DVD Raiders of the Lost Ark on DVD

John Williams featurette
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Raiders of the Lost Ark
Original CD Issue

1995 Re-issue


Composed, Conducted, and Produced by:
John Williams
Performed by:
The London Symphony Orchestra
Orchestrated by:
Herbert Spencer


Labels and Dates:
Polydor
(1988)

DCC Compact Classics
(November 29th, 1995)



Also See:

Indy and the Last Crusade
E.T. The Extra-Terrestrial
Close Encounters


Audio Clips:

7. To Cairo (0:30), 150K raiders7.ra

9. The Map Room: Dawn (0:30), 151K raiders9.ra

15. To the Nazi Hideout (0:24), 47K raiders15.ra

16. Ark Trek (0:29), 55K raiders16.ra



Availability:

  The reissue is a regular U.S. release. The previous editions (both the German and Japanese Polydor) are out of print, but still available in some stores. The original version was reprinted by Polydor many times around the world, each using the same cover art.


Awards:

  Academy Award Nominee, 1981.










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Raiders of the Lost Ark

Audio | Availability | Viewer Ratings | Tracks | Viewer Comments | Notes & Quotes
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Filmtracks Editorial Review:

Williams
Raiders of the Lost Ark (John Williams) Sandwiched in between The Empire Strikes Back and E.T. The Extra Terrestrial, the first of the Indiana Jones scores has often been underrated and sadly overlooked. Whereas the E.T. score defines the best of the magical children's fantasy genre, Raiders of the Lost Ark is perhaps one of the best scores ever composed for the action adventure genre. Aside from providing one of the most recognizable tunes in the history of American cinema, it also gave life to two momentous and popular sequel scores. Why Raiders of the Lost Ark lost the Academy Award to Chariots of Fire is one of the more baffling mysteries of film music, and caused strain between those who believe in the sanctity of orchestral scores over that of electronic pop music.

Most of the world has reached the point where the "Raider's March" has become heard a few too many times. It's the type of enigma that everyone recognizes as great fun, but nobody can tolerate very many times because of over-exposure. The entire score for Raiders of the Lost Ark survives beyond the title march, though, because of the powerful supporting themes that work magic both in the score and film. Marion's theme functions with much of the same whimsically romantic quality of the love theme in Superman. The theme for the Covenant of the Ark is a magnificent counter-theme to the march, allowing Williams to introduce the full adult choir to add the necessary religious qualities to the film. The theme for the Nazis is pompous, yet not as blatant and overbearing as the Nazi theme in Indiana Jones and the Last Crusade. As a side note, though the theme for the Ark is cleverly hinted at in the underground scene of Indiana Jones and the Last Crusade, Williams chose not to employ a variation of the Nazi theme from Raiders of the Lost Ark in that third sequel, which I felt was very unfortunate.

The classic scores of Williams' career from the late 1970s to the early 1980s have been receiving incredible re-release treatment in recent years. Fifteen years after their composition, the complete original scores are finally making their way onto a digitally preserved medium. Raiders of the Lost Ark was a trend setter; after being re-released in 1995 by the DCC record label, other labels took it upon themselves to release E.T. in 1996, the Star Wars scores in 1997, Close Encounters of the Third Kind in 1998, and many others. The only remaining score in desperate need of an expanded re-release is, ironically, Indiana Jones and the Temple of Doom, though reports (as of 1998-1999) indicate that a re-release of that score can be expected shortly after the turn of the century.

This beautiful re-release of Raiders of the Lost Ark contains over 30 more minutes of previously unreleased music. Score previously missing from eight scenes was added, and numerous tracks were lengthened with additional materials. The entire score is not present, however. The original double-LP set is currently still the only way to get the entire Raiders score. Because 80 minutes of music couldn't be squeezed onto a single CD release, six minutes have been permanently sacrificed. These six minutes were chopped off of the "Well of the Souls" track, which is, in my opinion, an acceptable omission because the missing music isn't by any means interesting. Remember, and LP double set can still fit more music than a single CD. The additions to this expanded re-release are more than enough to make any Williams fan happy.

I recommend that you pick up a copy of this release in favor of the original Raiders of the Lost Ark release. Like the expanded release of E.T. a year later, this expanded treatment provided many more of the interesting and dark cues of flavor from the film. Most notable are the new tracks near the end of the film, including "To the Nazi Hideout" and "Ark Trek." Having heard the main march so many times, you might discover that these smaller gems for tracks in the middle are your favorites as well. Luckily, all of the album versions contain the most stunning pieces from the score, "The Map Room: Dawn." The sound quality of this original is very good, and extensive notes appear in the booklet that comes with this CD. Previously unpublished interview material with both Williams and Spielberg are included, thanks to Film Score Monthly editor Lukas Kendall. Each track is labeled with the action sequences it can be heard with in the film. The booklet is also rich with original storyboard drawings and production photos. Make sure you purchase the entire package when looking in stores, because some places (for reasons beyond me) have stripped the outside sleeve and booklet off the CD --both in new and used forms. *****




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   Track Listings (Original Polydor Albums):
Total Time: 40:14

    • 1. Raiders of the Lost Ark (6:05)
    • 2. Escape from Peru (2:26)
    • 3. The Map Room: Dawn (3:58)
    • 4. The Basket Game (4:50)
    • 5. The Well of the Souls (5:00)
    • 6. Desert Chase (7:44)
    • 7. Marion's Theme (3:13)
    • 8. The Miracle of the Ark (6:14)
    • 9. The Raiders March (2:29)


   Track Listings (1995 Re-issue):
Total Time: 74:00

    • 1. The Raiders March (2:50)
    • 2. Main Title: South America, 1936* (4:10)
    • 3. In the Idol's Temple** (5:26)
    • 4. Flight from Peru (2:20)
    • 5. Journey to Nepal* (2:11)
    • 6. The Medallion* (2:55)
    • 7. To Cairo (1:29)
    • 8. The Basket Game** (5:04)
    • 9. The Map Room: Dawn (3:52)
    • 10. Reunion and The Dig Begins* (4:10)
    • 11. The Well of Souls** (5:28)
    • 12. Airplane Fight* (4:37)
    • 13. Desert Chase** (8:15)
    • 14. Marion's Theme (2:08)
    • 15. The German Sub*/To the Nazi Hideout* (4:32)
    • 16. Ark Trek* (1:33)
    • 17. The Miracle of the Ark (6:05)
    • 18. The Wharehouse* (0:56)
    • 19. End Credits (5:20)

    * Previously unreleased
    **Contains previously unreleased material






   Notes and Quotes:

    Williams
    Williams with Spielberg
    "I really believe that John brought back a lost art which was one of the great achievements of the '30s and '40s. It all finally came to a full stop with the soundtrack of Easy Rider in 1969. That's when the 'needle-drop' soundtrack became popular, collages of old hit songs that made movies sound like top-40 radio stations. The last great old-style score before John was Spartacus in 1960, a film that represented the end of an era in several respects. Elliptical films, vignette films became popular, and the big entertainments that the movies had created to compete with television were over. I had to stop buying movie soundtrack albums because there weren't any I wanted to hear anymore!

    Not too long ago, in a country not so far away, adventurer archeologist, Indiana Jones, embarked on an historically significant search for the Lost Ark of the Covenant. Joining him on this supernatural treasure hunt was the London Symphony Orchestra under the baton of composer John Williams. Were it not for many crucial bursts of dramatic symphonic accompaniment, Indiana Jones would surely have perished in a forbidding temple in South America or in the oppresive silence of the great Sahara desert. Nevertheless, Jones did not perish but listened carefully to the Raiders of the Lost Ark score. Its sharp rhythms told him when to run. Its slicing strings told him when to duck. Its several integrated themes told adventurer Jones when to kiss the heroine or smash the enemy. All things considered, Jones listened...and lived. John Williams saves yet another life and gives our picture, Raiders of the Lost Ark, a new, refreshing life of its own. Thanks, John."

          -- Steven Spielberg, director, April 1981.








All artwork and sound clips from Raiders of the Lost Ark are Copyright © 1995, DCC Compact Classics, Polydor. The reviews and notes contained on the filmtracks.com site may not be published, broadcast, rewritten or redistributed without the prior written authority of Filmtracks Publications. Audio clips can be heard using RealPlayer but cannot be redistributed without the label's expressed written consent. Page created 9/27/96, updated 1/21/03. Review Version 4.2 - PHP (Filmtracks Publications). Copyright © 1996-2008, Christian Clemmensen. All rights reserved.