I think the situation can be summarized as follows:

Zimmer is too lazy to write orchestral music and lives only in the fantasy world of samplers and loops (it's much easier to write music like this)!!!

I don't even want to comment on the poverty of motivic and rhythmic material composed (I think the word composition, in the case of Zimmer's work, must be replaced by term "recycling"), as well as the recurrent use of banal and pasteurized textures.

There's no limit to the decadency and the easy solutions proposed by Zimmer.

Shame ... what happened to the writing of true orchestral film music?
Damn Hollywood producers, they are killing the true film music!!!