || | 1,235 | 12/98 - 09/08 | limited |
| | Midway | 1976 | John Williams | *** | 3.03 | 80 | || | 1,416 | 08/09 - 11/11 | re-recording |
| | The Mighty | 1998 | Trevor Jones | *** | 3.49 | 281 | || | 697 | 01/99 - 03/08 | promotional |
| | North Sea Hijack (Ffolkes) | 1980 | Michael J. Lewis | *** | 3.43 | 129 | | | 1,138 | 04/98 - 04/08 | promotional |
| | Othello (Ballet) | 1998 | Elliot Goldenthal | *** | 3.33 | 141 | | | 1,132 | 07/03 - 03/09 | |
| | The Poseidon Adventure/The Paper Chase | 1972 | John Williams | **** | 3.12 | 255 | ||| | 318 | 09/96 - 09/10 | limited |
| | The Prince of Egypt | 1998 | Hans Zimmer, Stephen Schwartz | **** | 4.10 | 13,228 | |||| | 33 | 12/98 - 03/08 | specialty album |
| | Rain Man | 1988 | Hans Zimmer | **** | 3.11 | 209 | ||| | 1,313 | 04/10 - 12/10 | bootleg |
| | Seven | 1995 | Howard Shore | ** | 2.80 | 94 | || | 1,411 | 11/09 | bootleg |
| | Snow White: Tale of Terror (TV) | 1997 | John Ottman | *** | 3.31 | 468 | | | 597 | 07/98 - 04/07 | |
R | Something Wicked This Way Comes | 1983 | James Horner | *** | 3.14 | 144 | |||| | 1,357 | 08/09 - 12/11 | bootleg |
| | Stagecoach | 1966 | Jerry Goldsmith | ** | 3.13 | 566 | || | 928 | 06/98 - 08/07 | limited |
| | Superman | 1978 | John Williams | ***** | 4.19 | 3,416 | |||| | 30 | 11/98 - 07/09 | re-recording |
| | T-Rex: Back to the Cretaceous (IMAX) | 1998 | William Ross | **** | 3.56 | 137 | || | 1,339 | 02/00 - 09/08 | promotional |
R | Thelma & Louise | 1991 | Hans Zimmer, John Van Tongeren | *** | 3.16 | 127 | || | 1,437 | 04/10 - 11/11 | bootleg |
| | (Back to) Titanic | 1997 | James Horner | **** | 4.11 | 26,559 | ||||| | 6 | 11/97 - 02/08 | multiple albums |
| | V/V: The Series | 1983 1983 | Joe Harnell, Dennis McCarthy | *** ** | 2.96 | 353 | || | 406 | 08/98 - 08/07 | promotional, promotional |
| | Wide Awake | 1998 | Edmund Choi | *** | 2.96 | 139 | | | 1,252 | 10/99 - 04/08 | promotional |
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| Title | Year |
Artist(s) | FR | VR |
VT | RD |
TR | Dates |
Notes |
| | Alien Invasion: Space and Beyond II | 1998 | The City of Prague Philharmonic, The Crouch End Festival Chorus | ***** | 3.71 | 275 | || | 752 | 02/98 - 08/07 | |
| | Cinema Choral Classics II | 1998 | The City of Prague Philharmonic and The Crouch End Festival Chorus | **** | 4.15 | 608 | | | 819 | 07/98 - 08/07 | |
| | Cinema's Classic Romances | 1998 | The City of Prague Philharmonic | **** | 3.77 | 559 | || | 925 | 02/98 - 08/07 | |
| | Coming Soon: The John Beal Trailer Project | 1998 | John Beal | **** | 2.87 | 172 | || | 860 | 10/98 - 08/07 | |
| | David Shire Film Music | 1998 | Various | **** | 3.92 | 246 | ||| | 553 | 04/98 - 07/07 | promotional |
| | Greatest Sci-Fi Hits IV | 1998 | Neil Norman and His Cosmic Orchestra | * | 1.67 | 405 | | | 1,142 | 09/99 - 04/07 | |
| | Heart of the Ocean | 1998 | James Horner | **** | 3.46 | 335 | || | 533 | 05/98 - 08/07 | |
| | Hollywood Stars: Music from the Films of Kevin Costner | 1998 | The City of Prague Philharmonic | **** | 3.77 | 106 | | | 847 | 07/98 - 07/06 | |
| | Hollywood Stars: Music from the Films of Mel Gibson | 1998 | The City of Prague Philharmonic | *** | 3.66 | 96 | | | 924 | 07/98 - 07/06 | |
| | Hollywood Stars: Music from the Films of Sean Connery | 1998 | The City of Prague Philharmonic | **** | 3.81 | 98 | | | 858 | 07/98 - 07/06 | |
| | James Horner: Suites and Themes | 1998 | Various | *** | 2.87 | 305 | || | 430 | 06/98 - 08/07 | bootleg |
| | Michael Kamen's Opus | 1998 | The Seattle Symphony Orchestra, London Metropolitan Orchestra | **** | 3.38 | 191 | || | 794 | 04/98 - 04/08 | |
| | The Motion Picture Scores of Arthur B. Rubinstein | 1998 | Various | *** | 2.56 | 182 | || | 1,129 | 12/98 - 08/07 | promotional |
| | The Omen: The Essential Jerry Goldsmith Film Music Collection | 1998 | The City of Prague Philharmonic, The Crouch End Festival Chorus | **** | 4.02 | 219 | || | 647 | 08/99 - 08/07 | |
| | Titanic: The Essential James Horner Collection | 1998 | The City of Prague Philharmonic and the Crouch End Festival Chorus | ** | 3.09 | 278 | || | 573 | 08/98 - 08/07 | |
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Status:
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N
| - indicates a new review that has been published in the last 90 days
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R
| - indicates an older review that has been significantly revised in the last 90 days
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Year:
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Year of Debut (a golden year indicates that the music won or was nominated for a major award)
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Ratings:
| FR |
- Filmtracks Rating ("Varied"
indicates a split rating with no overall designation)
| | VR |
- Viewer Rating (overall average)
| | VT |
- Vote Total (for viewer ratings)
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Comments:
| Comment Total (the number of messages posted in the review's comment area)
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Review Depth:
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- Massive Review (over 4,000 words)
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- Very Long Review (between 2,200 and 4,000 words)
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- Long Review (between 1,200 and 2,200 words)
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- Average Review (between 800 and 1,200 words)
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- Short Review (under 800 words)
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Traffic Rank:
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Popularity Rank (lower numbers indicate more cumulative reads; new reviews take time to climb the ranks)
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Dates:
| 1st
| - indicates the month and year during which the review was first published
| | 2nd
| - indicates the month and year of the review's most recent significant revision (if any)
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