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Filmtracks Editorial Review:
The first and most obvious difference between the two scores is that McKenzie relies much more heavily on the symphony rather than the synthesizer. What's interesting, though, is that Dragonheart was one of Edelman's few electronically dominated scores which actually enhanced the fantasy-driven spirit of its film successfully (as opposed to, say, Gettysburg, for which the electronics were inappropriate). McKenzie has always been an orchestrator at heart, and it shows in his tendency to use whatever sized orchestra is available to him. He usually does pretty well with undersized performing groups, too, sometimes double or triple mixing a section of the orchestra onto itself in order to add needed "oomph" to the score. Dragonheart: A New Beginning, although well crafted as an original composition, seems restrained by the Slovack Philharmonic --not so much in the performances of the themes, but mostly during the action cues, which lack much needed depth of power. Edelman was able to compensate by pumping up the bass in Dragonheart, and perhaps something similar might have helped with McKenzie's score. Even with this flaw noted, Dragonheart: A New Beginning is still a fantastic effort for an otherwise unknown video spin-off film. The opening titles suite, as well as the original Oriental theme, "My Heart Goes With You," are superb, as are McKenzie's interpolation/integration of the Edelman "To the Stars" theme into his own cues. The underscore is solid, though the action cues, as mentioned, lack bite. On the whole, Dragonheart: A New Beginning is a strong score, and yet, it has a few nagging flaws that will likely send people back to their shelves for the Edelman original. The underpowered symphony is a problem; however, I had the opportunity to hear an early, 1999 edit of the score, and the final album mix has improved the problem substantially. The other minor flaw is the voice of Rona Figueroa, the actress in the film who performs the song version of "My Heart Goes With You." Her voice, while spectacularly talented, is too high pitched for the key of the song, and causes that song to become fluttery during its higher notes. McKenzie notes that the opportunity to write a symphony score for a film involving dragons and myth was grand, but as someone who knows his music very well, I was hoping for an even more daring score for Dragonheart: A New Beginning. While his scores since Durango have been enjoyable, McKenzie hasn't yet raised the bar another notch and produced that five-star score that his fans know he can create. Even though those fans were hoping that Dragonheart: A New Beginning would be that five-star venture, there remains plenty of time and opportunities for McKenzie in the coming years. ***
The insert includes notes from McKenzie and director Doug Lefler, as well as lyrics from the song. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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