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|
(see legend below for abbreviations and codes)
| Title | Year |
Composer(s) | FR | VR |
VT | RD |
TR | Dates |
Notes |
| | American History X | 1998 | Anne Dudley | **** | 3.20 | 142 | || | 1,742 | 07/10 | |
| | Antz | 1998 | John Powell, Harry Gregson-Williams, Various | **** | 3.83 | 3,008 | | | 306 | 12/98 - 01/07 | |
| | Apt Pupil | 1998 | John Ottman | **** | 3.20 | 281 | | | 1,195 | 09/03 - 04/09 | |
| | Armageddon | 1998 | Trevor Rabin, Harry Gregson-Williams | *** | 2.86 | 5,373 | || | 108 | 12/98 - 01/07 | all albums |
| | As Good As It Gets | 1997 | Hans Zimmer | **** | 3.33 | 1,693 | | | 136 | 01/98 - 01/07 | |
| | The Avengers | 1998 | Joel McNeely | *** | 2.89 | 934 | || | 522 | 12/98 - 03/08 | |
| | Beloved | 1998 | Rachel Portman | ** | 2.71 | 308 | | | 1,043 | 12/98 - 01/07 | |
| | Blade | 1998 | Mark Isham | ** | 2.62 | 222 | ||| | 1,190 | 09/03 - 01/25 | all albums |
| | A Bug's Life | 1998 | Randy Newman | *** | 3.18 | 3,590 | || | 320 | 02/99 - 03/08 | |
| | A Civil Action | 1998 | Danny Elfman | *** | 3.09 | 719 | || | 834 | 01/99 - 04/07 | |
| | Dangerous Beauty | 1998 | George Fenton | ***** | 4.04 | 2,203 | | | 259 | 04/98 - 03/08 | |
| | Dark City | 1998 | Trevor Jones | **** | 3.20 | 861 | ||| | 414 | 04/98 - 01/07 | all albums |
| | Deep Impact | 1998 | James Horner | *** | 3.36 | 2,312 | || | 117 | 05/98 - 03/08 | |
| | Deep Rising | 1998 | Jerry Goldsmith | ** | 2.78 | 853 | || | 542 | 02/98 - 08/14 | all albums |
| | Desperate Measures | 1998 | Trevor Jones | *** | 2.78 | 112 | || | 1,909 | 02/12 | |
| | Disturbing Behavior | 1998 | Mark Snow | * | 2.43 | 338 | | | 848 | 08/98 - 01/07 | |
| | Elizabeth | 1998 | David Hirschfelder | *** | 3.74 | 854 | | | 889 | 02/99 - 07/07 | |
| | Enemy of the State | 1998 | Trevor Rabin, Harry Gregson-Williams | ** | 2.62 | 1,203 | || | 671 | 12/98 - 01/07 | |
| | Ever After: A Cinderella Story | 1998 | George Fenton | **** | 3.67 | 3,553 | || | 133 | 08/98 - 01/07 | |
| | Gods and Monsters | 1998 | Carter Burwell | **** | 3.13 | 190 | || | 1,926 | 02/12 | |
| | Godzilla | 1998 | David Arnold | **** | 3.42 | 1,752 | ||| | 70 | 05/98 - 03/13 | all albums |
| | Great Expectations | 1998 | Patrick Doyle | **** | 3.74 | 3,049 | || | 245 | 01/98 - 03/08 | |
| | Halloween H20 (Portrait of Terror) | 1998 | John Ottman | *** | 3.13 | 247 | || | 853 | 10/98 - 03/08 | rejected score |
| | Hard Rain | 1998 | Christopher Young | **** | 3.22 | 326 | || | 915 | 01/98 - 05/21 | all albums |
| | The Horse Whisperer | 1998 | Thomas Newman | **** | 3.75 | 2,607 | || | 284 | 06/98 - 04/08 | |
| | Incognito | 1997 | John Ottman | ***** | 3.87 | 1,716 | ||| | 756 | 07/98 - 02/24 | all albums |
| | A Kid in Aladdin's Palace | 1998 | David Michael Frank | **** | 3.21 | 266 | | | 1,422 | 08/98 - 01/07 | |
| | The Legend of 1900 | 1998 | Ennio Morricone | *** | 3.83 | 3,600 | || | 268 | 12/99 - 08/08 | all albums |
| | Les Misérables | 1998 | Basil Poledouris | ***** | 4.16 | 5,994 | ||| | 160 | 04/98 - 06/07 | all albums |
| | Life is Beautiful | 1998 | Nicola Piovani | *** | 3.30 | 2,633 | | | 79 | 02/99 - 03/08 | |
| | Little Boy Blue | 1998 | Stewart Copeland | ** | 2.07 | 287 | | | 1,356 | 08/98 - 01/07 | |
| | Lost in Space | 1998 | Bruce Broughton | ** | 2.89 | 1,441 | || | 258 | 04/98 - 04/16 | all albums |
| | The Man in the Iron Mask | 1998 | Nick Glennie-Smith | *** | 3.35 | 1,235 | || | 402 | 03/98 - 07/07 | |
| | The Mask of Zorro | 1998 | James Horner | ***** | 4.13 | 8,936 | |||| | 19 | 06/98 - 05/24 | all albums |
| | Meet Joe Black | 1998 | Thomas Newman | *** | 3.29 | 2,342 | | | 153 | 12/98 - 01/07 | |
| | Mercury Rising | 1998 | John Barry | *** | 2.87 | 578 | || | 864 | 04/98 - 07/07 | |
| | Merlin | 1998 | Trevor Jones | **** | 3.82 | 3,898 | | | 156 | 05/97 - 03/07 | |
| | The Mighty | 1998 | Trevor Jones | **** | 3.33 | 337 | || | 798 | 01/99 - 03/08 | all albums |
| | Mighty Joe Young | 1998 | James Horner | ** | 2.73 | 1,329 | | | 347 | 12/98 - 03/08 | |
| | Moby Dick | 1998 | Christopher Gordon | **** | 3.71 | 424 | || | 811 | 03/98 - 07/07 | |
| | Mulan | 1998 | Jerry Goldsmith, Matthew Wilder | **** | 3.97 | 10,565 | ||| | 38 | 06/98 - 07/07 | all albums |
| | The Negotiator | 1998 | Graeme Revell | *** | 3.01 | 434 | || | 483 | 08/98 - 01/07 | all albums |
| | The Object of My Affection | 1998 | George Fenton | ** | 2.74 | 308 | | | 417 | 04/98 - 03/07 | |
| | One True Thing | 1998 | Cliff Eidelman | *** | 2.90 | 239 | || | 1,364 | 05/01 - 03/08 | |
| | Patch Adams | 1998 | Marc Shaiman | *** | 3.28 | 374 | | | 535 | 02/99 - 03/07 | |
| | Paulie | 1998 | John Debney | *** | 2.67 | 276 | | | 1,144 | 05/98 - 03/07 | |
| | A Perfect Murder | 1998 | James Newton Howard | ** | 3.27 | 304 | || | 1,835 | 01/12 | |
| | Pleasantville | 1998 | Randy Newman | **** | 3.31 | 938 | ||| | 602 | 02/99 - 01/24 | all albums |
| | The Prince of Egypt | 1998 | Hans Zimmer, Stephen Schwartz | **** | 4.06 | 13,663 | |||| | 32 | 12/98 - 03/08 | all albums |
| | Princess Mononoke | 1997 | Joe Hisaishi | **** | 4.12 | 13,741 | || | 73 | 10/99 - 08/08 | all albums |
| | Quest for Camelot | 1998 | Patrick Doyle, David Foster, Carole Bayer Sager | **** | 3.36 | 499 | |||| | 509 | 08/03 - 04/09 | multiple albums |
| | The Replacement Killers | 1998 | Harry Gregson-Williams, Steve Jablonsky | * | 2.40 | 855 | | | 457 | 08/98 - 03/07 | |
| | Return to Paradise | 1998 | Mark Mancina | **** | 3.26 | 292 | | | 1,354 | 08/99 - 03/08 | |
| | Ronin | 1998 | Elia Cmiral | *** | 2.98 | 457 | | | 961 | 01/00 - 04/08 | |
| | Rush Hour | 1998 | Lalo Schifrin | ** | 2.95 | 86 | || | 2,237 | 03/22 | |
| | Saving Private Ryan | 1998 | John Williams | *** | 3.34 | 12,535 | ||| | 36 | 07/98 - 08/20 | all albums |
| | Shakespeare in Love | 1998 | Stephen Warbeck | **** | 3.83 | 5,469 | || | 84 | 12/98 - 03/08 | |
| | Six Days, Seven Nights | 1998 | Randy Edelman | *** | 3.17 | 754 | | | 288 | 06/98 - 03/07 | |
| | Small Soldiers | 1998 | Jerry Goldsmith | **** | 3.36 | 3,013 | || | 142 | 07/98 - 10/18 | multiple albums |
| | Snake Eyes | 1998 | Ryuichi Sakamoto | ** | 2.73 | 273 | | | 1,267 | 05/99 - 07/07 | |
| | Soldier | 1998 | Joel McNeely | *** | 2.88 | 343 | || | 788 | 11/98 - 04/07 | |
| | Species II | 1998 | Edward Shearmur | ** | 2.32 | 87 | || | 2,277 | 03/22 | all albums |
| | Sphere | 1998 | Elliot Goldenthal | ** | 2.57 | 682 | || | 748 | 03/98 - 07/07 | |
| | Star Kid | 1998 | Nicholas Pike | *** | 2.66 | 192 | | | 1,540 | 06/98 - 04/07 | |
| | Star Trek: Insurrection | 1998 | Jerry Goldsmith | **** | 3.69 | 4,234 | |||| | 159 | 12/98 - 08/13 | all albums |
| | Stepmom | 1998 | John Williams | *** | 3.45 | 3,424 | | | 188 | 12/98 - 07/07 | |
| | The Truman Show | 1998 | Burkhart Dallwitz, Philip Glass | *** | 3.25 | 327 | ||| | 1,710 | 11/09 | |
| | Twilight | 1998 | Elmer Bernstein | ** | 2.33 | 295 | | | 1,049 | 04/98 - 04/07 | |
| | U.S. Marshals | 1998 | Jerry Goldsmith | *** | 2.69 | 663 | ||| | 469 | 03/98 - 08/20 | all albums |
| | The Velocity of Gary | 1998 | Peitor Angell | ** | 2.24 | 274 | | | 593 | 08/99 - 04/07 | |
| | Wag the Dog | 1997 | Mark Knopfler | ** | 2.24 | 994 | || | 557 | 01/98 - 04/07 | |
| | What Dreams May Come | 1998 | Michael Kamen, Mark Snow | **** | 3.59 | 2,251 | || | 173 | 10/98 - 03/08 | |
| | Wild America | 1997 | Joel McNeely | *** | 3.03 | 264 | | | 1,064 | 03/97 - 07/07 | |
| | Wild Things | 1998 | George S. Clinton | *** | 2.89 | 104 | || | 1,916 | 01/12 | |
| | The X-Files: Fight the Future | 1998 | Mark Snow | *** | 3.35 | 8,939 | ||| | 104 | 06/98 - 12/14 | all albums |
| Title | Year |
Composer(s) | FR | VR |
VT | RD |
TR | Dates |
Notes |
| | Air Force One | 1997 | Randy Newman | ** | 3.65 | 4,173 | |||| | 61 | 07/97 - 02/21 | rejected score bootleg |
| | Amazon (IMAX) | 1997 | Alan Williams | **** | 3.40 | 299 | | | 1,172 | 08/98 - 02/08 | |
| | Armageddon | 1998 | Trevor Rabin, Harry Gregson-Williams | *** | 2.86 | 5,373 | || | 108 | 12/98 - 01/07 | promotional |
| | Body Heat | 1981 | John Barry | **** | 3.64 | 1,071 | ||| | 525 | 06/97 - 09/12 | re-recording |
| | Braveheart | 1995 | James Horner | **** | 4.15 | 28,424 | ||| | 2 | 09/96 - 04/22 | French set |
R | Close Encounters of the Third Kind | 1977 | John Williams | **** | 3.71 | 2,536 | ||| | 76 | 05/98 - 10/25 | expanded |
| | Excalibur | 1981 | Trevor Jones | *** | 3.05 | 148 | ||| | 1,347 | 01/10 | bootleg |
| | Fantastic Voyage | 1966 | Leonard Rosenman | *** | 3.22 | 156 | || | 1,027 | 12/98 - 02/15 | limited |
| | Fortress | 1993 | Frederic Talgorn | *** | 2.77 | 103 | | | 1,612 | 08/98 - 06/06 | promotional |
| | The Funhouse | 1981 | John Beal | **** | 3.32 | 169 | || | 1,503 | 01/05 - 04/23 | promotional |
| | Gettysburg | 1993 | Randy Edelman | *** | 3.35 | 250 | ||| | 1,505 | 12/09 | deluxe |
| | Ghostbusters | 1984 | Elmer Bernstein | ** | 3.48 | 445 | ||| | 512 | 03/06 - 11/20 | bootleg |
| | Glory | 1989 | James Horner | ***** | 4.26 | 11,619 | |||| | 51 | 08/97 - 01/22 | bootlegs |
| | Good Will Hunting | 1997 | Danny Elfman | *** | 3.15 | 928 | || | 307 | 03/98 - 08/14 | promotional |
| | Halloween | 1978 | John Carpenter | *** | 3.37 | 741 | || | 652 | 01/00 - 07/08 | all albums |
| | Innerspace | 1987 | Jerry Goldsmith | *** | 3.38 | 446 | ||| | 787 | 07/03 - 02/10 | bootleg |
| | Krull | 1983 | James Horner | **** | 3.55 | 1,151 | ||| | 256 | 08/97 - 08/15 | limited |
| | The Last Valley | 1970 | John Barry | **** | 3.65 | 802 | || | 933 | 07/03 - 03/09 | all albums |
| | The Living Daylights | 1987 | John Barry | ***** | 4.11 | 1,282 | |||| | 289 | 06/98 - 04/08 | expanded |
| | The Master of Ballantrae (TV) | 1984 | Bruce Broughton | *** | 3.12 | 313 | || | 1,493 | 12/98 - 09/08 | limited |
| | The Mephisto Waltz | 1971 | Jerry Goldsmith | * | 2.35 | 63 | ||| | 2,367 | 11/24 | re-issue |
| | Midway | 1976 | John Williams | *** | 3.03 | 255 | || | 1,304 | 08/09 - 11/11 | re-recording |
| | The Mighty | 1998 | Trevor Jones | *** | 3.33 | 337 | || | 798 | 01/99 - 03/08 | promotional |
| | North Sea Hijack (Ffolkes) | 1980 | Michael J. Lewis | *** | 3.26 | 175 | | | 1,339 | 04/98 - 04/08 | promotional |
| | Othello (Ballet) | 1998 | Elliot Goldenthal | *** | 3.17 | 235 | | | 1,156 | 07/03 - 03/09 | |
| | The Paper Chase | 1973 | John Williams | *** | 2.77 | 104 | || | 2,316 | 10/24 | limited |
| | The Poseidon Adventure | 1972 | John Williams | *** | 3.19 | 627 | ||| | 305 | 09/96 - 04/21 | limited |
| | The Prince of Egypt | 1998 | Hans Zimmer, Stephen Schwartz | **** | 4.06 | 13,663 | |||| | 32 | 12/98 - 03/08 | specialty album |
R | Rain Man | 1988 | Hans Zimmer | **** | 3.33 | 491 | ||| | 999 | 04/10 - 06/25 | bootleg |
| | Scream | 1996 | Marco Beltrami | ** | 2.75 | 1,157 | ||| | 221 | 07/98 - 01/23 | all albums |
| | Scream 2 | 1997 | Marco Beltrami, Danny Elfman | ** | 2.80 | 1,063 | ||| | 246 | 07/98 - 03/22 | all albums |
| | Seven | 1995 | Howard Shore | ** | 2.74 | 187 | || | 1,222 | 11/09 - 03/17 | bootleg |
| | Snow White: Tale of Terror (TV) | 1997 | John Ottman | *** | 3.43 | 564 | | | 706 | 07/98 - 04/07 | |
| | Something Wicked This Way Comes | 1983 | James Horner | *** | 3.05 | 286 | |||| | 1,143 | 08/09 - 03/24 | bootleg |
| | Stagecoach | 1966 | Jerry Goldsmith | ** | 3.10 | 628 | ||| | 845 | 06/98 - 09/16 | limited |
R | Superman: The Movie | 1978 | John Williams | ***** | 4.21 | 4,256 | |||| | 26 | 11/98 - 10/25 | re-recording |
| | T-Rex: Back to the Cretaceous (IMAX) | 1998 | William Ross | **** | 3.23 | 261 | || | 1,683 | 02/00 - 04/21 | promotional |
R | Thelma & Louise | 1991 | Hans Zimmer, John Van Tongeren | *** | 3.17 | 362 | || | 1,412 | 04/10 - 10/25 | bootleg |
| | Titanic | 1997 | James Horner | **** | 4.11 | 27,687 | ||||| | 4 | 11/97 - 06/18 | multiple albums |
| | V/V: The Series | 1983 | Joe Harnell, Dennis McCarthy | *** ** | 2.94 | 400 | || | 492 | 08/98 - 08/07 | promotional, promotional |
| | Wide Awake | 1998 | Edmund Choi | *** | 2.91 | 180 | | | 1,638 | 10/99 - 04/08 | promotional |
| | Wilde | 1997 | Debbie Wiseman | **** | 3.70 | 187 | || | 1,785 | 01/12 | re-issue |
| Title | Year |
Composer(s) | FR | VR |
VT | RD |
TR | Dates |
Notes |
| | Alien Invasion: Space and Beyond II | 1998 | The City of Prague Philharmonic, The Crouch End Festival Chorus | ***** | 3.65 | 358 | || | 903 | 02/98 - 08/07 | |
| | Cinema Choral Classics II | 1998 | The City of Prague Philharmonic and The Crouch End Festival Chorus | **** | 3.90 | 747 | | | 972 | 07/98 - 08/07 | |
| | Cinema's Classic Romances | 1998 | The City of Prague Philharmonic | **** | 3.65 | 621 | || | 1,145 | 02/98 - 08/07 | |
| | Coming Soon: The John Beal Trailer Project | 1998 | John Beal | **** | 3.23 | 268 | || | 1,044 | 10/98 - 08/07 | |
| | David Shire Film Music | 1998 | Various | **** | 3.63 | 326 | ||| | 629 | 04/98 - 07/07 | promotional |
| | Greatest Sci-Fi Hits IV | 1998 | Neil Norman and His Cosmic Orchestra | * | 1.64 | 447 | | | 1,400 | 09/99 - 04/07 | |
| | Heart of the Ocean | 1998 | James Horner | **** | 3.38 | 364 | || | 687 | 05/98 - 08/07 | |
| | Hollywood Stars: Music from the Films of Kevin Costner | 1998 | The City of Prague Philharmonic | **** | 3.25 | 155 | | | 1,092 | 07/98 - 07/06 | |
| | Hollywood Stars: Music from the Films of Mel Gibson | 1998 | The City of Prague Philharmonic | *** | 2.93 | 126 | | | 1,187 | 07/98 - 07/06 | |
| | Hollywood Stars: Music from the Films of Sean Connery | 1998 | The City of Prague Philharmonic | **** | 3.28 | 145 | | | 1,093 | 07/98 - 07/06 | |
| | James Horner: Suites and Themes | 1998 | Various | *** | 2.90 | 365 | || | 519 | 06/98 - 08/07 | bootleg |
| | Michael Kamen's Opus | 1998 | The Seattle Symphony Orchestra, London Metropolitan Orchestra | **** | 3.23 | 246 | || | 887 | 04/98 - 04/08 | |
| | The Motion Picture Scores of Arthur B. Rubinstein | 1998 | Various | *** | 2.76 | 266 | || | 1,371 | 12/98 - 08/07 | promotional |
| | The Omen: The Essential Jerry Goldsmith Film Music Collection | 1998 | The City of Prague Philharmonic, The Crouch End Festival Chorus | **** | 3.23 | 334 | || | 817 | 08/99 - 08/07 | |
| | Titanic: The Essential James Horner Collection | 1998 | The City of Prague Philharmonic and the Crouch End Festival Chorus | ** | 2.82 | 350 | || | 746 | 08/98 - 08/07 | |
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Status:
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N
| - indicates a new review that has been published in the last 180 days
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R
| - indicates an older review that has been significantly revised in the last 180 days
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Year:
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Year of Debut (a golden year indicates that the music won or was nominated for a major award)
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Ratings:
| FR |
- Filmtracks Rating ("Varied"
indicates a split rating with no overall designation) |
| VR |
- Viewer Rating (overall average) |
| VT |
- Vote Total (for viewer ratings)
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Comments:
| Comment Total (the number of messages posted in the review's comment area)
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Review Depth:
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- Massive Review (over 4,000 words)
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- Very Long Review (between 2,200 and 4,000 words)
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- Long Review (between 1,200 and 2,200 words)
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- Average Review (between 800 and 1,200 words)
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- Short Review (under 800 words)
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Traffic Rank:
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Popularity Rank (lower numbers indicate more cumulative reads; new reviews take time to climb the ranks)
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Dates:
| 1st
| - indicates the month and year during which the review was first published
| | 2nd
| - indicates the month and year of the review's most recent significant revision (if any)
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