iTunes (U.S.)
eBay (U.S.)
Glisten Effect
Editorial Reviews
Scoreboard Forum
Viewer Ratings
     1. Aladdin (2019)
    2. Pokémon Detective Pikachu
   3. Avengers: Endgame
  4. Shazam!
 5. Dumbo
6. Captain Marvel
         1. Gladiator
        2. Batman
       3. Nightmare Before Christmas
      4. Titanic
     5. Justice League
    6. Star Wars: The Last Jedi
   7. Harry Potter: Sorcerer's Stone
  8. Maleficent
 9. Star Wars: The Force Awakens
10. Edward Scissorhands
Home Page
Menu Options ▼
Comments about the soundtrack for Hart's War (Rachel Portman)

Edit | Delete
Re: Another take (that's far more negative)
• Posted by: Bubba   <Send E-Mail>
• Date: Sunday, February 17, 2002, at 5:41 p.m.
• IP Address:
• In Response to: Another take (that's far more negative) (Hasta)

> One thing is for certain: it's nearly impossible for Portman to
> completely lose the charm of her compositions when she's given a full
> orchestral ensemble. There is an intangible optimism that prevails in all
> of her orchestral works, perhaps due to her choice of chord progression.
> In Hart's War, there is never a despairing moment. Even when brazen action
> and killing is taking place on screen, there is a kind sensitivity that
> continues in each cue.

> I can't seem to see where you're coming from there, but to each his own.

> (**)

not all war scores have to promote the heavy pounding of the drums as people are being blown to bits. music like in harts war gives you a sensitivity when a person that the character just met is cut down by allied fire. i think that softer cues open emotions a lot more than the heavy pounding. plus this movie has close to no major battle sequences other than the beginning, in which he is running from the nazis before his capture and the plane chase sequence in the middle. so why the need for intensity?

Comments in this Thread:     Expand >>

Copyright © 1998-2019, Filmtracks Publications. All rights reserved.
The reviews and other textual content contained on the site may not be published, broadcast,
rewritten or redistributed without the prior written authority of Christian Clemmensen at Filmtracks Publications. Scoreboard created 7/24/98 and last updated 4/25/15.