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Comments about the soundtrack for Titus (Elliot Goldenthal)

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Sheesh...give it a rest, people...
• Posted by: Hlao-roo
• Date: Tuesday, July 15, 2003, at 11:42 a.m.
• IP Address: acca85ed.ipt.aol.com

Obviously, Clemmensen values unity and consistency far more than you people do -- it's called grading on different criteria. Believe it or not, your ideas on what a film score should do are not more valid than his...

Also, you guys can send in your own reviews. Frankly, I think it'd be great to have reviews with contrasting opinions for the albums on this site; it'd make things a lot more interesting. As it stands, though, your comments are merely spiteful.

Myself, I feel a composer should attempt some semblance of overarching unity in composing a film score -- in most cases, I think it shows the film a lot more respect. In the case of TITUS, I think the score amounts to a hodgepodge of cues that sound as thought they could've come from anywhere, could've been applied to any film, don't have a strong identity. Nonetheless, I appreciate Goldenthal's great versatility.




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