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Filmtracks Recommends: Buy it... if you enjoy romantic Mexican and flamenco music led by traditional guitars and solo strings. Avoid it... if you only seek the Bryan Adams song and are not interested in the incidental underscore. Filmtracks Editorial Review:
Along with the Adams performance of the title song, a traditional Spanish rendition was also provided in the film and on album, and this was another major attraction for fans of the film. Film score enthusiasts should not be fooled by the actions of the general populus, however. Kamen's accompanying underscore is fabulous. It is simplistic in its emotions, drawing out the romance of the film and the song's theme with the same spirit of a typical Rachel Portman affair (and Chocolat specifically, with the same flavor). The song, of course (as with the Adams sound), is rich with guitars, and Kamen takes this a step further. The alternating Spanish, Mexican, and Arabian accents on the adoringly lovable theme provide very easy listening for the 40 minutes of the score's duration. Kamen surprisingly utilizes exact rhythms and performance characteristics of both Mexico and Spain, with even a habanera --a slow Cuban dance-- thrown in to a track of the same name. The solo performances by strings in Don Juan DeMarco offer both the passion and the comedy of the score, taking the main theme and one alternate theme and repeating them with immeasurable style throughout the effort. Upon first listen, the score could seem highly repetitious, and like Portman's romance music, Don Juan DeMarco does revolve around the same material for its entire length. But the key to enjoying the score is to become enveloped in the spirit of each interpretation of the theme and accept Kamen's work as a fluffy walk on the beach. There are moments when the full London orchestra fulfills the scenes of movie magic (and they even pull a woodwind rhythm from the Conan scores for the Arabian motif!), and these fully accompanied performances of the title theme are more enjoyable in many ways than the song. Nevertheless, the song is certainly the main event on the Don Juan DeMarco album, and people who wish to deprive themselves by seeking only the song can do so on Adams' "18 Till I Die" album. Overall, this is among Kamen's most playful, heartfelt, and listenable scores. ****
(listed track times on album are all slightly incorrect)
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