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Filmtracks Recommends: Buy it... only for sentimental reasons in the post-2000 market and for a fraction of its original collector's prices. Avoid it... if you seek it for anything other than Baby: Secret of the Lost Legend and you have no interest in the collectibility of the product. Filmtracks Editorial Review:
The most notable aspect of the album that has diminished since 2000 has been its value. The only reason for this devaluation has been the subsequent release of three of the four scores represented on the album. Each suite of four to seven tracks contained anywhere between 16 and 22 minutes of material from each entry, and with far more complete album releases of The Flim-Flam Man and Take a Hard Ride by Film Score Monthly and Magic by Varèse Sarabande, the album is far less appealing than it had once been. The only remaining unreleased score as of 2005 is Baby: Secret of the Lost Legend, and this score has been bootlegged with additional material on the secondary market. Thus, as the market has matured, the Jerry Goldsmith SPFM Tribute CD is an honored relic of a time past. As for the music, the two main attractions of the album back in 1993 were Take a Hard Ride and Baby: Secret of the Lost Legend. The first was a 1975 Western that features one of Goldsmith's more lyrical themes and a creative use of percussion; it was remastered with great result by FSM. On the other hand, 1984's Baby: Secret of the Lost Legend was part of Goldsmith's venture into the same fantasy animal genre that would produce Legend with many similar characteristics two years later. By far the most orchestrally robust and bombastic score of the four on this CD, Baby: Secret of the Lost Legend features a very simplistic octave-loyal theme that repeats often (usually demanding a significant performance from trombones and tuba) and builds into a relentless progression of action throughout its four tracks here. Percussive rhythms are outstanding in "Rampage" and "The Rescue," both exhibiting Goldsmith's harsher action tones with great vigor. Electronics retain many characteristics from Under Fire. Both The Flim-Flam Man (1967) and Magic (1978) utilize a harmonica, but in very different ways. The former retains an uncomplicated heart similar to that of A Patch of Blue while Magic skirts the horror genre with its slightly deranged major and minor key love theme. Overall, the individual treatment of the subsequently released scores reveals better sound quality and presentation than what exists on this Jerry Goldsmith SPFM Tribute CD. While Baby: Secret of the Lost Legend has always been the most interesting score of the four, its sole possession of the title of "unreleased" even today may not merit the kinds of residual prices that the compilation could demand from Goldsmith completists. It's another one of those formerly valuable albums that you remember fondly, for it had it's day in the sun, but nobody in their right mind should pay significantly for it today. *****
The insert includes detailed liner notes by Douglass Fake about each of the four scores. The album was digitally mastered at Intrada Records. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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