Unfortunately,
Rocky III experiences a greater
disconnect between its music on screen and that on its album when
compared to its predecessors. Not only is the version of "Eye of the
Tiger" on the album different (technically, the film edit was considered
a demo), but the instrumental adaptation of that song for the training
of Rocky by Apollo is also missing from the album. Conti's score wasn't
particularly well served by the album, either. The
Rocky LPs (and
later identical CD releases) were never long, always running just a tad
over thirty minutes, and this brevity especially hurts Conti's work for
Rocky III. Most of the material on the album is simply a reprise
(in contents and even sometimes name) of what was previously released
from the first two albums, thus making this soundtrack a "best of"
highlight product. The redemption theme from
Rocky II is absent,
as are both the adversity and victory themes from both previous scores.
The love theme and its adaptation into a family theme in
Rocky II
are extended to the material for both Adrian and the death of Mickey,
Rocky's original trainer. These two cues in
Rocky III, "Mickey"
and "Adrian," are its only truly interesting and original six minutes of
music, a good match for the two equally pretty symphonic cues from
Rocky II on any compilation of Conti's fluffier side. Both cues
offer fragments of the "Gonna Fly Now" fanfare theme, the latter in
appealingly snazzy form. The only other unique material to be heard in
the score is the two-minute, dissonant, electronic cue "Reflections,"
which had no business making it onto this album. Other Conti cues in
Rocky III are straight reprises, including "Decision" (named
"Reflections" in
Rocky and still containing that absolutely
awful, synthetic pitch effect that rises through the octaves), "Gonna
Fly Now" (the original
Rocky recording), and "Conquest"
(representing
Rocky II and Apollo). Otherwise, there's really
nothing of note to mention about the
Rocky III album. It's a poor
representation of the score despite being the last good offering of
Conti's contribution to the franchise during its original five-picture
run. The sound quality did pick up in both
Rocky II and
Rocky
III, though an available remastering of
Rocky helped
alleviate the previously significant difference in clarity (especially
in the string section of the orchestra). If you want to create the best
compilation of material from Conti's first three scores in the series,
though, you really do need to include at least the "Mickey" cue from
Rocky III, and "Eye of the Tiger" is an obvious plus. Until this
score receives better album treatment, however, it's definitely less
attractive than its predecessors.
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