1) Lord of the Rings: The Rings of Power Season 2 - Bear McCreary
2) Young Woman and the Sea - Amelia Warner
3) Here – Alan Silvestri
4) Nosferatu A Symphony of Horror - Christopher Young
5) Interview with the Vampire Season 2 - Daniel Hart
6) Finalmente L'Alba - Massimo Martellotta
7) Bambi l'histoire d'une vie dans les bois - Laurent Perez Del Mar
8) Buffalo Kids - Fernando Velázquez
9) Wicked – John Powell and Stephen Schwartz
10) The Critic - Craig Armstrong

Composer of the Year - Bear McCreary

> 6) Finalmente L'Alba - Massimo Martellotta

This one slipped by me completely, what's it like?

> This one slipped by me completely, what's it like?

I don't like the full score because the 7 of the 9 tracks from the album are short & undeveloped or unmemorable.

But I like very much the title theme/Tema dei Titoli & especially this track-Sul Set , is one of the year's best cues !
https://youtu.be/WS_Kpc6-N2Q?si=D5e9u0bLmghZCNuZ

> This one slipped by me completely, what's it like?

Scroll down a bit

https://moviemusicuk.us/2024/04/03/under-the-radar-round-up-2024-part-1/

Fantastic choices all!

> 1) Lord of the Rings: The Rings of Power Season 2 - Bear McCreary
> 2) Young Woman and the Sea - Amelia Warner
> 3) Here – Alan Silvestri
> 4) Nosferatu A Symphony of Horror - Christopher Young
> 5) Interview with the Vampire Season 2 - Daniel Hart
> 6) Finalmente L'Alba - Massimo Martellotta
> 7) Bambi l'histoire d'une vie dans les bois - Laurent Perez Del Mar
> 8) Buffalo Kids - Fernando Velázquez
> 9) Wicked – John Powell and Stephen Schwartz
> 10) The Critic - Craig Armstrong

> Composer of the Year - Bear McCreary

I agree with 4 scores based on full albums :
TROP S2(complete epis. score-albums1-8)
The Critic
Here
Buffalo Kids

I haven't heard yet C. Young's Nosferatu/Symphony of Horror ,
but R. Carolan's Nosferatu Score from R. Eggers New Film is a very good drama-horror album and off cource it's Excellent Music into the Film ! One of the best scores of 2024!

> 10) The Critic - Craig Armstrong

I’m glad I gave this one a second listen. It’s a little too understated to be top-shelf Armstrong (likely a necessity with this type of film), but there are some stylistic elements that are lovely, namely that shimmering solo violin work in a few places which seemed more akin to some of his classical work. It’s understandably left some people cold, but I can see why the composer’s more ardent fans are all for this one.