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100 Rifles
(1969)
Album Cover Art
Composed and Conducted by:

Orchestrated by:
David Tamkin

Produced by:
Lukas Kendall
Jeff Bond
Labels Icon
LABEL & RELEASE DATE
Film Score Monthly
(February, 1999)
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ALBUM AVAILABILITY
Limited release of 3,000 copies, available only through FSM or specialty outlets.
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AWARDS
None.
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   Availability | Viewer Ratings | Comments | Audio & Track Listings | Notes
Buy it... if you delight in Jerry Goldsmith's darkly dissonant and richly textured Western action scores that test you with their often harsh and brutal tones.

Avoid it... if you'd prefer to be entertained by the score without feeling the need to study its multi-cultural intricacies.
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EDITORIAL REVIEW
FILMTRACKS TRAFFIC RANK: #931
WRITTEN 3/8/99, REVISED 9/9/07
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Goldsmith
Goldsmith
100 Rifles: (Jerry Goldsmith) Attempting to utilize the same basic elements as The Wild Bunch, 1969's 100 Rifles was a predictable failure. Stagnant direction by Tom Gries, worn action concepts in the Western genre, and a cast of stereotypically supporting stars thrown into prominent roles doomed the film. The Indian versus Mexican versus lawman concept prompted significant spaghetti Western action scenes, but they were shot with such a fixed, unengaging technique that nobody could ever have expected audiences to stay interested in them. Trying valiantly to compensate for this bland direction was composer Jerry Goldsmith, whose score for 100 Rifles could most easily be described as overachieving. Goldsmith was already well established in the Western genre at the time, with most of his classics already on film, and he was clearly defining the style of his sound as an alternative to Elmer Bernstein's more heroically fluid sense of Americana for 60's Westerns. Goldsmith would walk into 100 Rifles after having finished the highly acclaimed Planet of the Apes, and while the quality of projects represented a significant decline, the composer would maintain much of the instrumental creativity from that famous score in this undeserving Western. The complex, highly-layered music that Goldsmith would provide for 100 Rifles saves the film from total mediocrity and embarrassment. It's an interesting paragraph in Goldsmith's career story, but isn't of the caliber of his classic Western scores. He utilizes, perhaps moreso here than in any of his other genre scores, a creative array of traditional Latin instruments, along with a usual, moderately sized orchestra. His energetic Latin rhythms are mixed directly with his bombastic, brassy style of theme, making 100 Rifles a more intelligent multi-cultural listening experience than some of his other Westerns. At the same time, though, Goldsmith also infuses a significant sense of dissonant darkness into the score as necessary for some of the film's brutal scenes of killings.



Ratings Icon
VIEWER RATINGS
570 TOTAL VOTES
Average: 3.09 Stars
***** 100 5 Stars
**** 121 4 Stars
*** 154 3 Stars
** 122 2 Stars
* 73 1 Stars
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Track Listings Icon
TRACK LISTINGS AND AUDIO
Audio Samples   ▼
Total Time: 77:08
Stereo:
• 1. Main Title (1:25)
• 2. The Hanging (3:08)
• 3. Escape and Pursuit (3:52)
• 4. The Church (1:13)
• 5. Journey to the Fort (3:54)
• 6. I Want Their Heads (1:37)
• 7. Cliff Fight (1:21)
• 8. Burn and Pillage/Retribution (5:00)
• 9. Burning the Stronghold/New Morning (3:56)
• 10. Lyedecker and Sarita (2:30)
• 11. Across the Plains (1:04)
• 12. Ready for Ambush (1:31)
• 13. I'll Go Back (1:33)

Source Music:
• 14. Mariachi #1, stereo (2:04)
• 15. Mariachi #2, mono (1:33)
Mono:
• 16. Main Title (1:24)
• 17. The Hanging (3:08)
• 18. Escape and Pursuit (3:52)
• 19. The Church (1:12)
• 20. Journey to the Fort (3:54)
• 21. Our String Has Done Run Out (2:12)
• 22. I Want Their Heads (1:38)
• 23. Cliff Fight (1:22)
• 24. Downhill Ride (5:12)
• 25. Burn and Pillage/Retribution (5:00)
• 26. Burning the Stronghold/New Morning (3:54)
• 27. Lyedecker and Sarita (2:30)
• 28. Across the Plains (1:04)
• 29. Ready for Ambush (1:30)
• 30. Eulogy for Sarita (1:28)
• 31. I'll Go Back (1:32)

Notes Icon
NOTES AND QUOTES
The album contains the usual excellent quality of pictorial and textual information established in other albums of FSM's series, with extremely detailed notes about the film and score.
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The reviews and other textual content contained on the filmtracks.com site may not be published, broadcast, rewritten
or redistributed without the prior written authority of Christian Clemmensen at Filmtracks Publications. All artwork and sound clips from 100 Rifles are Copyright © 1999, Film Score Monthly and cannot be redistributed without the label's expressed written consent. Page created 3/8/99 and last updated 9/9/07.
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