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Patrick Doyle
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Filmtracks Statistics:
Average Filmtracks Rating: 3.84 Average Viewer Rating: 3.45 Number of Reviews: 32 Number of Votes: 24,671 Number of Comments: 401
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Filmtracks Editor's Recommendations:
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Patrick Doyle at a reception in 1997
"I work very hard and I take it very
seriously, and I'm a very committed composer and I get terribly involved
in it and very passionate about it. I would hope that comes across." - Patrick Doyle in 1994
Born in Scotland in 1953, Patrick Doyle graduated from the Royal Scottish Academy of Music and Drama in 1975, where he studied piano and singing. His first music
score was written in 1978, and subsequently, he has written the music for a host of radio, television, theatre and film productions since. He was made a Fellow
of the Royal Scottish Academy of Music in 2001. After many years composing for theatre, radio, and television, Doyle joined the Renaissance Theatre Company as
composer and musical director in 1987. In 1989 director Sir Kenneth Branagh commissioned him to compose the score for Henry V, conducted by Sir Simon
Rattle, and they have subsequently collaborated on numerous pictures, including Much Ado About Nothing, Hamlet, Thor, and Disney's 2015
remake, Cinderella, which represented their eleventh collaboration. Despite transforming his career into one of blockbuster animation and action success
in the 2010's, he remains perhaps best known in film music for his early contributions to the Shakespearean community.
Doyle has written the scores for a wide variety of diversified, international feature films, including most notably Harry Potter and the Goblet of Fire,
Sense and Sensibility, Indochine, Rise of the Planet of the Apes, Brave, and Jack Ryan: Shadow Recruit. His work has led to
collaborations with some of the most acclaimed directors in the world, including Regis Wargnier, Brian De Palma, Alfonso Cuaron, Ang Lee, Chen Kaige, Mike Newell
and Robert Altman. In November, 1997, Doyle was diagnosed with leukemia. Nonetheless, he completed his score for Great Expectations and continued to work
on Quest for Camelot during treatment. By 1998, his career had returned to full swing. In October 2007, Doyle's "Music from the Movies" sell-out concert
on behalf of The Leukaemia Research Fund was staged at The Royal Albert Hall. It was directed by Branagh and starred a host of international talent, including
Emma Thompson, Sir Derek Jacobi, Dame Judi Dench, and Alan Rickman, among many others.
In December 2013, the London Symphony Orchestra performed a program of his work in a special celebratory concert at the Barbican for the composer's 60th
birthday, at which Sir Derek Jacobi, Emma Thompson, and soprano Janis Kelly performed. As of 2015, Doyle has received two Oscar, two Golden Globe and two Cesar
nominations, as well as winning the 1989 Ivor Novello Award for Best Film Theme for Henry V. He has also been honored with a Lifetime Achievement Award
from Scottish BAFTA, the Henry Mancini Award from ASCAP, and the PRS Award for Extraordinary Achievement in Music. He has composed several concert pieces,
including Tam O Shanter, commissioned by the Scottish Schools Orchestra Trust; Corarsik, composed for Emma Thompson's birthday and The Thistle and the Rose,
commissioned by Prince Charles in honour of the Queen Mother's 90th birthday. His concert suite Impressions of America received its world premiere in July 2012
with the National Schools Symphony Orchestra, of which Patrick is a patron.
(see legend below for abbreviations and codes)
| Title | FR |
VR | VT |
RD | TR | Dates |
Notes | 2023-2024: | | (none) | 2022: | | Death on the Nile | **** | 3.62 | 258 | ||| | 1,864 | 02/22 | | 2021: | | (none) | 2020: | | Artemis Fowl | **** | 3.42 | 215 | ||| | 1,950 | 02/21 | | 2019: | | (none) | 2018: | | All is True | | | | | | | | | Sgt. Stubby: An American Hero | | | | | | | | 2017: | | Murder on the Orient Express | **** | 3.91 | 406 | ||| | 1,297 | 01/18 | | | The Emoji Movie | **** | 3.46 | 127 | ||| | 2,166 | 09/22 | | 2016: | | A United Kingdom | | | | | | | | | Whisky Galore | | | | | | | | 2015: | | Cinderella | **** | 3.76 | 530 | ||| | 1,173 | 06/15 | | 2014: | | Jack Ryan: Shadow Recruit | *** | 3.02 | 205 | || | 1,369 | 03/14 | | 2013: | | Enchanted Kingdom 3D | | | | | | | | 2012: | | Brave (AW) | **** | 3.34 | 597 | ||| | 565 | 06/12 | | | Sir Billi | | | | | | | | 2011: | | Rise of the Planet of the Apes | **** | 3.49 | 728 | |||| | 689 | 08/11 | | | Jig | *** | | | | | | | | Thor | **** | 3.59 | 1,111 | |||| | 547 | 05/11 | | | La Ligne Droite | ***** | 3.87 | 385 | |||| | 1,123 | 07/11 | | 2010: | | Main Street | | | | | | | | 2009: | | (none) | 2008: | | Igor | **** | 3.27 | 220 | || | 1,586 | 09/09 | | | Nim's Island | *** | 3.19 | 365 | || | 1,087 | 04/08 | | 2007: | | Sleuth | ** | | | | | | | | The Last Legion | **** | 3.32 | 174 | || | 1,645 | 08/11 | | | Have Mercy on Us All | | | | | | | | 2006: | | Eragon | **** | 3.41 | 808 | || | 786 | 12/06 - 01/07 | | | As You Like It | | | | | | | | | Jekyll + Hyde | | | | | | | | | Sir Billi the Vet | | | | | | | | 2005: | | Harry Potter and the Goblet of Fire | **** | 3.40 | 4,197 | ||| | 140 | 11/05 | | | Nanny McPhee | **** | 3.31 | 221 | || | 1,685 | 08/11 | | | Wah-Wah | *** | | | | | | | | Man to Man | **** | 3.34 | 183 | || | 1,770 | 01/12 | limited | 2004: | | Nouvelle-France | **** | | | | | | | 2003: | | Calendar Girls | *** | 3.23 | 576 | || | 438 | 01/04 - 03/09 | multiple albums | | Secondhand Lions | **** | 3.36 | 839 | || | 584 | 11/03 - 03/09 | | | The Galindez File | | | | | | | | 2002: | | Killing Me Softly | **** | 3.38 | 208 | ||| | 1,681 | 07/11 | limited | 2001: | | Gosford Park | *** | 3.25 | 1,093 | || | 581 | 01/02 - 02/09 | | | Bridget Jones' Diary | *** | | | | | | | | Blow Dry | *** | | | | | | | 2000: | | Love's Labour's Lost | **** | 3.59 | 1,948 | || | 968 | 05/00 - 07/08 | | 1999: | | East-West | **** | 3.73 | 1,364 | || | 795 | 03/00 - 06/08 | | 1998: | | Quest for Camelot (co-wrote) (AW) | **** | 3.36 | 475 | |||| | 513 | 08/03 - 04/09 | multiple albums | | Great Expectations | **** | 3.74 | 2,876 | || | 240 | 01/98 - 03/08 | | 1997: | | Donnie Brasco | *** | | | | | | | 1996: | | Hamlet (AW) | *** | 3.29 | 638 | || | 324 | 01/97 - 11/11 | | | Mrs. Winterbourne | | | | | | | | 1995: | | A Little Princess | | | | | | | | | Sense and Sensibility (AW) | **** | 3.30 | 560 | || | 326 | 02/97 - 09/11 | | | Une femme francaise | | | | | | | | 1994: | | Mary Shelley's Frankenstein | **** | 3.44 | 291 | || | 1,334 | 07/10 | | | Exit to Eden | | | | | | | | 1993: | | Carlito's Way | | | | | | | | | Much Ado About Nothing | **** | 3.78 | 1,543 | | | 348 | 07/98 - 09/06 | | | Needful Things | *** | | | | | | | 1992: | | Into the West | *** | | | | | | | | Indochine | **** | 3.64 | 671 | || | 1,059 | 07/03 - 04/09 | | 1991: | | Dead Again | *** | | | | | | | 1990: | | Shipwrecked | *** | 3.18 | 207 | || | 838 | 03/98 - 11/11 | | 1989: | | Henry V (AW) | **** | 3.55 | 652 | ||| | 284 | 07/98 - 09/11 | | | Look Back in Anger (TV) | | | | | | | | 1988: | | Twelfth Night, or What You Will | | | | | | | | | (reviews listed with a "co-wrote" indicate that either the composer wrote the score with another person or that more than one composer worked separately to provide a score for the production)
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Status:
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N
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R
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Awards:
| AW |
- or a golden year indicates that the music won or was nominated for a major award
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Ratings:
| FR |
- Filmtracks Rating ("Varied"
indicates a split rating with no overall designation) |
VR |
- Viewer Rating (overall average) |
VT |
- Vote Total (for viewer ratings)
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Comments:
| Comment Total (the number of messages posted in the review's comment area)
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Review Depth:
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- Massive Review (over 4,000 words)
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- Very Long Review (between 2,200 and 4,000 words)
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- Long Review (between 1,200 and 2,200 words)
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- Average Review (between 800 and 1,200 words)
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- Short Review (under 800 words)
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Traffic Rank:
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Popularity Rank (lower numbers indicate more cumulative reads; new reviews take time to climb the ranks)
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Dates:
| 1st
| - indicates the month and year during which the review was first published
| 2nd
| - indicates the month and year of the review's most recent significant revision (if any)
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