iTunes (U.S.)
eBay (U.S.)
Glisten Effect
Editorial Reviews
Scoreboard Forum
Viewer Ratings
         1. Gladiator
        2. Batman
       3. Nightmare Before Christmas
      4. Titanic
     5. Justice League
    6. Star Wars: The Last Jedi
   7. Harry Potter: Sorcerer's Stone
  8. Maleficent
 9. Star Wars: The Force Awakens
10. Edward Scissorhands
Home Page
Menu Options ▼

Edit | Delete
Re: Isn't four stars considered good?
Profile Image
• Posted by: Amuro
• Date: Friday, June 11, 2004, at 1:22 p.m.
• IP Address:
• In Response to: Re: Isn't four stars considered good? (Musica42)

> Seems the music snobs are beginning to rear their ugly heads. Songs,
> pieces, cues, wtf does it matter what you call something? I've been around
> colleges enough to know that silly vocabularly really only pisses off the
> kind of people that I enjoy pissing off. Anyway, Double Trouble is a song
> so oops, now you look like an idiot, James.

> Anyway, my guff with the review is how back handed its praise it. It's
> like he's saying "I love it, I love it, I love it, but it's not that
> good." And his negative remarks are rather silly - I mean in general
> I think most music reviewers are musically numb, but come on, can this guy
> really be this easily displeased? Anytime Williams even remotely steps out
> of his box he's there to point out how weird and awkward that makes him
> feel. Personally I felt the jazz and baroque to be excellent additions to
> the score, yet I assume it's these two elements that warranted his comment
> that the score doesn't hold together well.

> Anyway, Williams wrote Hook a long time ago and decided then and there
> that he wasn't James Horner and so wouldn't be writing Hook again. Hook is
> great. Potter is great. Which is better? Don't care. They're both two of
> the best musical worlds to walk into that I know of.


Comments in this Thread:     Expand >>

Copyright © 1998-2020, Filmtracks Publications. All rights reserved.
The reviews and other textual content contained on the site may not be published, broadcast,
rewritten or redistributed without the prior written authority of Christian Clemmensen at Filmtracks Publications. Scoreboard created 7/24/98 and last updated 4/25/15.