All those words and he still had to bash Hans Zimmer and Enya. Clemmensen proves himself as the lowly pleb screaming out for attention but only plastering the word TITFACE across his forehead every time.

> All those words and he still had to bash Hans Zimmer and Enya. Clemmensen
> proves himself as the lowly pleb screaming out for attention but only
> plastering the word TITFACE across his forehead every time.

Unfortunately, though, he is completely right. Far too many scores these days sound like something Zimmer based, and although enjoyable to most, myself included among them, they are not original, nor are they 'masterpieces'. Please stop bashing on someone just because their opinion is different from yours, name calling automatically renders your argument invalid and pointless.

> All those words and he still had to bash Hans Zimmer and Enya.

His problem was not with Enya, but with her trading cards in the albums. Still, who didn't want to peg that female back in the 90s? The cards would have been worth their existence if she had exposed a boob or two on them.