Newest Major Reviews:.This Month's Most Popular Reviews: Best-Selling Albums:
. 1. Pinocchio
2. The Woman King
3. Samaritan
4. The Gray Man
5. Prey
. . 1. Dune (2021)
2. Spider-Man
3. Alice in Wonderland
4. Encanto
5. Batman
6. Wonder Woman 1984
7. No Time to Die
8. Ghostbusters: Afterlife
9. Murder on the Orient Express
10. LOTR: Fellowship of the Ring
. . 1. Space Battleship Yamato
2. John Williams in Vienna
3. Shang-Chi: Legend/Ten Rings
4. Glory
5. Superman (40th Anniversary)
  ScoreBoard Forum

  ..........  
 
View Responses
Return to Index
Read Previous Message
Read Next Message
Expand Entire Thread
 
 
• Posted by Nate U
• Date: Friday, July 21, 2006, at 3:50 p.m.
• IP Address: pool-72-73-77-37.ptldme.east.verizon.net
• In Response to: I would agree that POTC 2 is lazy, however.... (Doug C.)


> Da Vinci Code is the best score I have heard in several years. In fact,
> the score rises above the film. Just listen to the beauty of track 9. Much
> of it is unlike anything I have ever heard from Zimmer.

This score is growing on me a lot, as well. At first Da Vinci sounded a little like Hannibal-lite but its really more of a grand and cohesive version of it...

> POTC 2, both the film and score, are mindless and lazy popcorn
> entertainment. I don't think Zimmer would argue with this statement. The
> film did not deserve any better than what Zimmer gave it, as the film was
> entirely derivative itself. Bruckheimer likes a certain sound and demands
> it.

And so Zimmer delivers his sound...but at least its his, man! Its uniquely Zimmer, simplistic on technical terms and all. But on Zimmer's own "terms" Pirates 2 has some excellent phrasing and conceptual ideas, mostly in the first three tracks. At least I really like the music.

> I think you can't bash Zimmer, when he does some truly unique stuff for
> films that deserve it. For instance, Matchstick Men was not a popcorn
> film, so Zimmer decided to summon a little Nino Roto. And you have to give
> credit to Zimmer for truly elevating The Ring from being a standard horror
> score. When was the last time a composer put so much complexity into a
> HORROR FILM! Even Jerry Goldsmith's cherished score to The Omen was not
> even as complex. (A score which I admittedly dislike.)

Matchstick Men is one of Zimmer's most overlooked scores of the alst decade. Its really just brimming with elaborate creativity for a film you wouldn't imagine it in. The Ring's score, complex or not, has an exceptionally strong musical identity for a jumpy little hollywood horror movie...I mean, how many more people remember Zimmer's Ring score than people do the number of efforts John Ottman has done for the genre?

N8


 Messages in this Thread:   ( Expand )






Scoreboard created 7/24/98, Version 3.0 created 6/14/06, updated 8/1/06 (Filmtracks Publications). The "Scoreboard" Forum is Copyright © 1998-2009, Christian Clemmensen All rights reserved. The reviews and notes contained on the filmtracks.com site may not be published, broadcast, rewritten or redistributed without the prior written authority of Filmtracks Publications. Software is a completely rewritten and highly modified 6.x version of WebBBS. The current Filmtracks Scoreboard motto: in Real Audio. Filmtracks takes no responsibility for any mental trauma caused by this forum.