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Six Degrees of Separation

Composed, Conducted, and Produced by:
Jerry Goldsmith
Orchestrated by:
Arthur Morton
Performed by:
The Victorian Philharmonic Orchestra of Melbourne


Label:
Elektra Entertainment
Release Date:
March 1st, 1994


Also See:

Fierce Creatures


Audio Clips:

1. Ouisa and Flan (0:29), 145K six_degrees1.ra

11. The Blade (0:30), 150K six_degrees11.ra

15. Safe Trip (0:30), 150K six_degrees15.ra

26. No Heart (0:30), 150K six_degrees26.ra



Availability:

  Regular U.S. release.


Awards:

  None.









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Six Degrees of Separation

Audio | Availability | Viewer Ratings | Tracks | Viewer Comments | Notes & Quotes
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  Sales Rank: 204984

  Avg. Rating: 4.00

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Filmtracks Editorial Review:

Goldsmith
6 Degrees of Separation: (Jerry Goldsmith) For Fred Schiepsi's film adaptation of the Broadway play of the same title, a talented cast of actors was assembled to portray this intelligent culture comment piece. The film's drama and comedy are carried by its dialogue, and the role presented Will Smith in an unusually smart and sophisticated light. The score by Jerry Goldsmith would have to mirror all of the snobbish, elitist attitudes that the film presents at its core, making a cultural statement of its own. Goldsmith responded by composing a short, though snazzy tango and sparingly intermingling it with urban jazz throughout the film. In the finished product, the music suffices to create the atmosphere of the upper-class environment (and some have argued that it did so brilliantly). But in the same way the Fierce Creatures would function a few years later, the score for 6 Degrees of Separation is a piece that nearly gets lost in the mix when compared to the dialogue in the film. It's one of the most trite, underplayed small-ensemble works Goldsmith has produced since the 1960s. Consisting of the tango essentials, as well as a few extra strings and woodwinds, the performing group makes its mark through its sharp, distasteful edge rather than its volume. Lengthy scenes of dialogue (typically intellectual conversations of little use) are bracketed by Goldsmith's score, and occasionally a somber jazz minimalism accompanies a few of these scenes. All in all, there is only about ten minutes of Goldsmith's material actually featured up front and center in the film. Goldsmith is successful to the end of creating an unlikable score for an unlikable film, though this presents obvious problems for the album.

Many film music critics have commented that the album for 6 Degrees of Separation is the worst example of a soundtrack album in the history of such commercialization. The packaging is so badly mislabeled that it can make a person weep when trying to figure out who wrote what. The tracks are poorly sequenced, with roughly 15 minutes of Jerry Goldsmith score mixed with 20 minutes of quotes and unrelated musical material. Since every Goldsmith track is separated (undoubtedly in six degrees!) by a quote, often presented at a difficult volume, it's very tough to listen to for the score alone. Goldsmith, as he would do in Fierce Creatures and other scores that depended on short bursts of style rather than significant substance, recorded a suite of the material from 6 Degrees of Separation for the end of the album. The recording quality is decent, though the ensemble Goldsmith employs is recorded at an ultra-close range, giving the sound of a quartet performance in a tight room. Never are the soloists allowed to unleash any of Goldsmith's talented jazz styles. Rather, for the characters in the film, it's stuffy, uppity, and arrogant music. That may work with the plethora of quotes on the album, if not for their own mismanagement. Of all the quotes the album producers chose to include on the CD (and the film had its share of decent pokes), they didn't include the only really enjoyable ones, such as the scene in which Paul, played by Will Smith, describes how to pronounce words properly to impress the wealthy... as in "bottel" instead of "bottle." The packaging is poorly labeled and completely forgets to mention track #24 --an unknown Goldsmith cue, presumably-- in its listings. An extra jazz piece by Paul Grabowsky, as well as short snippets of Cole Porter and Claude Debussy extend the suffering caused by this album. Whether you can tolerate the ten minutes of Goldsmith music in the film is one thing, but you can't deny that this is one of the worst albums of all time.

    Score as heard in film: **
    Score as heard on CD: FRISBEE
    Overall: *




   Viewer Ratings and Comments:

    Regular Average: 2.17 Stars
    Smart Average: 2.32 Stars
    *
    ***** 22 
    **** 12 
    *** 29 
    ** 56 
    * 84 
    (View results for all titles)
        * Smart Average only includes
             40% of 5-star and 1-star votes
                  to counterbalance fringe voting.
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   Track Listings:
Total Time: 34:12

    • 1. Ouisa and Flan* (1:53)
    • 2. Six Degrees of Separation (1:22)
    • 3. Just One of those Things** (1:06)
    • 4. Sidney Poitier (1:26)
    • 5. Give Six*** (2:32)
    • 6. Painters (0:30)
    • 7. There Is a God* (1:30)
    • 8. Cats (0:51)
    • 9. The Teacher* (1:36)
    • 10. Dream about Painters (1:09)
    • 11. The Blade* (0:43)
    • 12. Imagination (1:55)
    • 13. The Kiss* (0:55)
    • 14. Dream Sequence (0:44)
    • 15. Safe Trip* (0:45)
    • 16. Both Sides* (0:25)
    • 17. Do we Have a Story to Tell You (1:28)
    • 18. No Heart* (1:05)
    • 19. You're an Idiot (0:44)
    • 20. Not Family* (0:33)
    • 21. The Truth (0:29)
    • 22. Quartet in G Minor, Opus 10# (1:18)
    • 23. Listen to Me (2:04)
    • 24. UNKNOWN TRACK*# (0:50)
    -- mislabelled on packaging: all subsequent tracks out of sequence.
    -- packaging claims the CD only has 25 tracks.

    • 25. I Read Today (2:21)
    • 26. No Heart* (5:05)

    Tracks in white are quotes from the film, written by John Guare
    * Music composed by Jerry Goldsmith
    *# Mystery Goldsmith track missing from track listings

    ** Music/words composed by Cole Porter
    *** Music composed by Paul Grabowsky
    # Music composed by Claude Debussy






   Notes and Quotes:

    Insert includes no extra information about the score or film. Packaging is very confusing, and it is difficult to tell which tracks are score tracks and which are dialogue tracks.







All artwork and sound clips from Six Degrees of Separation are Copyright © 1994, Elektra Entertainment. The reviews and notes contained on the filmtracks.com site may not be published, broadcast, rewritten or redistributed without the prior written authority of Filmtracks Publications. Audio clips can be heard using RealPlayer but cannot be redistributed without the label's expressed written consent. Page created 7/11/98, updated 9/1/03. Review Version 4.2 - PHP (Filmtracks Publications). Copyright © 1998-2008, Christian Clemmensen. All rights reserved.