![]() |
|
| ||||||||||
| | Newest Major Reviews: | . | | This Week's Most Popular Reviews: | | Best-Selling Albums: | ||
| . |
1. Nim's Island 2. The Life Before Her Eyes 3. Horton Hears a Who! 4. Leatherheads 5. The Spiderwick Chronicles | . | . |
1. Moulin Rouge 2. Gladiator 3. POTC: Curse of the Black Pearl 4. Star Wars: A New Hope 5. Edward Scissorhands |
6. Pearl Harbor 7. Schindler's List 8. Titanic 9. Braveheart 10. Home Alone | . | . |
1. Varèse Sarabande 25th 2. The Last of the Mohicans 3. Legends of the Fall 4. Schindler's List 5. LOTR: Return of the King (Set) |
|
|
![]()
Filmtracks Recommends: Buy it... if you have a kid yourself who wants a souvenir from the film, or if you are a die-hard John Debney completist. Avoid it... if you believe, like many others, that all Debney action scores between 1999 and 2003 are beginning to sound alike. Filmtracks Editorial Review:
The first Spy Kids score may have been a funky adventure given the broad collection of talent, and Spy Kids 2 is more of a stock action/adventure score that one would expect from John Debney, with the unpredictable elements thrown in by Rodriguez. It is not difficult to see why Rodriguez originally approached Danny Elfman for the franchise, given that Rodriguez's own cues pay great tribute to Elfman's now classic The Nightmare Before Christmas sound. Sadly absent from this score is Harry Gregson-Williams' robust and melodic family theme from the first score. While Rodriguez provides the personality for Spy Kids 2 (such as in the spoof tracks of "R.A.L.P.H.," "Floop's Dream," and the song "Isle of Dreams"), Debney's action music features the brawn of the score. The highlights of the score are roughly five to ten minutes of Debney's material, but fans of his will recognize these sounds from Inspector Gadget and many of his animated scores from the mid-1990's. The interesting aspect of Spy Kids 2 is that Rodriguez's cues, while not possessing the same complexity of sound as Debney's music, sound very similar to Debney's style. It's difficult to say if that is because Rodriguez's talents in composition are strong or if Debney's adaptation and expansion of Rodriguez's cues is that precise. In any event, the highlight of the score for most teenage buyers will be the Alexa Vega "James Bondish" song at the end. For film score fans, you will have heard this Debney music before, countless times, and if you value creativity in your children's adventure scores, the first Spy Kids score may be a better choice. ***
Insert includes a note from Rodriguez about the score and film, as well as extensive credits. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
|
|
|