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Filmtracks Recommends: Buy it... if you, like many others in your generation, hold the film dear to your heart and remember the romantic acoustic guitar music. Avoid it... if you are turned away by the prospect of a rather corny, albeit lovable score performed by just two men. Filmtracks Editorial Review:
Having enjoyed the Mark Knopfler scores for Dire Straits and Local Hero, Reiner (who defined the film as an "oddball") claims that his only choice for the assignment for The Princess Bride was Knopfler. Known for his electronic and guitar-dominated works, Knopfler's music would be a perfect fit for the project, infusing a younger sounding, synthesized warmth to a similarly directed film. Little did Knopfler know at the time that The Princess Bride would end up being his best known composition... the career defining piece that young girls everywhere would snatch up and sing along to. The reception from the established film score community was one more of distant amusement than anything else. The reason for this slight distance between score fans and Knopfler's The Princess Bride is the same as their reason for laughing off the film when they still see it in video rental stores. The music is such a slice taken right from the center of the corny Princess Bride cake that you can't help but remember the ridiculous circumstances of the film (and the age at which we all saw it). Performed by only two individuals (Knopfler and Guy Fletcher), the score won't blow you away. Instead, it steals your heart with two opening cues of sweet and romantic (traditional) guitar performances. The wishy-washy, echoing recording of the guitar, with its soothing synthesized accompaniment, puts the listener into almost a dreamy state. The same occurs with the keyboarding in the "Morning Ride", "Friend's Song," and "Guide my Sword" cues, which often blind the listener with their shiny major-key goodness. It is film score easy listening at its easiest during much of its length. Unfortunately, the album is broken up by a handful of unlistenable cues for action scenes, including the "Cliffs of Insanity," "Rodents of Unusual Size," and "Revenge" cues. The "Florin Dance" is another extremely difficult listen. These troubles arise mostly because the electronics can't produce varied or powerful enough action music without becoming silly and dumb, and they can easily get on the nerves of the album's listener. Nevertheless, the album still contains at least twenty minutes of highly enjoyable, soft romance, and is capped off by a song rendition of Knopfler's theme, performed by Willy DeVille. The album is readily in print even though it was a very early Warner Brothers CD venture (with all the usual warnings about how to correctly place your CD back into its case --typical for the time). Overall, The Princess Bride is a piece of late 80's film music history, albeit for just the younger generation, but anyone who is a kid at heart could easily find enjoyment in this album. ****
Insert includes a note from the director and still photography of the score's performers. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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