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Section Header
Durango
(1999)
Composed, Co-Orchestrated, Conducted, and Produced by:
Mark McKenzie

Performed by:
The City of Prague Philharmonic

Co-Orchestrated by:
Patrick Russ

Label:
Intrada Records

Release Date:
March 25th, 1999

Also See:
Dr. Jekyll and Ms. Hyde
Frank and Jesse
Legends of the Fall
Far and Away

Audio Clips:
2. Main Titles (0:29):
WMA (191K)  MP3 (239K)
Real Audio (168K)

4. She's a Beauty (0:28):
WMA (188K)  MP3 (239K)
Real Audio (168K)

6. The Journey Begins (0:30):
WMA (200K)  MP3 (254K)
Real Audio (179K)

8. Making Progress (0:31):
WMA (202K)  MP3 (254K)
Real Audio (179K)

Availability:
Regular U.S. release.

Awards:
  None.









Durango

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Buy it... if you seek the beauty of an Irish-flavored orchestral score outside of the stereotypical norms you hear in mainstream feature films.

Avoid it... if uilleann pipes, pan pipes, and penny whistles, no matter the allure of their thematic environment, make your skin crawl even worse than accordions do.



McKenzie
Durango: (Mark McKenzie) Between 1997 and 1999, Hallmark Entertainment produced films for which few corners were cut in the musical score budget, and several of the industry's finest from the younger generation of composers took advantage of the opportunities to write and record some of the best music ever to be heard on the small screen. Mark McKenzie, whose career was largely littered with B-rate film scores and a wild variety of orchestration work for major blockbuster scores, entered the list of talented composers contributing to the Hallmark Hall of Fame series with 1999's Durango. A cast with a few familiar faces stars in a story of love and maturation set against 1940's Ireland, with the lush scenery stealing the show with its alluring greens. McKenzie's score responds with an equal tone of beauty, sparing no chance to underscore the landscape with a lyrical melody. Its Irish influences are never in doubt, and that flavor was particularly popular at a time when James Horner was ramming it into every score he possibly could. Even listeners who were worn by the constant Irish sound infused into film scores at the time made comments about McKenzie's knack for maintaining a fresh outlook on that ethnicity. While bodhran drums, uilleann pipes, penny whistles, pan pipes, and recorder are prominently featured in thematic statements and the melodies are rich with progressions familiar to traditional Irish musical verse, McKenzie does not allow them to fall into the predictable ruts that plagued Horner and other composers attempting the same Irish influence in the late 1990's. McKenzie's own personable and accessible style, evident in many of his character-based scores, lends Durango a unique feel that separates it from the pack. Among such McKenzie scores, including many similarly small-budget productions to follow, Durango is among his finest accomplishments.

Only $9.99
McKenzie employs a satisfying 70 members of The City of Prague Philharmonic, a group that was becoming quite accomplished in its film music recordings at the time. Unlike most scores that rely on the specialty instrument performers to carry the rest of the ensemble, the strength of Durango exists in its balance between those solo elements, the ensemble's tasteful and well mixed performance, and the beauty of McKenzie's several themes. While the score deceives you into thinking that it is parochial and simplistic upon first listen, the suite at the very start demonstrates that the score consists of great thematic wealth and complexity. No less than five themes grace Durango, each with significant performances by both the full ensemble and by the soloists. These themes are provided in snapshot succession in the score's two best cues, "Durango Suite" and "The Journey Begins." Each maintains the same elegant spirit, with McKenzie's usual lush and soft touch gracing their performances in the opening suite. The latter cue adds rhythmically satisfying drums to the equation. One of the more remarkable aspects of these suites, and the other thematic performances that almost always are in play, is McKenzie's ability to switch off between themes so seamlessly that it becomes difficult to distinguish them at times. When you apply this technique to the rare action material in Durango, you get a restrained but effective elevation in bombast without that resists the realm of simple loudness. Two solos by trumpet and several simply gorgeous solos by the recorder are the ultimate selling points of the score, raising memories of some of the most enchanting moments of John Williams' popular but seldom heralded music for Far and Away. On album, dissonance is almost completely absent, allowing for 45 minutes of the most relaxing Irish-flavored underscore available today, though with its release pressed by Intrada Records (McKenzie's most active supporter through the years), don't expect to find wide availability of the product. ****   Amazon.com Price Hunt: CD or Download

Bias Check:For Mark McKenzie reviews at Filmtracks, the average editorial rating is 3.78 (in 9 reviews)
and the average viewer rating is 3.45 (in 3,022 votes). The maximum rating is 5 stars.





 Viewer Ratings and Comments:  


Regular Average: 3.6 Stars
Smart Average: 3.47 Stars*
***** 105 
**** 124 
*** 73 
** 43 
* 32 
  (View results for all titles)
    * Smart Average only includes
         40% of 5-star and 1-star votes
              to counterbalance fringe voting.
   Thanks Christian
  thw -- 7/28/08 (8:28 a.m.)
Read All | Add New Post | Search | Help  




 Track Listings: Total Time: 43:56


• 1. Durango Suite (6:57)
• 2. Main Titles (4:43)
• 3. Farewell Speech (1:24)
• 4. She's a Beauty (0:54)
• 5. Elope? (1:35)
• 6. The Journey Begins (5:57)
• 7. God Save the Republic! (1:17)
• 8. Making Progress (2:08)
• 9. Haunted Hill (2:01)
• 10. Dog Attack (1:56)
• 11. Mark & Annie's Love Theme (2:07)
• 12. Fight for Privilege (2:59)
• 13. Good Day to You (2:19)
• 14. Mission Accomplished (2:27)
• 15. Fire! (2:33)
• 16. We're Getting Married (1:30)




 Notes and Quotes:  


The insert includes the following note from McKenzie:

    "Durango is a story about a young Irish man Mark, who learns that love and life are more than warm feelings and provision for one's self. As he courageously drives cattle across the Irish countryside in the early 1940's, he learns that love requires selflessness, responsibility, hard work, passion, and tenderness. He also learns that life requires wisdom, humor, risk taking, generosity, responsibility to others, and courage to stand for what is right in the face of powerful opposition.

    Musically my efforts were to support and where possible enhance the drama and emotions that director/producer Brent Shields so eloquently brought to life. I set out to compose a melodic score filled with tenderness, humor, passion and drama. The combined 70 piece orchestra was a joy to work with, for there is nothing quite like the beauty and power of talented live musicians. At times I enjoyed making use of the traditional Irish instruments such as bodhran drums, uilleann pipes, penny whistle, recorders, and pan pipes.

    Every movie is a wonderful collaboration with a new family. It was rewarding to have composed music for such a beautiful Hallmark Hall of Fame movie, and to have worked closely with the many gifted and generous people listed here."





   
  All artwork and sound clips from Durango are Copyright © 1999, Intrada Records. The reviews and other textual content contained on the filmtracks.com site may not be published, broadcast, rewritten or redistributed without the prior written authority of Filmtracks Publications. Audio clips can be heard using RealPlayer but cannot be redistributed without the label's expressed written consent. Page created 5/16/99 and last updated 8/25/07. Review Version 5.1 (PHP). Copyright © 1999-2013, Christian Clemmensen (Filmtracks Publications). All rights reserved.