> My point was not that it doesn't deserve a long write-up, but that it's virtually guaranteed to get one because it's by Zimmer, unlike other scores that are just as interesting in terms of their conception and production.

I was gonna write a response on why there is value in historical and critical analysis of Hans' consequential scores even when I don't like them that much, but then I realized Werner Herzog said it better about Wrestlemania over a decade ago.

https://www.youtube.com/watch?v=7Kl2dFGshro