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Re: Phoned-in sequel scores
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• Posted by: JBlough   <Send E-Mail>
• Date: Tuesday, March 22, 2022, at 8:36 p.m.
• IP Address: c-76-29-38-51.hsd1.il.comcast.net
• In Response to: Re: Phoned-in sequel scores (Edmund Meinerts)

> Both 2 and 3 qualify for this, right? I've never actually bothered to listen to them for that reason. 4 at least has a few new Williams themes.
Actually no. Supes 2 is basically a rearrangement (though I believe to a certain extent that was forced on Thorne). Supes 3 allowed Thorne to do his own thing. So they are both terrible but for entirely different reasons. Save your time and money.

4 is one of the all-time best scores for an abysmal film though. Really snuck up on me when I revisited it via the LLL release after not exploring it for a decade-plus. The 'score adapted and conducted by Alexander Courage' credit really sells short what a bang-up job he did.




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