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Courage Under Fire

Composed, Conducted, Orchestrated, and Produced by:
James Horner


Label:
Angel Records
Release Date:
July 30th, 1996


Also See:

Titanic
Deep Impact
The Perfect Storm
Glory
Enemy at the Gates


Audio Clips:

1. Hymn (0:30), 179K courage_fire1.ra

2. Al Bathra (0:32), 189K courage_fire2.ra

6. Monfriez's Suicide (0:30), 179K courage_fire6.ra

10. The Medal of Honor (0:30), 179K courage_fire10.ra



Availability:

  Regular U.S. release, but out-of-print as of 1998.


Awards:

  None.









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Courage Under Fire

Audio | Availability | Viewer Ratings | Tracks | Viewer Comments | Notes & Quotes
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Filmtracks Recommends:

Buy it... only if you are a devoted collector of James Horner's works and would be interested in hearing a preview to the action and drama techniques that would mature in several subsequent Horner scores.

Avoid it... if an underachieving pair of respectful themes and one short burst of instrumental and synthetic creativity don't warrant a compilation of mundane Hornerisms.



Filmtracks Editorial Review:

Horner
Courage Under Fire: (James Horner) Director Edward Zwick would collaborate with Denzel Washington and much of the same crew from the 1989 film Glory for a refashioning of the concepts of Akira Kurosawa's 1950 classic Rashomon in Courage Under Fire. The story depicts the actions of a female helicopter pilot in the first Gulf War, and the differing accounts of her actions that leave Washington's character unsure about whether his office should make her the first ever female recipient of the Congressional Medal of Honor. We see essentially the same set of circumstances repeated four times, each from the account of surviving witnesses from the battle in question. Much of the hype surrounding the film at the time was the casting of romantic movie veteran Meg Ryan as the pilot, though she handles the various role shifts quite well. As with many of Zwick's films, Courage Under Fire would be extremely fine in its technical qualities, and he would once again hire composer James Horner to provide the music for his vision. Coming off of the extraordinary span of a year in which he had composed Braveheart, Apollo 13, and Legends of the Fall, among others, James Horner suffered somewhat of a lapse in his production during 1996 until Titanic would forever change his career the following year. Even the highly acclaimed, barely known score for The Spitfire Grill existed outside of the large-scale production quality of his music from the previous year. In retrospect, the score for Courage Under Fire makes much more sense than it did at the time. Seemingly uninspired when it debuted, the work was deemed adequate, but somewhat aimless, lacking in the emotional pull that Horner listeners had become accustomed to. In sum, the score was flat. But on a technical level, Courage Under Fire would prove to be a compilation of styles that Horner would eventually develop in his later scores. From the outside, it would sound as though he was testing a number of thematic and stylistic elements in this score for possible elaboration at a later date, and there is plenty of evidence to back that theory up.

Horner fans sometimes refer to Courage Under Fire as a "transitional effort," while harsh critics would go so far as to say that this score is perfect evidence that Horner is a hack and overuses his own material. The pulsating rhythms of the action pieces, with piano and snare driving the pace, was an exact precursor to the sinking scenes in Titanic, and, retrospectively speaking, the entirety of the action variants for Courage Under Fire, including the introduction of the pulsing and elongated alternation between two rising chord sets, would serve as an extension of those non-romantic moments in Titanic. The hymn offered at the outset and in "A Final Resting Place" is the only part of the score that looks backward, taking significant rising movements and counterpoint accents from the title theme for Glory. The actual title theme for Courage Under Fire is a faint-hearted attempt to create the same restrained and somewhat sour romanticism that Horner would master in the theme for Deep Impact (and its wedding cue, specifically). The flashy splashes of electric guitar heard in "Al Bathra" would mature in The Perfect Storm. Pieces of brass work in the action material would also be expanded upon in Enemy at the Gates. There are other examples of where elements in Courage Under Fire would eventually end up, but the most important impression to keep in mind about this score is that everything you hear within it would later be produced by Horner in a superior form. The one unique moment of creativity in Courage Under Fire is actually quite spectacularly conceived, though; at the opening of "Al Bathra," Horner uses the sound effects of a helicopter ignition and the gradual increase in the pace and tone of its blade whooshes, eventually blending it into (and yielding to) the orchestra's natural, percussive rhythm. Otherwise, the score's generally low-key attitude defies the patriotism conveyed in the film and causes the score to be a mundane listening experience. The faults of this score are intangible, like any score that simply fails to resonate in an expected way. The album, with extraordinarily dull and inept packaging, fell completely out of print not long after its release. **

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   Viewer Ratings and Comments:



   Track Listings:
Total Time: 54:25

    • 1. Hymn (3:39)
    • 2. Al Bathra/Main title (10:12)
    • 3. Friendly Fire/Ilario's Story (3:07)
    • 4. The Elegy (3:46)
    • 5. Courage Under Fire (6:38)
    • 6. Monfriez's Suicide (3:21)
    • 7. Night Mutany (2:58)
    • 8. The Betrayal (3:10)
    • 9. Playing Back the Tape (2:55)
    • 10. The Medal of Honor/A Final Resting Place (14:39)




   Notes and Quotes:

    Insert includes no extra information about the score or film.







All artwork and sound clips from Courage Under Fire are Copyright © 1996, Angel Records. The reviews and notes contained on the filmtracks.com site may not be published, broadcast, rewritten or redistributed without the prior written authority of Filmtracks Publications. Audio clips can be heard using RealPlayer but cannot be redistributed without the label's expressed written consent. Page created 9/24/96, updated 5/20/07. Review Version 4.2 - PHP (Filmtracks Publications). Copyright © 1996-2008, Christian Clemmensen. All rights reserved.