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Filmtracks Recommends: Buy it... if Basil Poledouris' massive action cues are pleasing to you despite the lack of much coherent organization or dominant theme. Avoid it... if you prefer Poledouris' more creative orchestral and synthetic adventures featuring memorable themes. Filmtracks Editorial Review:
Poledouris' score for The Jungle Book accomplishes its mission in accompanying the film with the full force of the orchestra. He does offer a manageable title theme, but it never fully realizes a noteworthy performance like the Free Willy one does on countless occasions. The theme for The Jungle Book pleases as it plays, but is impossible to recall once the score has finished. A slightly desperate, but persevering orchestral consistency in sound often explodes into exciting action cues that are seemingly out of control. They use their massive noise to propel the film, without much guidance, but these moments are astonishingly enjoyable to hear on album. Even without a cohesive element to draw these fast action cues together, the London Studio Orchestra impresses with volume, counterpoint, and harmony. There is only a sparing use of jungle percussion, which is a major disappointment considering how well Poledouris utilizes that section of the orchestra in his other scores for outdoor adventures. As is, the score is fluffy in tone and light in thematic breadth, and is thus a pleasant listen. It is begging, though, for some originality, and the inclusion of more diverse and interesting percussion could have assisted this score in standing out. Somber underscore for character-building scenes does little to assist the score's search for a personality. The album situation is a curious one. Released by Milan in 1994, most American pressings contain ten cues of Poledouris score at 48 minutes in length. Some European pressings by Milan seem to have the "Two Different Worlds" pop song by Kenny Loggins at the front of the album (and then the same Poledouris contents). Both albums are out of print, and even though they present some strong Poledouris action material, can be missed without too much worry. ***
* track does not appear on some pressings of the album
Insert includes a short note about Poledouris' career up to 1994. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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