Filmtracks Recommends:
Buy it... on the Romanian bootleg release containing both Testament and the 1989 score for In Country if you appreciate James Horner's more somber, humbling dramatic works for solo instruments over very basic orchestral accompaniment. Avoid it... if only the quality of the finale from In Country is worth the trouble of finding that rare collection of early Horner music, because while Testament is an interesting score, it is a frightfully depressing listening experience when separated to a presentation on its own. Filmtracks Editorial Review:
Testament: (James Horner) The 1983 apocalypse film Testament was originally produced as a television project for PBS's "American Playhouse," but the quality of the film was considered so high that Paramount decided to purchase the rights for a full theatrical release. Its production qualities are still those of a made-for-TV film, with minimal, improvised special effects, strong acting performances (rewarded with an Oscar nomination for lead actress Jane Alexander), and a reliance upon a strong adaptation of Carol Amen's short story, "The Last Testament." The plot resembles many that prevailed due to societal fears that festered in Ronald Reagan's nuclear-ambitious period of the early-80's, with the concurrently seen telefilm "The Last Day" better remembered for its more famous cast and melodramatic treatment of everyday America after a nuclear war. The unrestrained and stark reality of Lynne Littman's Testament is a disturbing experience to say the least, with the primary suburban family in its story slowly dying off as radiation spreads and the skies grow dark. The coping of average people in such an aftermath of global annihilation is no light topic, and some audiences likely found Testament too overly disturbing to tolerate. It is understandable that James Horner's score for the film is equally depressing, carefully augmenting a handful of scenes with very underplayed melodrama while much of the story was left unscored to allow the gravity of the plot to sink in. Although the composer had already hit the mainstream with his immense science fiction music by this time, his work here is built for an ensemble of only ten players and usually consisting of duets or solo trumpet or woodwind performances, yielding an extremely respectful stance while mourning a lifestyle lost. The resulting intellectual, largely unheralded score for this somber glimpse at unexpected heroism may provide some pleasant surprises for a learned Horner collector sympathetic to the composer's less obvious dramatic techniques. The standout tracks in Testament include the cue for the bike ride shared by father and son before the war, with Horner providing one of his more enjoyable family theme variations for horn, synthesizer, harp, piano, and strings (an interesting precursor to his children's work a decade later). A title theme for horn exists separately, a variation on this consistently utilized idea recollected by haunting choir in the late moments of the score. Less engaging is a theme for another specific boy in the family, eerily dying in its progressions as appropriate. On the whole, striking solo performances define Testament; the respect that Horner shows with the melodic simplicity of his work is shown in the fact that he mirrors the hopeless optimism of the primary character (the family mother) with slowly deteriorating statements of the title theme in a persistently major key form. It's interesting to notice how many mannerisms in this early Horner score would manifest themselves in much greater depth later in his career. The sound quality for the score is outstanding given its age, and it is reproduced well in the film despite existing in a monaural soundscape. It has existed on several bootlegs, the most well known of which a 1996 Romanian "Vivo" label album that also features Horner's more accessible In Country as an appended suite of 30 minutes in length, though in 2011, Film Score Monthly released the Testament score in slightly longer form to account for a variety of source recordings. For many years, this bootleg and the others that followed were a considered top collectibles and fetched unreasonable prices on the secondary market, but not for Testament; the solemn but heroic fully orchestral journey heard in In Country is far more appealing and drove most of the demand for the combined presentations on album. With both the two humbling scores sharing a common introspective style, the Romanian bootleg is a strong recommendation for collectors of Horner's dramatic works. Aside from that, completists will find FSM's product for Testament alone to be an intriguing glimpse at the composer's trademark mannerisms in early developmental stages, despite the topic's overwhelmingly depressing demeanor. *** Track Listings (1996 Vivo Music Bootleg):
Total Time: 55:56
Track Listings (2011 FSM Album):
Total Time: 30:57
All artwork and sound clips from Testament are Copyright © 1996, 2011, Vivo Music (bootleg), Film Score Monthly. The reviews and notes contained on the filmtracks.com site may not be published, broadcast, rewritten or redistributed without the prior written authority of Filmtracks Publications. Audio clips can be heard using RealPlayer but cannot be redistributed without the label's expressed written consent. Page created 12/2/96, updated 3/3/13. Review Version 4.1 - PHP (Filmtracks Publications). Copyright © 1996-2013, Christian Clemmensen. All rights reserved. |
1996 Bootleg