SUPPORT FILMTRACKS! WE EARN A
COMMISSION ON WHAT YOU BUY:
Amazon.com
Amazon.co.uk
eBay
Amazon.ca
Glisten Effect
Editorial Reviews
Scoreboard Forum
Viewer Ratings
Composers
Awards
   NEWEST MAJOR REVIEWS:
     1. Captain America: New World
    2. La Dolce Villa
   3. Dog Man
  4. Nosferatu
 5. That Christmas
6. Spellbound


   CURRENT BEST-SELLING SCORES:
       1. The Wild Robot
      2. Solo: A Star Wars Story
     3. Dune: Part Two
    4. Avatar: The Way of Water
   5. Cutthroat Island
  6. The Mask of Zorro
 7. Tomorrow Never Dies
8. Willow
   CURRENT MOST POPULAR REVIEWS:
         1. Batman (1989)
        2. Beetlejuice
       3. Alice in Wonderland
      4. E.T. The Extra-Terrestrial
     5. Spider-Man
    6. Raiders of the Lost Ark
   7. Doctor Strange: Multiverse
  8. LOTR: Fellowship of the Ring
 9. Titanic
10. Justice League
Home Page
 
Menu Options ▼

Edit | Delete
Define intelligent music.
• Posted by: Gashoe13   <Send E-Mail>
• Date: Saturday, August 6, 2011, at 8:13 p.m.
• IP Address: 27x100x11x72.bulks.jp
• Now Playing: Shrek 2's original score

I loved Lord of the Rings' music - it's incredible. It's beautiful. It's thematically rich. It's harmonically extraordinary.
But one thing I still don't entirely understand is what makes music intelligent. Everyone says that it's "smart." It's "intelligent."
People also say Golden Compass had an "intelligent" score. However, people say things like X-Men First Class had a "brainless" score.
I've been listening to a bunch of music recently, and I've been trying to figure out what makes music intelligent by listening to LotR and Cutthroat Island and then listening to First Class and Transformers to see what's missing. All I can say is that LotR and Cutthroat Island are orchestral and more complex.
What am I missing? Could someone please explain?




Comments in this Thread:     Expand >>
  •   Define intelligent music.  (5523 views)    We're Here
       Gashoe13 - Saturday, August 6, 2011, at 8:13 p.m.



Copyright © 1998-2025, Filmtracks Publications. All rights reserved.
The reviews and other textual content contained on the filmtracks.com site may not be published, broadcast,
rewritten or redistributed without the prior written authority of Christian Clemmensen at Filmtracks Publications. Scoreboard created 7/24/98 and last updated 4/25/15.