The following four tracks come from two scores you may
be unfamiliar with. The selections of
The Bodyguard by Alan
Silvestri will be a welcome treat for fans of the composer unable to
acquire the original score on the secondary bootleg market. The love
theme is decent, though the more tense "On the Job" was probably
unnecessary for the compilation. The two cues from Jack Nitzsche's
Revenge are original recordings (owned by Silva) and are both
surprisingly enjoyable. "Jeep Ride" is an odd variation on the
electronic border style of Goldsmith's
Extreme Prejudice, while
"Miryea's Death" has a soothingly melodic keyboarded theme. The
"Prelude" to
Robin Hood: Prince of Thieves is a tired piece. Its
exuberant construct keeps it somewhat fresh, but with every marching
band around the world performing the Kamen piece at some point or
another, even the Prague performers have a difficult time elevating it
beyond others. The four minutes from James Horner's
Field of
Dreams represent some of the best, most upbeat minutes of music from
the score, and its performance here is remarkably similar to the
original. The two tracks from John Williams'
JFK are rather weak,
especially in the brass solos. The stress and paranoia built in the
strings of "Arlington" are well portrayed, though the prologue track
from
JFK would have been a more satisfying choice to appear here.
The finale track to James Newton Howard's
Waterworld is a
necessary inclusion for any Kostner retrospect; the contributions of the
Crouch End Festival Chorus make it a highlight of the album. For
collectors who haven not been able to track down the promotional album
for William Ross' promo for
Tin Cup should note that the
four-minute finale cue here is a good sampling of his score for the
film. A fitting end to any album, of course, is
Silverado. Most
of these tracks were available on a "Music from the Films of Kevin
Costner" compilation from Silva in 1995, rendering that album largely
useless. Overall, this compilation is almost as enjoyable as the Connery
one (albeit shorter), and is a full step above the Mel Gibson one. The
tracks from
Revenge,
Waterworld, and
Silverado will
especially attract your attention.
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