Filmtracks Home Page Filmtracks Logo
MODERN SOUNDTRACK REVIEWS
Menu Search
Scoreboard Forum
Ugh fine I'll listen to it #15 - My Name is Nobody (Morricone)

Ugh fine I'll listen to it #15 - My Name is Nobody (Morricone)
JBlough
<Send E-Mail>
(155.201.150.22)
Profile Picture
Monday, June 3, 2024 (7:04 a.m.) 

Continuing my rundown of scores mentioned in last summer’s Big Board Extravaganza that I haven’t heard before.

Last time - https://www.filmtracks.com/scoreboard/forum.cgi?read=133957

-----------------

This time - My Name is Nobody / Il mio nome è Nessuno (1973)
Ennio Morricone
Mentioned by: PT, Southall

My Name Is Nobody, Tonino Valerii’s semi-parodic take on spaghetti Westerns, was plagued by production issues and flopped in the U.S., though it was a success in Italy. The director had been Sergio Leone’s assistant director on A Fistful of Dollars, though of the six films Valerii had led since only his 1972 thriller My Dear Killer had employed the services of Ennio Morricone. My Name Is Nobody, on which Leone played a not-insignificant role in getting it to the finish line, would be time #2, with the composer firmly planting his tongue in his cheek as he riffed on a few of his earlier Leone Westerns, most notably Henry Fonda’s material from Once Upon a Time in the West (Fonda starred in this film too), and interspersed some of his mythic vocals with what sounds like a large kazoo playing a parody of Wagner’s Ride of the Valkyries. Elevating the work beyond mere goofiness is a carefree, outrageously catchy main theme (expect to bounce along) and the soulful Good Luck, Jack. Nearly a decade after the Dollars Trilogy started, Ennio was still proving he could take familiar parts (usual suspects like singer Edda Dell’Orso, whistler Alessandro Alessandroni, and the Modern Singers of Alessandroni all show up) and do something new with them.

**** for this rare moment of a composer going whole hog on self-parody.

32 minutes of score ended up on LP, with GDM (and later Beat Records) adding over 40 minutes of alternates on CD. The longer program is the one on U.S. digital / streaming services, though I imagine for most listeners the original program will be more than sufficient.

Album - https://open.spotify.com/album/6HQ7RbAEUTMDCrNQbrupqk?si=a_XJHIuATkybmDVuGkc-HA

-----------------

Next time: 1973 again, with the only score in this series I didn’t like.



Post Full Response
Edit Post         Threaded Display
  In Response to:
Jonesy
  Responses to this Message:
Southall
Jonesy


Re: Ugh fine I'll listen to it #15 - My Name is Nobody (Morricone)
Southall
<Send E-Mail>
(5.133.47.133)
Profile Picture
Monday, June 3, 2024 (9:13 a.m.) 

I love this score and the Ride of the Valkyries on "fart kazoo" or whatever it is is one of Morricone's funniest creations.

He wrote a very similar, and similarly good, score for "Un genio, due compari, un pollo" with Fur Elise replacing Ride of the Valkyries in the "comedy take on famous piece of classical music stuck into spaghetti western tropes" role. The main theme is just as catchy.


Post Full Response
Edit Post         Threaded Display
  In Response to:
JBlough
  Responses to this Message:
JBlough


Re: Ugh fine I'll listen to it #15 - My Name is Nobody (Morricone)
JBlough
<Send E-Mail>
(155.201.150.21)
Profile Picture
Monday, June 3, 2024 (3:06 p.m.) 

> He wrote a very similar, and similarly good, score for 'Un genio, due compari, un pollo' with Fur Elise replacing Ride of the Valkyries in the 'comedy take on famous piece of classical music stuck into spaghetti western tropes' role. The main theme is just as catchy.

The perks and perils of being a fan of such a prodigious composer - just another day of learning about another Morricone score I've never heard of! In other news, the sun came up in the East today.


Post Full Response
Edit Post         Threaded Display
  In Response to:
Southall
  Responses to this Message:
JBlough


Re: Ugh fine I'll listen to it #15 - My Name is Nobody (Morricone)
Jonesy
<Send E-Mail>
(8-41-114-204.dynamic.skybest.com)
Friday, June 7, 2024 (1:02 p.m.) 

Sounds like a load of fun! I love hos Western style, so it would be fun to hear him do a self-skewering. I'm trying to think of other examples of composers specifically parodying their own styles like this -- maybe John Williams in 1941?


Post Full Response
Edit Post         Threaded Display
  In Response to:
JBlough
  Responses to this Message:
JBlough

  • Return to Top (Full Menu) ▲
  • © 1998-2025, Filmtracks Publications