Please don't offend Zimmer by comparing this score to any of his efforts.

Wait, is there a cello somewhere? Am I going deaf?

Yes, it does: the character's theme clearly is Driving With The Top!

You have to wonder, though, whether this score isn't what the director ultimately wanted after all: atypical. Regardless, your review of the score is spot-on, but please don't compare it to At World's End, I beg you. That score is much more intelligent than this one. Hang on, did I say 'much more'? That should have been 'intelligent unlike this one'.