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The Giant of Thunder Mountain
(1991)
Album Cover Art
Composed, Conducted, and Produced by:

Orchestrated by:
Ira Hearchen
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LABEL & RELEASE DATE
Citadel Records
(August 23, 1995)
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ALBUM AVAILABILITY
Regular U.S. release. The original 1995 pressing of the album fell out of print, but Citadel reissued an identical product in 2005 at regular commercial pricing.
Awards
AWARDS
None.
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ALSO SEE





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   Availability | Viewer Ratings | Comments | Audio & Track Listings | Notes
Buy it... if you are an avid collector of Lee Holdridge's heartfelt family scores, or appreciate tender harmonica performances.

Avoid it... if you don't yet own many (if any) Holdridge scores and are looking for a place to start a collection of his works.
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EDITORIAL REVIEW
FILMTRACKS TRAFFIC RANK: #1,378
WRITTEN 3/15/97, REVISED 3/5/06
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Holdridge
Holdridge
The Giant of Thunder Mountain: (Lee Holdridge) Even by the standards of composer Lee Holdridge's usual television and B-film projects, The Giant of Thunder Mountain was a monumental failure. It's a project that centers entirely around actor and writer Richard Kiel, who most people will recall as the immense character 'Jaws' from the James Bond films The Spy Who Loved Me and Moonraker. Believe it or not, Kiel's acting through the years has taken a back seat to his Christian faith, which has led him to spend much of his time spreading that faith and writing screenplays for films that essentially tell tales that promote those beliefs as well. Judging from the audience response to his story for the 1991 theatrical release The Giant of Thunder Mountain, perhaps we now know why studios aren't leaping at the opportunity to purchase these scripts. With practically no critical response whatsoever and a no-name studio and distributor, the film grossed only $127,000 and marked the end of cinematographer James Roberson's directing exploits. Nevertheless, The Giant of Thunder Mountain maintains interest from fans of the famous Bond villain (and his Christian preaching), as well as collectors of Lee Holdridge's scores. Holdridge is no stranger to such projects; it seems that if there's any heart-warming family story about overcoming prejudice, Holdridge is available and ready to provide a score better than what the film deserves. In the case of The Giant of Thunder Mountain, the story is about Kiel's self-written role as a giant hermit living in the woods of 1900 Northern California, and the harassment he experiences while a young girl from the local town is unafraid of his size and befriends him. Carnivals, torching mobs, and roaring Grizzly bears don't keep Holdridge away from the family-friendly soft themes for very long, and his score is as unchallenging as it is redeeming.



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VIEWER RATINGS
100 TOTAL VOTES
Average: 2.95 Stars
***** 17 5 Stars
**** 23 4 Stars
*** 21 3 Stars
** 16 2 Stars
* 23 1 Stars
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Track Listings Icon
TRACK LISTINGS AND AUDIO
Audio Samples   ▼
Total Time: 43:04
• 1. Prologue (Main Theme) (1:07)
• 2. The Giant (1:43)
• 3. In the Giant's Cabin (1:53)
• 4. Up the Mountain (1:21)
• 5. Taunting the Giant (1:35)
• 6. Return to the Cabin (1:27)
• 7. Amy/The Bear (4:15)
• 8. In the Forest (0:49)
• 9. Amy and the Giant (1:28)
• 10. Burning the Cabin (2:00)
• 11. The Villain (2:43)
• 12. Hunting the Giant (4:36)
• 13. Stalking the Villain (3:39)
• 14. Meadow Walk (1:22)
• 15. Members of the Club (1:50)
• 16. Wood Carving (2:46)
• 17. Unease (3:23)
• 18. Pursuit (0:57)
• 19. Villainy (1:12)
• 20. Finale (2:30)

Notes Icon
NOTES AND QUOTES
The insert includes no extra information about the score or film.
Copyright © 1997-2018, Filmtracks Publications. All rights reserved.
The reviews and other textual content contained on the filmtracks.com site may not be published, broadcast, rewritten
or redistributed without the prior written authority of Christian Clemmensen at Filmtracks Publications. All artwork and sound clips from The Giant of Thunder Mountain are Copyright © 1995, Citadel Records and cannot be redistributed without the label's expressed written consent. Page created 3/15/97 and last updated 3/5/06.
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