The underlying base doesn't differ from many of
Holdridge's scores. Nearly constant harmony and easy progressions set
the stage. But where
The Tuskegee Airmen excels is in its
inherent enthusiasm, crisp performances, and, most importantly, crystal
clear sound quality. It was arguably Holdridge's most brassy score at
the time, a preview for some of the even more robust portions of his
popular
The Mists of Avalon score a decade later. Ranging from
the harsh tones of multiple layers of brass for the action sections to
an elegant trumpet solo in the "Finale" cue, you have to be a brass fan
to enjoy
The Tuskegee Airmen. Its layers, whether performing
counterpoint for the overlying string theme or simply providing a
complex backdrop for a battle, are truly amazing. When combined with the
lofty string section, this broad brass causes
The Tuskegee Airmen
to remind of John Barry's earlier orchestral writing. The strings also
benefit greatly from their recording, with a lush and wet sound pulling
some of the romance from
Old Gringo's end titles. In several
triumphant flying cues, usually accentuated by Holdridge's title theme,
the strings soar with a touch of Jerry Goldsmith of
Forever Young
and his other flying scores. Among the highlights of the score are
"First Solo" and "The First Lady Takes a Plane Ride," both of which mark
each chord with a strong brass stroke, a crash of the cymbals, and even
a gong. The exuberance of these cues, along with the historical
significance they convey through their slower rhythms, provide for an
extremely satisfying listening experience. There is a slight downside to
The Tuskegee Airmen, however, and that is the relentless brass
mix in the plentiful action cues in its latter half. Sometimes
disjointed for the purpose of suspense, the same harsh brass that
balances the strings can wear on the nerves when front and center with a
snare in these action cues. That said, however, this film remains
possibly one of the best uses of a Holdridge score in the picture
itself, with its clear sound quality mixed at the forefront of several
major scenes. Only released as a promotional product by the composer,
the 1995 CD is a rare find, but if you've been enticed by some of
Holdridge's most popular commercial soundtrack CDs,
The Tuskegee
Airmen is a safe and highly recommended next step.
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