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Filmtracks Recommends: Buy it... only if you are interested in the collection of hymns, chain gang songs, and blues music that serves as the source material for the film. Avoid it... if you are expecting anything even remotely interesting from Graeme Revell's small underscore contribution to the film and album. Filmtracks Editorial Review:
How Revell ended up on this project is a mystery, but his music for Open Water is as minimalistically structured as any he has ever written. Composed and programmed for performance by just one artist at the synthesizer, Open Water has very little noteworthy material of which to speak. The most interesting aspect of the score is that Revell made no attempts to hide the outcome of the expedition. The music drones without character before dive just as much as it does as the primary characters die. There was definitely no George Fenton-like Deep Blue inspiration to be heard before everything goes wrong. Only three subtle deviations from the monotone droning can be discussed. First, Revell uses the chopping of a helicopter blade to represent the arrival of the sharks. As they close in for the kill in "Sharks Circle," Revell presents a slow banging of a drum to signify death. Otherwise, the only break from the constant droning is the short blast of drums heard as the discovery of the couple's absence is finally realized. Revell's score on album is less than 12 minutes, and his material is supplemented by one cue by Yoav Goren and Jeff Fayman (the totally non-descript "Dive Boat Leaves the Site"), as well as a collection of hymns, chain gang songs, and blues music that serves as source material for the region. Their use in the film accentuates the fact that these two city-dwellers stranded in the ocean can't be further from home. On album, the songs' varying tones of spirit, including a significant amount of archival sound, could not differ more from the drab score by Revell. The Indonesian girls choir in "Yendisare Aimando" is perhaps too celebratory compared to what follows, but its beauty is easily the highlight of the album. It is a rare case where the source songs are superior to the score on an album, but Revell's music is so bland that the source songs are the only reason to purchase the Open Water album. The lack of imagination in Revells work here far outweighs any effectiveness that he was hoping to achieve through the intentionally droning and singular approach. Skip the film and album and go straight to the nice walk in the park. *
* score by Graeme Revell ** score by Yoav Goren and Jeff Fayman
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