Clemmensen's wide-reaching ignorance is exposed when he attempts to challenge the kind of incredible creativity that Hans Zimmer brings to the table.

It's really funny to read, at the expense of the writer.

> Clemmensen's wide-reaching ignorance is exposed when he attempts to
> challenge the kind of incredible creativity that Hans Zimmer brings to the
> table.

> It's really funny to read, at the expense of the writer.

OR read the review? Despite popular belief Clemmensen is not a Zimmer hater. He has dropped a ton of 4 star marks on the guys' scores, but this is completely freaking generic... Constant repeated and building percussion with ZERO variety. Every track does the same thing. All Clemmensen is saying is that Zimmer is capable of better. By the way, the last thing this score can ever be called is creative. As Christian stated 'Mombasa' has the only interesting moment in the entire score and it is more annoying than anything.

Anyone who is in love with this score simply hasn't heard enough music to know better. There is literally no other option.

> OR read the review? Despite popular belief Clemmensen is not a Zimmer
> hater. He has dropped a ton of 4 star marks on the guys' scores, but this
> is completely freaking generic... Constant repeated and building
> percussion with ZERO variety. Every track does the same thing. All
> Clemmensen is saying is that Zimmer is capable of better. By the way, the
> last thing this score can ever be called is creative. As Christian stated
> 'Mombasa' has the only interesting moment in the entire score and it is
> more annoying than anything.

> Anyone who is in love with this score simply hasn't heard enough music to
> know better. There is literally no other option.

This is exactly what I'm talking about. Another filmtracks snob...

So whoever has enjoyed Inception the score just needs to listen to more music, they haven't heard enough, their enjoyment is a mislead enjoyment? They need to be "educated". Perhaps in your reply you should make up a starter list of where they should begin, in order to start their journey of musical fulfilment. So that they might never again appreciate the unfulfilling.

You should be ashamed of yourself.

For you information I enjoyed Inception, I also enjoy the scores to Chinatown, Troy (rejected), Alien 3, Angels in America, Se7en, Benhur to name a few. Do I need to hear more music? Am I misguided in my musical tastes of film? do I need readucation?

> This is exactly what I'm talking about. Another filmtracks snob...

> So whoever has enjoyed Inception the score just needs to listen to more
> music, they haven't heard enough, their enjoyment is a mislead enjoyment?
> They need to be "educated". Perhaps in your reply you should
> make up a starter list of where they should begin, in order to start their
> journey of musical fulfilment. So that they might never again appreciate
> the unfulfilling.

> You should be ashamed of yourself.

> For you information I enjoyed Inception, I also enjoy the scores to
> Chinatown, Troy (rejected), Alien 3, Angels in America, Se7en, Benhur to
> name a few. Do I need to hear more music? Am I misguided in my musical
> tastes of film? do I need readucation?

I too am sick of the arrogance that has become so prominent here. it seems some people can't accept that there will exist people who have opinions different to their own. This idea that "if you like inception you are uneducated and wrong" is really getting on my nerves.