Tracks that average a minute in length? A billion orchestrators? Additional musics by nobodies? This isn't film scoring, this is wallpapering.

Well, the tracks actually were mastered so that some of them flow right into one another...probably larger cues divided into smaller sections. and mr. clemmenson is wrong yet again...the consistency in the score is present in the thematic material and motifs. if he listened more closely, or knew how to listen to scores well, he wouldn't need someone to point it out.