Why is it so important to continue the tone of the previous scores? Apart from Goldsmith's fanfare, all three of them consisted of aimless droning, and oh yeah, that old-fashioned thingy that Horner used from the series. Rosenman's score finally made me feel like I was in an adventure! The main title is catchy (take that, Horner) and all the rest is equally pleasant to listen to. This was a comedy, not some end-of-the-world story.