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For Craig - 2021 Top 10 [EDITED]

For Craig - 2021 Top 10 [EDITED]
JBlough
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Thursday, February 17, 2022 (7:56 a.m.) 

1. Masters of the Universe: Revelation
2. Tale of the Sleeping Giants / Tunturin tarina
3. Coppelia
4. The King's Man
5. Ghostbusters: Afterlife
6. Rumble
7. Encanto
8. WandaVision
9. Hawkeye
10. Lost in Space Season 3

***** for #1 & 2. ****½ for the rest (#3-5 would round up to 5 stars; #6-10 would round down to 4).

My **** runner-up is Shang-Chi and the Legend of the Ten Rings - it is ENTIRELY because of this site’s review that I even bothered giving that album a second chance. The Curse of Turandot and Jungle Cruise were also in contention.

The rest of my top 20 - Black Widow, Benedetta, Call of Duty: Vanguard, Eternals, Foundation Season 1, The Last Duel, Qinghai: Our National Park

Other **** - Buckley’s Chance, Claret, The Cook of Castamar, Fear Street Part Two: 1978, Finders of the Lost Yacht, Gunpowder Milkshake, Luca, Lupin, The Potato Venture, What If…? - and Spirit Untamed which I didn’t get to until Feb. 10th…oops!

***½ (round up to 4) - Camellia Sisters, The Claus Family 2, Don't Look Up, Ghost of Tsushima: Iki Island, Godzilla Singular Point, Julia, June Again, No Time To Die, A Perfect Planet, Raya and the Last Dragon, Reach Beyond the Blue Sky, Star Wars: Visions, 30 Coins Season 1, This Game Means Murder, The Wheel of Time Season 1

***½ (round down to 3) - The Age of Awakening, Army of Thieves, Being the Ricardos, The Champion of Auschwitz, Cruella, Fear Street Part One: 1994, Fear Street Part Three: 1666, Halo: Infinite, The Last Warrior: Root of Evil, Loki Season 1, Mortal Kombat, My Country My Parents “Windriders” segment, Ratchet & Clank: Rift Apart, The Red Sleeve, Spider-Man: No Way We’re Putting Fewer Than 3 Villains In This, The Starling, Star Trek: Prodigy Season 1 Part 1, To Olivia, Venom: Let There Be Carnage, Wish Dragon

*** - The Arctic: Our Last Great Wilderness, The Artful Escape, The Choice 2: Men of Shadow, The Courier, Delicious, The Green Knight, The Last Letter from Your Lover, Man of God, Masquerade Night, The Most Reluctant Convert, Reminiscence, Ron's Gone Wrong, The Rose Maker, Silent Night, The Tomorrow War

Eh - Secrets of the Whales

Meh - DOON

Oh dear - Rurouni Kenshin: The Final, Rurouni Kenshin: The Beginning

Not a score, but still got a lot of airplay - Minima_Rhythm IV

Not music, but still a terrific read - Picture by Lillian Ross. Bronislau Kaper shows up a few times!


Composer of the year
Bear McCreary - score of the year + two in my top 20 + 2021’s strangest album.

Christophe Beck (two in my top 10), Panu Aaltio (three strong scores), and Lorne Balfe (lots of goodies) contended.

Unlike last year, there was no temptation to write ¯\_(&#12484;)_/¯ instead.


Random thoughts
What a back-loaded year! 7 of my top 10 didn’t come out until after Thanksgiving, and an 8th I didn’t get to until that period as well. Three of them were discovered while driving cross-country (basically doing the John Madden bus drive along I80) after testing positive for COVID on a ski trip.

It was tempting to place 30 Coins higher given that I prefer my 77-minute highlights playlist to the “Goldsmith nostalgia bait” fun of Fear Street Part 2. But there’s an upper bound to how high I can rank a score I have to cut 4 hours out of to tolerate.

2021 was arguably the best year for Marvel thematic continuity ever, even with my (our?) disappointment with No Way Home (where you still get token Elfman/Horner nods, a Mysterio cameo, and one kickass Dr. Strange track - AND a surprise IFMCA nomination).
- Beck referencing Giacchino, Silvestri, and Balfe themes
- Jackman revisiting his own material
- Karpman putting new spins on, like, everything (and writing a Doyle-like Thor / Jane love theme) - bring on The Marvels!

3 Fast 3 Spiders wasn’t the year’s most disappointing score though. That honor goes to Masquerade Night, the score that took “Sato sequel score cut & paste” to its Übermensch stage and almost tricked me into putting its penultimate track on my favorite tracks runner-up list until I realized it was a carbon copy of a track from its predecessor.

I would not have predicted that 2021 would have a non-Ghostbusters score using an ondes martenot.


10 favorite tracks, in no particular order:
- Having the For Eternia quintet take up half the mentions would be unfair, so I’ll instead cite two MOTU: R Vol. 1 tracks that I couldn’t get enough of - the larger-than-life thrills of 1) The Power of Grayskull and the rocking 2) Roboto Reforges. McCreary also knocked the emotional 3) Gall Leaves Synnax out of the park.

- 4) Grand Finale from Coppelia…grand indeed.

- Lorne Balfe injected Arnold-esque brass accents into the high energy 5) Natasha Soars and hit the perfect intersection of coolness and cheesiness with 6) This is Monster Wrestling!

- The resplendent 7) Xu Shang-Chi was the year’s best end credits piece.

- 8) Riddles from Buckley’s Chance…so good you have to hear it twice (and you basically do if you explore the rest of the album)

- Ghostbusters: Afterlife’s 9) Reconciliation is the cherry on top of a “love letter to 80s scores” sundae, complete with impressive variations on Bernstein’s original main theme.

- 10) The Message from Tale of the Sleeping Giants. It’s a hoot!

The next batch:
- The apocalyptic climax of 30 Coins - Ritual / The Proclamation / Flight
- The celebratory Antonio’s Voice and the outrageously catchy Mirabel’s Cumbia
- The clash of hero themes in Sling vs Bling
- The gargantuan For Eternia quintet (warning - likely to cause conducting)
- The hilarious Save the City, a welcome return from pseudo-retirement for Marc Shaiman
- The noble Opening Theme, the soaring Everyone’s Economy, and the WTF big band insanity of Civilization and Enlightenment from Reach Beyond the Blue Sky
- The relentless Message from an Old Friend and Cuba Chase
- The resolute The Aftermath and the lovely Celui Que Je Désire
- The virtuosic Polina’s Vengeance and the ferocious BWAM-BWAM guilty pleasure The Gun Battery

Just missing out: Claret Main Theme, The End of a Dream, The Final Battle from Windriders, Fly Free, Genesis from WandaVision, Hawkeye Theme, O Nyghtegale, Turandot Theme, Zha the Rafter, the climactic action material from Spirit Untamed (especially when it goes full-spaghetti Western in I Am The Train), and probably 3-4 tracks each from King’s Man and Tale of a Sleeping Giant.

And, heck, might as well have a whole Star Wars: Visions category - Ronin’s Theme from “The Duel”, Prologue + Kara and Father from “The Ninth Jedi”, and dang near all of “The Twins”.


2021 specialty releases:
2021 had a few re-releases of great scores with minimal-to-no new music - Legend, Lionheart, The Matrix, The Private Life of Sherlock Holmes (with the first CD release of a Rózsa Polydor recording!), Rio Conchos, and Star Trek II: The Wrath of Khan.

It also gave us two volumes of The Time Tunnel, which had very little previously released music (5+ hours more than the 90s GNP CD) but were rather challenging to listen to.

It was nice to have Babe without dialogue AND the film recording of The Eiger Sanction (even if the LP recording is a superior experience) AND a legitimate release of Brian Tyler’s Lego Universe. Hard Rain is a blast, especially with the expansion’s improved sequencing. The 60s were well-represented by Banning and The Flight of the Phoenix. And all must hail the divine temp-track idolatry of The Orville Season 2.

But in the end there were only a few contenders:
3. The complete release of Glory.
2. A tie between La-La Land’s The Diary of Anne Frank, one of the best-sounding original recordings of an Alfred Newman score ever released, and the same label’s absurdly comprehensive Fiddler on the Roof release.
1. The Deluxe Edition of Paycheck, which took a “this has its moments” high-end ***½ work to an “ermahgerd” ****½ work that might’ve gotten the most airtime of anything I bought in 2021.

Note: If the full set of Rózsa Polydor recordings (maybe my sole remaining “holy grail”) gets released in 2022, it wins the year. Game over. It’s in the rulebook.


The best older works I discovered:
*****
1. In Search of Peace (2001) - Lee Holdridge
2. Fiddler on the Roof (1971) - John Williams adapting
3. Since You Went Away (1944) - Max Steiner

****½
4. The Diary of Anne Frank (1959) - Alfred Newman
5. Incognito (1997) - John Ottman
6. Portrait of a Lady (1996) - Wojciech Kilar
7. Tours of the World, Tours of the Sky / Tours du monde, tours du ciel (1991) - Georges Delerue
8. Titus (1999) - Elliot Goldenthal
9. Pan Tadeusz (1999) - Wojciech Kilar
10. Murder in the First (1995) - Christopher Young

Runner-up: The Young Indiana Jones Chronicles Season 2 (1992-1993) - Laurence Rosenthal & Joel McNeely

Other ****1/2 scores:
The Black Dahlia (2006) - Mark Isham
The Fountainhead (1949) - Max Steiner
A King for Burning / König der letzten Tage (1993) - Wojciech Kilar
The Leper / Tr&#281;dowata (1976) - Wojciech Kilar
The Most Dangerous Game (1932) - Max Steiner
On the Beach (1959) - Ernest Gold
The Roots of Heaven (1958) - Malcolm Arnold
Son of Kong (1933) - Max Steiner

Winning my second annual The Man from U.N.C.L.E. - The Monks of St. Thomas Affair Award for a score discovery that rated below 4.5 stars but provided some highly addictive tracks is Looney Tunes: Back in Action. The Bad Guys / Hit Me / Car Trouble / Flying High was some of the most entertaining stuff I heard last year.

Breakdown:
New scores: 126 (with 29% coming from the 90s)
2020 catch-up: 12 (5 of which made my 2020 top 12)
Expansions of stuff I already had: 11
Classical music: 10
Compilations: 7
Additional / film recording: 6
Solo albums: 3 (all Armstrong)
Theme park music: 1 (lol never had this category before)
Stage work: 1 (the worst album I’ve heard in years)


(Message edited on Thursday, February 17, 2022, at 8:14 a.m.)


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Re: For Craig - 2021 Top 10
AhN
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et)
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Thursday, February 17, 2022 (10:21 a.m.) 

> 1. Masters of the Universe: Revelation
> 2. Tale of the Sleeping Giants / Tunturin tarina
> 3. Coppelia
> 4. The King's Man

All in my top 20 as well, two in my top 10. Our psychic music taste connection remains strong.

> 5. Ghostbusters: Afterlife

I didn't really give this enough listens to evaluate past "This won't make my top 20," but to repay the favor when you respond to some of my more outlandish picks,

Hahahahahahahaha no.

> 6. Rumble
> 7. Encanto

Damn, appeasing me AND Riley on the animation front.

> 8. WandaVision
> 9. Hawkeye
> 10. Lost in Space Season 3

Fine I'll relisten to Wandavision and Hawkeye.

> ***** for #1 & 2. ****½ for the rest (#3-5 would round up to 5 stars;
> #6-10 would round down to 4).

> My **** runner-up is Shang-Chi and the Legend of the Ten Rings - it
> is ENTIRELY because of this site’s review that I even bothered giving that
> album a second chance.

Sigh...

> The Curse of Turandot and Jungle
> Cruise
were also in contention.

Nice.

> The rest of my top 20 - Black Widow, Benedetta, Call of
> Duty: Vanguard
, Eternals, Foundation Season 1, The
> Last Duel
, Qinghai: Our National Park

Good call waiting for Benedetta. Lot of good scores here.

> Other **** - Buckley’s Chance, Claret, The Cook of
> Castamar
, Fear Street Part Two: 1978, Finders of the Lost
> Yacht
, Gunpowder Milkshake, Luca, Lupin, The
> Potato Venture
, What If…? - and Spirit Untamed which I
> didn’t get to until Feb. 10th…oops!

Yeeeeee

> ***½ (round up to 4) - Camellia Sisters, The Claus Family 2,
> Don't Look Up, Ghost of Tsushima: Iki Island, Godzilla
> Singular Point
, Julia, June Again, No Time To
> Die
, A Perfect Planet, Raya and the Last Dragon,
> Reach Beyond the Blue Sky, Star Wars: Visions, 30 Coins
> Season 1
, This Game Means Murder, The Wheel of Time Season
> 1

And here we drift into things you heard that I didn't.

> ***½ (round down to 3) - The Age of Awakening, Army of
> Thieves
, Being the Ricardos, The Champion of Auschwitz,
> Cruella, Fear Street Part One: 1994, Fear Street Part
> Three: 1666
, Halo: Infinite, The Last Warrior: Root of
> Evil
, Loki Season 1, Mortal Kombat, My Country My
> Parents “Windriders” segment
, Ratchet & Clank: Rift Apart,
> The Red Sleeve, Spider-Man: No Way We’re Putting Fewer Than 3
> Villains In This
, The Starling, Star Trek: Prodigy Season 1
> Part 1
, To Olivia, Venom: Let There Be Carnage, Wish
> Dragon

Loki should be higher but that's my only quibble.

> *** - The Arctic: Our Last Great Wilderness, The Artful
> Escape
, The Choice 2: Men of Shadow, The Courier,
> Delicious, The Green Knight,

Bruh...

> The Last Letter from Your
> Lover
, Man of God, Masquerade Night, The Most
> Reluctant Convert
, Reminiscence,

BRU--no I'm kidding, no one else is going to have Reminiscence as high as I did.

> Ron's Gone Wrong,
> The Rose Maker, Silent Night, The Tomorrow War

> Eh - Secrets of the Whales

Dang.

> Meh - DOON

Don't you mean DUNC(an Idaho)?

> Oh dear - Rurouni Kenshin: The Final, Rurouni Kenshin: The
> Beginning

> Not a score, but still got a lot of airplay - Minima_Rhythm IV

> Not music, but still a terrific read - Picture by Lillian
> Ross. Bronislau Kaper shows up a few times!
>
>

> Composer of the year
> Bear McCreary - score of the year + two in my top 20 + 2021’s
> strangest album.

> Christophe Beck (two in my top 10), Panu Aaltio (three
> strong scores), and Lorne Balfe (lots of goodies) contended.

Lennertz!

> Unlike last year, there was no temptation to write ¯\_(ツ)_/¯
> instead.
>
>

> Random thoughts
> What a back-loaded year! 7 of my top 10 didn’t come out until after
> Thanksgiving, and an 8th I didn’t get to until that period as well. Three
> of them were discovered while driving cross-country (basically doing the
> John Madden bus drive along I80) after testing positive for COVID on a ski
> trip.

I'm unfamiliar with this, wasn't Madden a big train guy?

> It was tempting to place 30 Coins higher given that I prefer my 77-minute
> highlights playlist to the “Goldsmith nostalgia bait” fun of Fear Street
> Part 2. But there’s an upper bound to how high I can rank a score I have
> to cut 4 hours out of to tolerate.

Harsh but fair lolol. There's a reason Justice League, despite all that I love from it, was nowhere to be seen in my post.

> 2021 was arguably the best year for Marvel thematic continuity ever, even
> with my (our?) disappointment with No Way Home (where you still get token
> Elfman/Horner nods, a Mysterio cameo, and one kickass Dr. Strange track -
> AND a surprise IFMCA nomination).

AND a surprise IFMCA win??

> - Beck referencing Giacchino, Silvestri, and Balfe themes
> - Jackman revisiting his own material

Civil War set the bar real low on this front lolol

> - Karpman putting new spins on, like, everything (and writing a Doyle-like
> Thor / Jane love theme) - bring on The Marvels!

The Marvels sounds like it should be another WandaVision sitcom pastiche. Maybe a 50s screwball comedy homage instead? Are Nia DaCosta and Megan McDowell big Billy Wilder fans?

> 3 Fast 3 Spiders wasn’t the year’s most disappointing score though.

This made me think of Game of Zones haha. "Uh, triple Dirks? We could do Triple Dirks." Probably on my mind since Porzingis just got traded.

https://www.youtube.com/watch?v=vOx2XgmR8Uk

> That
> honor goes to Masquerade Night, the score that took “Sato sequel score cut
> & paste” to its Übermensch stage and almost tricked me into putting
> its penultimate track on my favorite tracks runner-up list until I
> realized it was a carbon copy of a track from its predecessor.

> I would not have predicted that 2021 would have a non-Ghostbusters score
> using an ondes martenot.

Which one?

> - 10) The Message from Tale of the Sleeping Giants. It’s a hoot!

Ayyyyy

> 2021 specialty releases:
> 2021 had a few re-releases of great scores with minimal-to-no new music -
> Legend, Lionheart, The Matrix, The Private Life of
> Sherlock Holmes
(with the first CD release of a Rózsa Polydor
> recording!), Rio Conchos, and Star Trek II: The Wrath of
> Khan
.

Yes but it's nice to have Matrix back in print so people like me can hear it in full. Even if "Ontological Shock" became the biggest revelation for me? Which...I had already heard?

Anyway, I have Rio Conchos saved in my spotify library to check out, I guess the new release isn't significantly different?

> But in the end there were only a few contenders:
> 3. The complete release of Glory.
> 2. A tie between La-La Land’s The Diary of Anne Frank, one of the
> best-sounding original recordings of an Alfred Newman score ever released,
> and the same label’s absurdly comprehensive Fiddler on the Roof
> release.
> 1. The Deluxe Edition of Paycheck, which took a “this has its
> moments” high-end ***½ work to an “ermahgerd” ****½ work that might’ve
> gotten the most airtime of anything I bought in 2021.

Paycheck is still sitting on my shelf. Considering getting Fiddler for nostalgic reasons. Glory is on the list.

>
>

> The best older works I discovered:
> *****
> 1. In Search of Peace (2001) - Lee Holdridge
> 2. Fiddler on the Roof (1971) - John Williams adapting
> 3. Since You Went Away (1944) - Max Steiner

> ****½
> 4. The Diary of Anne Frank (1959) - Alfred Newman
> 5. Incognito (1997) - John Ottman
> 6. Portrait of a Lady (1996) - Wojciech Kilar
> 7. Tours of the World, Tours of the Sky / Tours du monde, tours du
> ciel
(1991) - Georges Delerue
> 8. Titus (1999) - Elliot Goldenthal
> 9. Pan Tadeusz (1999) - Wojciech Kilar
> 10. Murder in the First (1995) - Christopher Young

Nice. 6-10 are all fab.

> Runner-up: The Young Indiana Jones Chronicles Season 2
> (1992-1993) - Laurence Rosenthal & Joel McNeely

> Other ****1/2 scores:
> The Black Dahlia (2006) - Mark Isham
> The Fountainhead (1949) - Max Steiner
> A King for Burning / König der letzten Tage (1993) - Wojciech Kilar
> The Leper / Trędowata (1976) - Wojciech Kilar
> The Most Dangerous Game (1932) - Max Steiner
> On the Beach (1959) - Ernest Gold
> The Roots of Heaven (1958) - Malcolm Arnold
> Son of Kong (1933) - Max Steiner

> Winning my second annual The Man from U.N.C.L.E. - The Monks of St. Thomas
> Affair Award for a score discovery that rated below 4.5 stars but provided
> some highly addictive tracks is Looney Tunes: Back in Action.

My brain got a hangover trying to make sense of this sentence.


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Re: For Craig - 2021 Top 10
JBlough
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Thursday, February 17, 2022 (11:18 a.m.) 

> I didn't really give this enough listens to evaluate past 'This won't make my top 20,' but to repay the favor when you respond to some of my more outlandish picks,

> Hahahahahahahaha no.
LOL yes, I deserved this.

Honestly, in addition to thinking it really hit that Bernstein-adjacent sweet spot, I thought it was a HUGE asset in an otherwise decent-enough film (which I saw over the weekend), especially all of Simonsen's mystery/family material.

But, yes, CC and I and a few others may be on an island with our high praise.

> Bruh...
I tried. It worked well enough on film. But it was an album that, with the exception of one track, I could really only appreciate intellectually. The Wendy Carlos-style synth stuff is obnoxious standalone.

> Don't you mean DUNC(an Idaho)?
Gosh, with all the praise thrown at that movie, I'd frankly forgotten about that joke.

> Lennertz!
I didn't get to any of his stuff outside of LOS - so maybe shame on me. But honestly a Carl Stalling-style score probably wasn't gonna move the needle.

> I'm unfamiliar with this, wasn't Madden a big train guy?
Madden was claustrophic, and spent much of his announcing career driving around in a giant custom-made bus.
https://vault.si.com/vault/1990/11/26/busmans-holiday-coast-to-coast-commuter-john-madden-likes-what-he-sees-as-he-rolls-across-america-in-his-suite-on-wheels

> Which one?
A few tracks from Sato's Reach Beyond the Blue Sky. It's only available on CD (my one random Japanese vendor purchase of the year), and I would be genuinely shocked if more than 5 people on the board have heard it.

Even taking into account that one should go in to most Sato albums assuming they'll be a bit all-over-the-place, you can still imagine my surprise when getting about halfway through the Volume 2 and thinking 'is...is that an ONDES?'

> Anyway, I have Rio Conchos saved in my spotify library to check out, I guess the new release isn't significantly different?
Maybe some minor sonic tweaks. HUGE difference if you're like me and had only heard the original CD mastering. Negligible if you've heard the prior remaster.

> My brain got a hangover trying to make sense of this sentence.
Yeah, it wouldn't be a big post from me if there wasn't at least one esoteric line.

After spending a good portion of the back half of 2020 listening to a Gerald Fried episode score from a more uneven Man from U.N.C.L.E. season, I figured it was worth recognizing at least one great track / sequence I played over and over.
https://www.filmtracks.com/scoreboard/forum.cgi?read=90176

I suppose we could also call it the 'Hey, I have 5ish minutes before my next meeting, what should I put on?' award.

That Fried music ('groovy medieval jazz') would be a perfect fit for a Wes Anderson movie.



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Jot it Jon! Thank you for contributing! smile
Craig Richard Lysy
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Thursday, February 17, 2022 (11:58 a.m.) 

Nicely done buddy and an enjoyable commentary.

All the best

> 1. Masters of the Universe: Revelation
> 2. Tale of the Sleeping Giants / Tunturin tarina
> 3. Coppelia
> 4. The King's Man
> 5. Ghostbusters: Afterlife
> 6. Rumble
> 7. Encanto
> 8. WandaVision
> 9. Hawkeye
> 10. Lost in Space Season 3
>

> ***** for #1 & 2. ****½ for the rest (#3-5 would round up to 5 stars;
> #6-10 would round down to 4).

> My **** runner-up is Shang-Chi and the Legend of the Ten Rings - it
> is ENTIRELY because of this site’s review that I even bothered giving that
> album a second chance. The Curse of Turandot and Jungle
> Cruise
were also in contention.

> The rest of my top 20 - Black Widow, Benedetta, Call of
> Duty: Vanguard
, Eternals, Foundation Season 1, The
> Last Duel
, Qinghai: Our National Park

> Other **** - Buckley’s Chance, Claret, The Cook of
> Castamar
, Fear Street Part Two: 1978, Finders of the Lost
> Yacht
, Gunpowder Milkshake, Luca, Lupin, The
> Potato Venture
, What If…? - and Spirit Untamed which I
> didn’t get to until Feb. 10th…oops!

> ***½ (round up to 4) - Camellia Sisters, The Claus Family 2,
> Don't Look Up, Ghost of Tsushima: Iki Island, Godzilla
> Singular Point
, Julia, June Again, No Time To
> Die
, A Perfect Planet, Raya and the Last Dragon,
> Reach Beyond the Blue Sky, Star Wars: Visions, 30 Coins
> Season 1
, This Game Means Murder, The Wheel of Time Season
> 1

> ***½ (round down to 3) - The Age of Awakening, Army of
> Thieves
, Being the Ricardos, The Champion of Auschwitz,
> Cruella, Fear Street Part One: 1994, Fear Street Part
> Three: 1666
, Halo: Infinite, The Last Warrior: Root of
> Evil
, Loki Season 1, Mortal Kombat, My Country My
> Parents “Windriders” segment
, Ratchet & Clank: Rift Apart,
> The Red Sleeve, Spider-Man: No Way We’re Putting Fewer Than 3
> Villains In This
, The Starling, Star Trek: Prodigy Season 1
> Part 1
, To Olivia, Venom: Let There Be Carnage, Wish
> Dragon

> *** - The Arctic: Our Last Great Wilderness, The Artful
> Escape
, The Choice 2: Men of Shadow, The Courier,
> Delicious, The Green Knight, The Last Letter from Your
> Lover
, Man of God, Masquerade Night, The Most
> Reluctant Convert
, Reminiscence, Ron's Gone Wrong,
> The Rose Maker, Silent Night, The Tomorrow War

> Eh - Secrets of the Whales

> Meh - DOON

> Oh dear - Rurouni Kenshin: The Final, Rurouni Kenshin: The
> Beginning

> Not a score, but still got a lot of airplay - Minima_Rhythm IV

> Not music, but still a terrific read - Picture by Lillian
> Ross. Bronislau Kaper shows up a few times!
>
>

> Composer of the year
> Bear McCreary - score of the year + two in my top 20 + 2021’s
> strangest album.

> Christophe Beck (two in my top 10), Panu Aaltio (three
> strong scores), and Lorne Balfe (lots of goodies) contended.

> Unlike last year, there was no temptation to write ¯\_(ツ)_/¯
> instead.
>
>

> Random thoughts
> What a back-loaded year! 7 of my top 10 didn’t come out until after
> Thanksgiving, and an 8th I didn’t get to until that period as well. Three
> of them were discovered while driving cross-country (basically doing the
> John Madden bus drive along I80) after testing positive for COVID on a ski
> trip.

> It was tempting to place 30 Coins higher given that I prefer my 77-minute
> highlights playlist to the “Goldsmith nostalgia bait” fun of Fear Street
> Part 2. But there’s an upper bound to how high I can rank a score I have
> to cut 4 hours out of to tolerate.

> 2021 was arguably the best year for Marvel thematic continuity ever, even
> with my (our?) disappointment with No Way Home (where you still get token
> Elfman/Horner nods, a Mysterio cameo, and one kickass Dr. Strange track -
> AND a surprise IFMCA nomination).
> - Beck referencing Giacchino, Silvestri, and Balfe themes
> - Jackman revisiting his own material
> - Karpman putting new spins on, like, everything (and writing a Doyle-like
> Thor / Jane love theme) - bring on The Marvels!

> 3 Fast 3 Spiders wasn’t the year’s most disappointing score though. That
> honor goes to Masquerade Night, the score that took “Sato sequel score cut
> & paste” to its Übermensch stage and almost tricked me into putting
> its penultimate track on my favorite tracks runner-up list until I
> realized it was a carbon copy of a track from its predecessor.

> I would not have predicted that 2021 would have a non-Ghostbusters score
> using an ondes martenot.
>
>

> 10 favorite tracks, in no particular order:
> - Having the For Eternia quintet take up half the mentions would be
> unfair, so I’ll instead cite two MOTU: R Vol. 1 tracks that I couldn’t get
> enough of - the larger-than-life thrills of 1) The Power of
> Grayskull
and the rocking 2) Roboto Reforges. McCreary also
> knocked the emotional 3) Gall Leaves Synnax out of the park.

> - 4) Grand Finale from Coppelia…grand indeed.

> - Lorne Balfe injected Arnold-esque brass accents into the high energy
> 5) Natasha Soars and hit the perfect intersection of coolness and
> cheesiness with 6) This is Monster Wrestling!

> - The resplendent 7) Xu Shang-Chi was the year’s best end credits
> piece.

> - 8) Riddles from Buckley’s Chance…so good you have to hear it
> twice (and you basically do if you explore the rest of the album)

> - Ghostbusters: Afterlife’s 9) Reconciliation is the cherry on top
> of a “love letter to 80s scores” sundae, complete with impressive
> variations on Bernstein’s original main theme.

> - 10) The Message from Tale of the Sleeping Giants. It’s a hoot!

> The next batch:
> - The apocalyptic climax of 30 Coins - Ritual / The Proclamation /
> Flight

> - The celebratory Antonio’s Voice and the outrageously catchy
> Mirabel’s Cumbia
> - The clash of hero themes in Sling vs Bling
> - The gargantuan For Eternia quintet (warning - likely to cause
> conducting)
> - The hilarious Save the City, a welcome return from
> pseudo-retirement for Marc Shaiman
> - The noble Opening Theme, the soaring Everyone’s Economy,
> and the WTF big band insanity of Civilization and Enlightenment
> from Reach Beyond the Blue Sky
> - The relentless Message from an Old Friend and Cuba Chase
> - The resolute The Aftermath and the lovely Celui Que Je
> Désire

> - The virtuosic Polina’s Vengeance and the ferocious BWAM-BWAM
> guilty pleasure The Gun Battery

> Just missing out: Claret Main Theme, The End of a Dream,
> The Final Battle from Windriders, Fly Free, Genesis
> from WandaVision, Hawkeye Theme, O Nyghtegale, Turandot
> Theme
, Zha the Rafter, the climactic action material from
> Spirit Untamed (especially when it goes full-spaghetti Western in I Am
> The Train
), and probably 3-4 tracks each from King’s Man and Tale of a
> Sleeping Giant.

> And, heck, might as well have a whole Star Wars: Visions category -
> Ronin’s Theme from “The Duel”, Prologue + Kara and
> Father
from “The Ninth Jedi”, and dang near all of “The Twins”.
>
>

> 2021 specialty releases:
> 2021 had a few re-releases of great scores with minimal-to-no new music -
> Legend, Lionheart, The Matrix, The Private Life of
> Sherlock Holmes
(with the first CD release of a Rózsa Polydor
> recording!), Rio Conchos, and Star Trek II: The Wrath of
> Khan
.

> It also gave us two volumes of The Time Tunnel, which had very
> little previously released music (5+ hours more than the 90s GNP CD) but
> were rather challenging to listen to.

> It was nice to have Babe without dialogue AND the film recording of
> The Eiger Sanction (even if the LP recording is a superior
> experience) AND a legitimate release of Brian Tyler’s Lego
> Universe
. Hard Rain is a blast, especially with the expansion’s
> improved sequencing. The 60s were well-represented by Banning and
> The Flight of the Phoenix. And all must hail the divine temp-track
> idolatry of The Orville Season 2.

> But in the end there were only a few contenders:
> 3. The complete release of Glory.
> 2. A tie between La-La Land’s The Diary of Anne Frank, one of the
> best-sounding original recordings of an Alfred Newman score ever released,
> and the same label’s absurdly comprehensive Fiddler on the Roof
> release.
> 1. The Deluxe Edition of Paycheck, which took a “this has its
> moments” high-end ***½ work to an “ermahgerd” ****½ work that might’ve
> gotten the most airtime of anything I bought in 2021.

> Note: If the full set of Rózsa Polydor recordings (maybe my sole remaining
> “holy grail”) gets released in 2022, it wins the year. Game over. It’s in
> the rulebook.
>
>

> The best older works I discovered:
> *****
> 1. In Search of Peace (2001) - Lee Holdridge
> 2. Fiddler on the Roof (1971) - John Williams adapting
> 3. Since You Went Away (1944) - Max Steiner

> ****½
> 4. The Diary of Anne Frank (1959) - Alfred Newman
> 5. Incognito (1997) - John Ottman
> 6. Portrait of a Lady (1996) - Wojciech Kilar
> 7. Tours of the World, Tours of the Sky / Tours du monde, tours du
> ciel
(1991) - Georges Delerue
> 8. Titus (1999) - Elliot Goldenthal
> 9. Pan Tadeusz (1999) - Wojciech Kilar
> 10. Murder in the First (1995) - Christopher Young

> Runner-up: The Young Indiana Jones Chronicles Season 2
> (1992-1993) - Laurence Rosenthal & Joel McNeely

> Other ****1/2 scores:
> The Black Dahlia (2006) - Mark Isham
> The Fountainhead (1949) - Max Steiner
> A King for Burning / König der letzten Tage (1993) - Wojciech Kilar
> The Leper / Trędowata (1976) - Wojciech Kilar
> The Most Dangerous Game (1932) - Max Steiner
> On the Beach (1959) - Ernest Gold
> The Roots of Heaven (1958) - Malcolm Arnold
> Son of Kong (1933) - Max Steiner

> Winning my second annual The Man from U.N.C.L.E. - The Monks of St. Thomas
> Affair Award for a score discovery that rated below 4.5 stars but provided
> some highly addictive tracks is Looney Tunes: Back in Action.
> The Bad Guys / Hit Me / Car Trouble / Flying High was some of the
> most entertaining stuff I heard last year.

> Breakdown:
> New scores: 126 (with 29% coming from the 90s)
> 2020 catch-up: 12 (5 of which made my 2020 top 12)
> Expansions of stuff I already had: 11
> Classical music: 10
> Compilations: 7
> Additional / film recording: 6
> Solo albums: 3 (all Armstrong)
> Theme park music: 1 (lol never had this category before)
> Stage work: 1 (the worst album I’ve heard in years)



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I feel now immensely educated about 2021 film music AND immensely dumb.
Christian Kühn
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Saturday, February 19, 2022 (10:17 a.m.) 

Ta, Jon. big grin


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Re: For Craig - 2021 Top 10
Clint Morgan
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Saturday, February 19, 2022 (4:56 p.m.) 

> 1. Masters of the Universe: Revelation
> 2. Tale of the Sleeping Giants / Tunturin tarina
> 3. Coppelia
> 4. The King's Man
> 5. Ghostbusters: Afterlife
> 6. Rumble
> 7. Encanto
> 8. WandaVision
> 9. Hawkeye
> 10. Lost in Space Season 3
Same #1 and #7 picks as mine. smile

> My **** runner-up is Shang-Chi and the Legend of the Ten Rings - it
> is ENTIRELY because of this site’s review that I even bothered giving that
> album a second chance. The Curse of Turandot and Jungle
> Cruise
were also in contention.
Strong contenders, all.

> ***½ (round down to 3) - Spider-Man: No Way We’re Putting Fewer Than 3
> Villains In This

big grin big grin big grin

> Not a score, but still got a lot of airplay - Minima_Rhythm IV
The triple horn concerto is one of the best contemporary classical works I've heard in the last decade or so. Soooo good.

> Not music, but still a terrific read - Picture by Lillian
> Ross. Bronislau Kaper shows up a few times!
Thanks for the recommendation!

> Composer of the year
> Bear McCreary - score of the year + two in my top 20 + 2021’s
> strangest album.
Is it too bold to say that McCreary is becoming the John Williams of television music?

> 2021 was arguably the best year for Marvel thematic continuity ever, even
> with my (our?) disappointment with No Way Home (where you still get token
> Elfman/Horner nods, a Mysterio cameo, and one kickass Dr. Strange track -
> AND a surprise IFMCA nomination).
> - Beck referencing Giacchino, Silvestri, and Balfe themes
> - Jackman revisiting his own material
> - Karpman putting new spins on, like, everything (and writing a Doyle-like
> Thor / Jane love theme) - bring on The Marvels!
Even if the end results aren't always excellent, thematic continuity does indeed make a difference. Hopefully this year will continue that trend.

> 3 Fast 3 Spiders
big grin to the 3rd

> 10 favorite tracks, in no particular order:
> - Having the For Eternia quintet take up half the mentions would be
> unfair, so I’ll instead cite two MOTU: R Vol. 1 tracks that I couldn’t get
> enough of - the larger-than-life thrills of 1) The Power of
> Grayskull
and the rocking 2) Roboto Reforges. McCreary also
> knocked the emotional 3) Gall Leaves Synnax out of the park.
I would add 'Teela Joins the Wild Hunt' to that pack.

> - 4) Grand Finale from Coppelia…grand indeed.
Such an anomaly, and wonderfully orchestrated. That this cue failed to win the IFMCA's 'Best Composition' pick is odd to me.

> - The resplendent 7) Xu Shang-Chi was the year’s best end credits
> piece.
Within 10 seconds of hearing this cue on album, I thought 'Yep--this is one of the best cues of the year.'

> - 8) Riddles from Buckley’s Chance…so good you have to hear it
> twice (and you basically do if you explore the rest of the album)
True.

> - Ghostbusters: Afterlife’s 9) Reconciliation is the cherry on top
> of a “love letter to 80s scores” sundae, complete with impressive
> variations on Bernstein’s original main theme.
I especially like the Yoda's Theme vibes in this cue. One of the best finales to any franchise score--another win for thematic continuity!

> - 10) The Message from Tale of the Sleeping Giants. It’s a hoot!
🦉

> Breakdown:
> Stage work: 1 (the worst album I’ve heard in years)
??



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Re: For Craig - 2021 Top 10
JBlough
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Tuesday, February 22, 2022 (6:18 a.m.) 

> I would add 'Teela Joins the Wild Hunt' to that pack.
Yeah, I guess I could've thrown that in a runner-up batch given how much I listened to it. Gotta have at least one track with throwback Dark Void vibes, right?

> ??
Craig Armstrong's 'music' for the stage work Orlando. Ow.



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