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Georges Delerue: The London Sessions
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1990 London Sessions: Volume One |
1990 London Sessions: Volume Two
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1990 London Sessions: Volume Three
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2018 Complete London Sessions
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Composed, Co-Conducted, and Co-Produced by:
Georges Delerue
Co-Conducted and Co-Produced by:
Frank Fitzpatrick
Co-Produced by:
Robert Townson Richard Kraft
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LABELS & RELEASE DATES
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ALBUM AVAILABILITY
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All the Varèse albums are regular U.S. release except for the 2018 set,
which is part of the Varèse CD Club, limited to 1,000 copies and available initially
for $20 through soundtrack specialty outlets. The first three albums were part of the label's
"Masters Film Music" series.
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AWARDS
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Several selections were nominated for (or won) Academy Awards.
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ALSO SEE
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Buy it... if you have any remote curiosity about the career of Georges Delerue
(or even if you already own a few of his scores), because this set is a very strong
survey of his works in fantastic sound quality.
Avoid it... if you have no tolerance for flighty, whimsical romance themes and
jazzy rhythms, a style that largely defined Delerue's career.
BUY IT
| Delerue |
Georges Delerue: The London Sessions:
(Compilations) The film music community suffered an enormous loss in
1992 when veteran composer Georges Delerue succumbed to a stroke and
left the world without its greatest contemporary French composer. With
what was a truly international career, Delerue embodied the purely
romantic side of film music, composing over thirty years for some of the
world's most dramatic and sensuous films. Collectors of Delerue's music
remain intensely loyal to his expansive body of work, even many years
after his death. He represented a niche in film music that still appeals
to the hopeless romantics at heart, a niche filled with lesser success
by Rachel Portman, George Fenton, and eventually a new, rising set of
French composers in the 2000's. The mass of Delerue's music is
optimistically rooted in the major-key, easily recognizable due to its
spirited heart and genuine caring, and it always, always, includes a
memorable melody and fluid sense of movement. He was arguably at the
height of his career in the dramatic genre in 1985 and 1986, when he
composed two of his most memorable scores, Crimes of the Heart
and Agnes of God, the latter of which gaining him an Academy
Award nomination. Earlier in his career, his scores tended to favor
light and fluffy tones, and it was one of these efforts, A Little
Romance, which brought Delerue an Academy Award in 1980. His efforts
of the 1960's and 1970's were sprightly and whimsically lofty, often
featuring flighty, jazzy performances by solo woodwind instruments. But
in the mid-1980's, Delerue's music became practiced in the style of John
Williams' larger, dramatically popular scores. The culmination of
Delerue's dramatic talents arguably arrived with 1986's Platoon,
for which he composed agonizing adagio that is equal to, if not better
than, Samuel Barber's famous piece that director Oliver Stone opted to
use in much of the film instead. This ridiculous and unnecessary move by
Stone likely robbed Delerue of another Academy Award.
Delerue died just as a storybook would have written his
tale; before leaving the sound studio on the final day of recording
Rich in Love in 1992, Delerue was struck by a fatal stroke. He
spent his last few moments surrounded by his own incredible music, and
with the assistance of compilations such as this crystal clear "Great
Composers" album set originally arranged by Varèse Sarabande in
2001, he will not be soon forgotten. To discuss the grand merits of each
and every score included on this product would cause an analysis to
ramble on for pages about the numerous strengths of each entry, so this
review is instead targeted specifically at the general merits of the
re-recordings contained on this product. The majority of the recordings
included here were conducted by Delerue himself in London in 1989. In
what came to be known as "The London Sessions," Delerue recorded lengthy
suites from many of his most sweeping scores for the specific purpose of
summarizing his career on multiple compilations. Varèse Sarabande
then released them as part of their limited Masters Film Music series on
three CDs in 1990 and 1991. Arguably the highlight of the three products
was the final installment, which included a lengthy suite from the much
coveted Something Wicked This Way Comes, a rejected work that was
unreleased at the time. Listeners should note that the arrangement from
that score here is strikingly different in places, especially in its
romanticism, when compared to the original recording for the film. No
matter which of the three presentations was originally your favorite,
however, all of them were fantastic tributes to the man at the height of
his career. The composer only scored a few more films after the Masters
Film Music series releases before his death, and the 2001 2-CD set
addresses these last chapters with additional, fresh recordings. The
three London Session albums from the early 1990's, themselves something
of a collectible item at the time, were combined into the 2001 2-CD set,
which contains nearly all the re-recordings that Delerue conducted for
those prior albums.
The additional, new selections included on the second
CD of the 2001 "Great Composers" set are up to par with the older
recordings, and while a bit of the excess material from the original CDs
was cut down to size, including an extra cue from Her Alibi,
nothing of extreme importance was left behind. The set also enhances
several score suites that had previously been available only in reduced
analog sound. Still, a few problems with this "Great Composers" set
restrict it from the highest rating. First, the cues have been arranged
(presumably by label producer Robert Townson) into a listening
experience order whereas some might have preferred to hear a tribute to
Delerue's career in chronological order. Also of curious note is the
bizarre selection from House on Carroll Street, which doesn't
have much to do with the film and ignores the score's overwhelming
finale theme; this was both a problem on the original and new
compilations. (It's the same recording). Representation of True
Confessions, one of Delerue's most remarkable and rare choral
scores, and The Black Stallion Returns, with its magnificently
soaring title theme, is missing from the set, too. Nevertheless,
Delerue's consistent ability to supply a memorably affable theme and
simple tonalities to his music allows a fan of his later, dramatic
scores to easily enjoy his earlier jazz works as well. If you ever need
cheering up on a rainy afternoon, there is no better a composer than
Georges Delerue to improve your mood, and this compilation is a great
place to start. In 2018, with the 2001 product hopelessly out of print,
Varèse reissued only the original contents of the Masters Film
Music series in remastered sound on a re-organized, 1,000-copy CD Club
pressing. This means that the final five tracks on the second CD of the
2001 set (and a short portion of Something Wicked This Way Comes)
are not included on the 2018 compilation, which is a significant shame.
As such, the 2001 compilation, with its more than acceptable sound
quality, remains the best presentation of this kind from Varèse
for Delerue. That said, the 2018 product rightfully expresses the
label's long-standing commitment to the great composer.
**** @Amazon.com: CD or
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Jules et Jim Expand >> Ids Aalbers - July 1, 2005, at 11:22 a.m. |
2 comments (3026 views) Newest: August 16, 2009, at 1:29 p.m. by Nikolaj |
Beautiful theme Romain - February 7, 2005, at 9:08 a.m. |
1 comment (2712 views) |
Georges Delerue JS Park - June 18, 2004, at 1:23 p.m. |
1 comment (3006 views) |
1990 London Sessions: Volume One Tracks ▼ | Total Time: 52:10 |
1. Platoon - Theme (6:54)
2. Rich and Famous - Suite (4:55)
3. Her Alibi - End Title (5:28)
4. Beaches - Friendship (3:27)
5. Exposed - Suite (9:17)
6. Biloxi Blues - Theme (2:32)
7. A Little Romance - Suite (3:29)
8. Crimes of the Heart - Suite (10:42)
9. Her Alibi - Between You and Me - performed by Carl Anderson and Eileen Clark (3:45)
10. Rich and Famous - Reprise (1:11)
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1990 London Sessions: Volume Two Tracks ▼ | Total Time: 51:42 |
1. Steel Magnolias - Suite (8:01)
2. Interlude - Theme (3:20)
3. The Escape Artist - Suite (7:19)
4. The Pick-Up Artist - Theme (3:08)
5. Homage a Francois Truffaut - Suite (12:15)
i. Shoot The Piano Player / ii. Love at 20
iii. Jules and Jim / iv. The Soft Skin
v. Two English Girls / vi. Such A Gorgeous Girl Like Me
vii. Vivement Dimanche / viii. Day for Night
ix. The Woman Next Door / x. The Last Metro
6. Maxie - End Title (4:03)
7. An Almost Perfect Affair - Suite (5:35)
8. Salvador - Suite (8:01)
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1991 London Sessions: Volume Three Tracks ▼ | Total Time: 58:37 |
1. Something Wicked This Way Comes - Suite (11:48)
2. House on Carroll Street - Theme (3:10)
3. A Little Sex - Suite (9:25)
4. Maid to Order - Theme (2:12)
5. Man, Woman and Child - Theme (3:18)
6. Memories of Me - Suite (6:48)
7. Agnes of God - Suite (9:38)
8. True Confessions - Suite (11:50)
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2001 Great Composers Album Tracks ▼ | Total Time: 153:47 |
CD1: (77:12)
1. Platoon - Theme (6:54)
2. Rich and Famous - Suite (4:54)
3. Her Alibi - End Title (5:28)
4. Beaches - Friendship (3:27)
5. Exposed - Suite (9:16)
6. Biloxi Blues - Main Title (2:32)
7. Steel Magnolias - Suite (8:06)
8. Interlude - Theme (3:21)
9. The Escape Artist - Suite (7:22)
10. The Pick Up Artist - Theme (3:08)
11. Man Woman and Child - Theme (3:19)
12. Memories of Me - Suite (6:48)
13. Something Wicked This Way Comes - Suite (11:48)
CD2: (76:35)
1. Homage a Francois Truffaut - Suite (12:09)
i. Shoot The Piano Player / ii. Love at 20
iii. Jules and Jim / iv. The Soft Skin
v. Two English Girls / vi. Such A Gorgeous Girl Like Me
vii. Vivement Dimanche / viii. Day for Night
ix. The Woman Next Door / x. The Last Metro
2. Maxie - End Title (4:04)
3. House On Carroll Street - Theme (3:10)
4. A Little Sex - Suite (9:25)
5. Maid to Order - Theme (2:12)
6. Crimes of the Heart - Suite (10:51)
7. Man Trouble - End Title (2:45)
8. A Little Romance - Main Title (3:12)
9. Rich in Love - Suite (8:44)
10. Agnes of God - Suite (9:38)
11. Black Robe - Suite (9:52)
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2018 London Sessions Set Tracks ▼ | Total Time: 117:46 |
CD1: (54:52)
1. Rich and Famous - Suite (4:56)
2. Platoon - Theme (6:54)
3. Her Alibi - End Title (5:31)
4. Beaches - Friendship (3:29)
5. Exposed - Suite (9:18)
6. Biloxi Blues - Main Title (2:34)
7. Steel Magnolias - Suite (8:08)
8. Interlude - Theme (3:23)
9. The Escape Artist - Suite (7:24)
10. The Pick Up Artist - Theme (3:09)
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CD2: (62:54)
1. Something Wicked This Way Comes - Suite (10:51)
2. Homage a Francois Truffaut - Suite (12:12)
i. Shoot The Piano Player / ii. Love at 20
iii. Jules and Jim / iv. The Soft Skin
v. Two English Girls / vi. Such A Gorgeous Girl Like Me
vii. Vivement Dimanche / viii. Day for Night
ix. The Woman Next Door / x. The Last Metro
3. Maxie - End Title (4:06)
4. House on Carroll Street - Theme (3:12)
5. A Little Sex - Suite (9:27)
6. Maid to Order - Theme (2:15)
7. Man Woman and Child - Theme (3:20)
8. Memories of Me - Suite (6:50)
9. Crimes of the Heart - Suite (10:45)
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The inserts of all the albums include lengthy commentary by Robert Townson
about the composer and information regarding each score featured.
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