|
(see legend below for abbreviations and codes)
| Title | Year |
Composer(s) | FR | VR |
VT | RD |
TR | Dates |
Notes |
| American History X | 1998 | Anne Dudley | **** | 3.21 | 112 | || | 1,739 | 07/10 | |
| Antz | 1998 | John Powell, Harry Gregson-Williams, Various | **** | 3.83 | 2,821 | | | 300 | 12/98 - 01/07 | |
| Apt Pupil | 1998 | John Ottman | **** | 3.14 | 219 | | | 1,197 | 09/03 - 04/09 | |
| Armageddon | 1998 | Trevor Rabin, Harry Gregson-Williams | *** | 2.86 | 5,311 | || | 107 | 12/98 - 01/07 | all albums |
| As Good As It Gets | 1997 | Hans Zimmer | **** | 3.34 | 1,597 | | | 131 | 01/98 - 01/07 | |
| The Avengers | 1998 | Joel McNeely | *** | 2.86 | 867 | || | 503 | 12/98 - 03/08 | |
| Beloved | 1998 | Rachel Portman | ** | 2.70 | 248 | | | 1,034 | 12/98 - 01/07 | |
| Blade | 1998 | Mark Isham | ** | 2.65 | 169 | || | 1,214 | 09/03 - 11/08 | |
| A Bug's Life | 1998 | Randy Newman | *** | 3.18 | 3,555 | || | 328 | 02/99 - 03/08 | |
| A Civil Action | 1998 | Danny Elfman | *** | 3.05 | 650 | || | 819 | 01/99 - 04/07 | |
| Dangerous Beauty | 1998 | George Fenton | ***** | 4.05 | 2,066 | | | 247 | 04/98 - 03/08 | |
| Dark City | 1998 | Trevor Jones | **** | 3.19 | 811 | ||| | 412 | 04/98 - 01/07 | all albums |
| Deep Impact | 1998 | James Horner | *** | 3.36 | 2,167 | || | 111 | 05/98 - 03/08 | |
| Deep Rising | 1998 | Jerry Goldsmith | ** | 2.78 | 802 | || | 541 | 02/98 - 08/14 | all albums |
| Desperate Measures | 1998 | Trevor Jones | *** | 2.70 | 87 | || | 1,876 | 02/12 | |
| Disturbing Behavior | 1998 | Mark Snow | * | 2.44 | 320 | | | 830 | 08/98 - 01/07 | |
| Elizabeth | 1998 | David Hirschfelder | *** | 3.74 | 807 | | | 858 | 02/99 - 07/07 | |
| Enemy of the State | 1998 | Trevor Rabin, Harry Gregson-Williams | ** | 2.62 | 1,130 | || | 642 | 12/98 - 01/07 | |
| Ever After: A Cinderella Story | 1998 | George Fenton | **** | 3.67 | 3,518 | || | 129 | 08/98 - 01/07 | |
| Gods and Monsters | 1998 | Carter Burwell | **** | 3.10 | 147 | || | 1,874 | 02/12 | |
| Godzilla | 1998 | David Arnold | **** | 3.42 | 1,646 | ||| | 69 | 05/98 - 03/13 | all albums |
| Great Expectations | 1998 | Patrick Doyle | **** | 3.85 | 2,868 | || | 236 | 01/98 - 03/08 | |
| Halloween H20 (Portrait of Terror) | 1998 | John Ottman | *** | 3.12 | 197 | || | 857 | 10/98 - 03/08 | rejected score |
| Hard Rain | 1998 | Christopher Young | **** | 3.13 | 268 | || | 943 | 01/98 - 01/07 | |
| The Horse Whisperer | 1998 | Thomas Newman | **** | 3.80 | 2,445 | || | 275 | 06/98 - 04/08 | |
| Incognito | 1997 | John Ottman | ***** | 3.92 | 1,556 | || | 795 | 07/98 - 07/07 | |
| A Kid in Aladdin's Palace | 1998 | David Michael Frank | **** | 3.14 | 200 | | | 1,342 | 08/98 - 01/07 | |
| The Legend of 1900 | 1998 | Ennio Morricone | *** | 3.89 | 3,505 | || | 268 | 12/99 - 08/08 | all albums |
| Les Misérables | 1998 | Basil Poledouris | ***** | 4.17 | 5,895 | ||| | 153 | 04/98 - 06/07 | all albums |
| Life is Beautiful | 1998 | Nicola Piovani | *** | 3.30 | 2,484 | | | 75 | 02/99 - 03/08 | |
| Little Boy Blue | 1998 | Stewart Copeland | ** | 2.05 | 232 | | | 1,276 | 08/98 - 01/07 | |
| Lost in Space | 1998 | Bruce Broughton | ** | 2.90 | 1,360 | || | 253 | 04/98 - 04/16 | all albums |
| The Man in the Iron Mask | 1998 | Nick Glennie-Smith | *** | 3.35 | 1,166 | || | 406 | 03/98 - 07/07 | |
| The Mask of Zorro | 1998 | James Horner | ***** | 4.13 | 8,810 | ||| | 18 | 06/98 - 03/08 | |
| Meet Joe Black | 1998 | Thomas Newman | *** | 3.21 | 2,104 | | | 150 | 12/98 - 01/07 | |
| Mercury Rising | 1998 | John Barry | *** | 2.86 | 543 | || | 846 | 04/98 - 07/07 | |
| Merlin | 1998 | Trevor Jones | **** | 3.82 | 3,857 | | | 149 | 05/97 - 03/07 | |
| The Mighty | 1998 | Trevor Jones | **** | 3.32 | 318 | || | 769 | 01/99 - 03/08 | all albums |
| Mighty Joe Young | 1998 | James Horner | ** | 2.73 | 1,246 | | | 347 | 12/98 - 03/08 | |
| Moby Dick | 1998 | Christopher Gordon | **** | 3.61 | 370 | || | 774 | 03/98 - 07/07 | |
| Mulan | 1998 | Jerry Goldsmith, Matthew Wilder | **** | 3.97 | 10,394 | ||| | 36 | 06/98 - 07/07 | all albums |
| The Negotiator | 1998 | Graeme Revell | *** | 3.01 | 413 | || | 469 | 08/98 - 01/07 | all albums |
| The Object of My Affection | 1998 | George Fenton | ** | 2.75 | 249 | | | 403 | 04/98 - 03/07 | |
| One True Thing | 1998 | Cliff Eidelman | *** | 2.85 | 187 | || | 1,297 | 05/01 - 03/08 | |
| Patch Adams | 1998 | Marc Shaiman | *** | 3.27 | 357 | | | 515 | 02/99 - 03/07 | |
| Paulie | 1998 | John Debney | *** | 2.51 | 209 | | | 1,094 | 05/98 - 03/07 | |
| A Perfect Murder | 1998 | James Newton Howard | ** | 3.40 | 226 | || | 1,823 | 01/12 | |
| Pleasantville | 1998 | Randy Newman | *** | 3.28 | 878 | | | 614 | 02/99 - 03/07 | |
| The Prince of Egypt | 1998 | Hans Zimmer, Stephen Schwartz | **** | 4.08 | 13,435 | |||| | 33 | 12/98 - 03/08 | all albums |
| Princess Mononoke | 1997 | Joe Hisaishi | **** | 4.12 | 13,599 | || | 73 | 10/99 - 08/08 | all albums |
| Quest for Camelot | 1998 | Patrick Doyle, David Foster, Carole Bayer Sager | **** | 3.35 | 464 | |||| | 518 | 08/03 - 04/09 | multiple albums |
| The Replacement Killers | 1998 | Harry Gregson-Williams, Steve Jablonsky | * | 2.45 | 789 | | | 442 | 08/98 - 03/07 | |
| Return to Paradise | 1998 | Mark Mancina | **** | 3.23 | 230 | | | 1,312 | 08/99 - 03/08 | |
| Ronin | 1998 | Elia Cmiral | *** | 2.98 | 434 | | | 938 | 01/00 - 04/08 | |
| Saving Private Ryan | 1998 | John Williams | *** | 3.34 | 12,404 | ||| | 35 | 07/98 - 08/20 | all albums |
| Shakespeare in Love | 1998 | Stephen Warbeck | **** | 3.83 | 5,416 | || | 80 | 12/98 - 03/08 | |
| Six Days, Seven Nights | 1998 | Randy Edelman | *** | 3.18 | 708 | | | 281 | 06/98 - 03/07 | |
| Small Soldiers | 1998 | Jerry Goldsmith | **** | 3.35 | 2,828 | || | 140 | 07/98 - 10/18 | multiple albums |
| Snake Eyes | 1998 | Ryuichi Sakamoto | ** | 2.71 | 220 | | | 1,231 | 05/99 - 07/07 | |
| Soldier | 1998 | Joel McNeely | *** | 2.83 | 314 | || | 754 | 11/98 - 04/07 | |
| Sphere | 1998 | Elliot Goldenthal | ** | 2.57 | 632 | || | 757 | 03/98 - 07/07 | |
| Star Kid | 1998 | Nicholas Pike | *** | 2.66 | 154 | | | 1,438 | 06/98 - 04/07 | |
| Star Trek: Insurrection | 1998 | Jerry Goldsmith | **** | 3.69 | 4,161 | |||| | 166 | 12/98 - 08/13 | all albums |
| Stepmom | 1998 | John Williams | *** | 3.52 | 3,339 | | | 180 | 12/98 - 07/07 | |
| The Truman Show | 1998 | Burkhart Dallwitz, Philip Glass | *** | 3.25 | 285 | ||| | 1,691 | 11/09 | |
| Twilight | 1998 | Elmer Bernstein | ** | 2.30 | 237 | | | 1,016 | 04/98 - 04/07 | |
| U.S. Marshals | 1998 | Jerry Goldsmith | *** | 2.63 | 608 | ||| | 468 | 03/98 - 08/20 | all albums |
| The Velocity of Gary | 1998 | Peitor Angell | ** | 2.22 | 222 | | | 572 | 08/99 - 04/07 | |
| Wag the Dog | 1997 | Mark Knopfler | ** | 2.24 | 943 | || | 546 | 01/98 - 04/07 | |
| What Dreams May Come | 1998 | Michael Kamen, Mark Snow | **** | 3.59 | 2,124 | || | 164 | 10/98 - 03/08 | |
| Wild America | 1997 | Joel McNeely | *** | 3.03 | 213 | | | 1,017 | 03/97 - 07/07 | |
| Wild Things | 1998 | George S. Clinton | *** | 2.85 | 81 | || | 1,917 | 01/12 | |
| The X-Files: Fight the Future | 1998 | Mark Snow | *** | 3.35 | 8,847 | ||| | 102 | 06/98 - 12/14 | all albums |
| Title | Year |
Composer(s) | FR | VR |
VT | RD |
TR | Dates |
Notes |
| Air Force One | 1997 | Randy Newman | ** | 3.64 | 4,105 | ||| | 63 | 07/97 - 05/07 | rejected score bootleg |
| Amazon (IMAX) | 1997 | Alan Williams | **** | 3.49 | 227 | | | 1,132 | 08/98 - 02/08 | |
| Armageddon | 1998 | Trevor Rabin, Harry Gregson-Williams | *** | 2.86 | 5,311 | || | 107 | 12/98 - 01/07 | promotional |
| Body Heat | 1981 | John Barry | **** | 3.63 | 1,005 | ||| | 517 | 06/97 - 09/12 | re-recording |
| Braveheart | 1995 | James Horner | **** | 4.17 | 27,730 | ||| | 2 | 09/96 - 03/16 | French set |
| Close Encounters of the Third Kind | 1977 | John Williams | **** | 3.73 | 2,267 | ||| | 76 | 05/98 - 05/18 | expanded |
| Excalibur | 1981 | Trevor Jones | *** | 3.08 | 116 | ||| | 1,380 | 01/10 | bootleg |
| Fantastic Voyage | 1966 | Leonard Rosenman | *** | 3.18 | 120 | || | 1,025 | 12/98 - 02/15 | limited |
| Fortress | 1993 | Frederic Talgorn | *** | 2.74 | 80 | | | 1,526 | 08/98 - 06/06 | promotional |
| The Funhouse | 1981 | John Beal | **** | 3.33 | 110 | | | 1,519 | 01/05 - 10/11 | promotional |
| Gettysburg | 1993 | Randy Edelman | *** | 3.36 | 192 | ||| | 1,545 | 12/09 | deluxe |
| Ghostbusters | 1984 | Elmer Bernstein | ** | 3.47 | 401 | ||| | 531 | 03/06 - 11/20 | bootleg |
| Glory | 1989 | James Horner | ***** | 4.30 | 11,358 | ||| | 53 | 08/97 - 07/06 | bootlegs |
| Good Will Hunting | 1997 | Danny Elfman | *** | 3.16 | 815 | || | 303 | 03/98 - 08/14 | promotional |
| Halloween | 1978 | John Carpenter | *** | 3.33 | 662 | || | 632 | 01/00 - 07/08 | all albums |
| Innerspace | 1987 | Jerry Goldsmith | *** | 3.37 | 418 | ||| | 770 | 07/03 - 02/10 | bootleg |
| Krull | 1983 | James Horner | **** | 3.53 | 1,074 | ||| | 263 | 08/97 - 08/15 | limited |
| The Last Valley | 1970 | John Barry | **** | 3.64 | 756 | || | 929 | 07/03 - 03/09 | all albums |
| The Living Daylights | 1987 | John Barry | ***** | 4.11 | 1,195 | |||| | 298 | 06/98 - 04/08 | expanded |
| The Master of Ballantrae (TV) | 1984 | Bruce Broughton | *** | 3.12 | 274 | || | 1,422 | 12/98 - 09/08 | limited |
| Midway | 1976 | John Williams | *** | 3.14 | 190 | || | 1,399 | 08/09 - 11/11 | re-recording |
| The Mighty | 1998 | Trevor Jones | *** | 3.32 | 318 | || | 769 | 01/99 - 03/08 | promotional |
| North Sea Hijack (Ffolkes) | 1980 | Michael J. Lewis | *** | 3.29 | 136 | | | 1,295 | 04/98 - 04/08 | promotional |
| Othello (Ballet) | 1998 | Elliot Goldenthal | *** | 3.23 | 176 | | | 1,153 | 07/03 - 03/09 | |
| The Poseidon Adventure | 1972 | John Williams | **** | 3.18 | 545 | ||| | 318 | 09/96 - 09/10 | limited |
| The Prince of Egypt | 1998 | Hans Zimmer, Stephen Schwartz | **** | 4.08 | 13,435 | |||| | 33 | 12/98 - 03/08 | specialty album |
| Rain Man | 1988 | Hans Zimmer | **** | 3.12 | 331 | ||| | 1,125 | 04/10 - 05/18 | bootleg |
| Scream | 1996 | Marco Beltrami | ** | 2.74 | 1,075 | || | 228 | 07/98 - 01/17 | all albums |
| Seven | 1995 | Howard Shore | ** | 2.72 | 141 | || | 1,335 | 11/09 - 03/17 | bootleg |
| Snow White: Tale of Terror (TV) | 1997 | John Ottman | *** | 3.41 | 519 | | | 682 | 07/98 - 04/07 | |
| Something Wicked This Way Comes | 1983 | James Horner | *** | 3.05 | 190 | |||| | 1,289 | 08/09 - 04/16 | bootleg |
| Stagecoach | 1966 | Jerry Goldsmith | ** | 3.10 | 589 | ||| | 847 | 06/98 - 09/16 | limited |
| Superman | 1978 | John Williams | ***** | 4.20 | 4,041 | |||| | 27 | 11/98 - 10/19 | re-recording |
| T-Rex: Back to the Cretaceous (IMAX) | 1998 | William Ross | **** | 3.47 | 210 | || | 1,681 | 02/00 - 09/08 | promotional |
| Thelma & Louise | 1991 | Hans Zimmer, John Van Tongeren | *** | 3.03 | 188 | || | 1,455 | 04/10 - 12/17 | bootleg |
| Titanic | 1997 | James Horner | **** | 4.11 | 27,280 | ||||| | 4 | 11/97 - 06/18 | multiple albums |
| V/V: The Series | 1983 | Joe Harnell, Dennis McCarthy | *** ** | 2.93 | 382 | || | 470 | 08/98 - 08/07 | promotional, promotional |
| Wide Awake | 1998 | Edmund Choi | *** | 2.92 | 144 | | | 1,535 | 10/99 - 04/08 | promotional |
| Wilde | 1997 | Debbie Wiseman | **** | 3.57 | 134 | || | 1,763 | 01/12 | re-issue |
| Title | Year |
Composer(s) | FR | VR |
VT | RD |
TR | Dates |
Notes |
| Alien Invasion: Space and Beyond II | 1998 | The City of Prague Philharmonic, The Crouch End Festival Chorus | ***** | 3.65 | 340 | || | 867 | 02/98 - 08/07 | |
| Cinema Choral Classics II | 1998 | The City of Prague Philharmonic and The Crouch End Festival Chorus | **** | 3.89 | 708 | | | 933 | 07/98 - 08/07 | |
| Cinema's Classic Romances | 1998 | The City of Prague Philharmonic | **** | 3.64 | 588 | || | 1,070 | 02/98 - 08/07 | |
| Coming Soon: The John Beal Trailer Project | 1998 | John Beal | **** | 3.07 | 196 | || | 1,006 | 10/98 - 08/07 | |
| David Shire Film Music | 1998 | Various | **** | 3.63 | 286 | ||| | 590 | 04/98 - 07/07 | promotional |
| Greatest Sci-Fi Hits IV | 1998 | Neil Norman and His Cosmic Orchestra | * | 1.65 | 425 | | | 1,333 | 09/99 - 04/07 | |
| Heart of the Ocean | 1998 | James Horner | **** | 3.38 | 346 | || | 633 | 05/98 - 08/07 | |
| Hollywood Stars: Music from the Films of Kevin Costner | 1998 | The City of Prague Philharmonic | **** | 3.09 | 114 | | | 1,022 | 07/98 - 07/06 | |
| Hollywood Stars: Music from the Films of Mel Gibson | 1998 | The City of Prague Philharmonic | *** | 2.92 | 98 | | | 1,106 | 07/98 - 07/06 | |
| Hollywood Stars: Music from the Films of Sean Connery | 1998 | The City of Prague Philharmonic | **** | 3.10 | 102 | | | 1,027 | 07/98 - 07/06 | |
| James Horner: Suites and Themes | 1998 | Various | *** | 2.91 | 348 | || | 494 | 06/98 - 08/07 | bootleg |
| Michael Kamen's Opus | 1998 | The Seattle Symphony Orchestra, London Metropolitan Orchestra | **** | 3.22 | 196 | || | 873 | 04/98 - 04/08 | |
| The Motion Picture Scores of Arthur B. Rubinstein | 1998 | Various | *** | 2.60 | 200 | || | 1,319 | 12/98 - 08/07 | promotional |
| The Omen: The Essential Jerry Goldsmith Film Music Collection | 1998 | The City of Prague Philharmonic, The Crouch End Festival Chorus | **** | 3.22 | 292 | || | 776 | 08/99 - 08/07 | |
| Titanic: The Essential James Horner Collection | 1998 | The City of Prague Philharmonic and the Crouch End Festival Chorus | ** | 2.83 | 331 | || | 700 | 08/98 - 08/07 | |
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Status:
|
N
| - indicates a new review that has been published in the last 90 days
|
R
| - indicates an older review that has been significantly revised in the last 90 days
|
|
Year:
|
Year of Debut (a golden year indicates that the music won or was nominated for a major award)
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Ratings:
| FR |
- Filmtracks Rating ("Varied"
indicates a split rating with no overall designation) |
VR |
- Viewer Rating (overall average) |
VT |
- Vote Total (for viewer ratings)
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|
Comments:
| Comment Total (the number of messages posted in the review's comment area)
|
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Review Depth:
| ||||| |
- Massive Review (over 4,000 words)
| |||| |
- Very Long Review (between 2,200 and 4,000 words)
| ||| |
- Long Review (between 1,200 and 2,200 words)
| || |
- Average Review (between 800 and 1,200 words)
| | |
- Short Review (under 800 words)
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Traffic Rank:
|
Popularity Rank (lower numbers indicate more cumulative reads; new reviews take time to climb the ranks)
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Dates:
| 1st
| - indicates the month and year during which the review was first published
| 2nd
| - indicates the month and year of the review's most recent significant revision (if any)
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