I think this is a very different score than Catch Me If You Can, actually. But, I do agree that these two scores were more "reserved" than many of Williams's scores. I don't think these two are truly "reserved" on their own but just reserved in comparison to many of John's other works. Though the music may not seem to stick out as much from these two films, I think that if you weren't familiar with John's work that maybe you would notice it more. If this isn't the case, maybe I find that even these more reserved works of his are not so reserved simply because they are so interesting on their own.