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Rachel Portman |
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Scores in Filmtracks' Top 100 Voting Ranks: |
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| Biography: |
Born on December 11, 1960, in Haslemere, England, Rachel Portman
began using her musical talents at a young age. She started composing on
piano at the age of 13, and eventually gained a formal education in
composition, orchestration, and classical music at the University of
Oxford. Her early career gained her considerable recognition in Great
Britain, and she became known as a composer whose priorities rest with
character, comedy, and drama.
In 1988, Portman won the British Film Institute's "Young Composer of the
Year" award, followed by the Carlton Television Award for "Creative
Originality for Women in Film." Her early career was marked by her
consistent work for BBC films. She received Best Score nominations from
the British Academy of Film and Television Arts for her scores to The
Woman In Black and the three-part BBC drama Oranges Are Not The
Only Fruit. She was honored with a third nomination for her score to
Where Angels Fear To Tread. Finally, in 1996, she won the Academy
Award in the United States for Emma. Although she chooses not to
conduct her own scores, she employs the help of veterans David Snell and
J.A.C Redford.
She does not make a big deal out of the fact that she is the first female
composer to gain international recognition in the film music community.
In 1995, she married motion picture producer Uberto Pasolini, and has two
young daughters. She continues her scoring career in England. Although
most of her credits have included an association with television
productions, she is now primarily focused on feature films. Along with
impressive compositions for Only You and Addicted to Love,
Portman has composed music for song albums such as The Adventures of
Pinocchio and a video sequel of Beauty and the Beast.
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Rachel Portman with her Oscar
| | "Most of the films I've worked on have been independent in nature rather than
huge box-office successes. I've really made my career out of doing projects I love." -- Rachel Portman in 1997
After becoming the first female
composer to win an Academy Award (for the 1996 film Emma), Rachel
Portman has suddenly received the recognition in America that she has
truly deserved. A master of the romantic comedy genre, Portman, a British
musician, composes scores that are witty, clever, fully orchestral, and
thematically sharp. She composes using only a piano, keeping a distance
from the film music industry's move towards the complexity of
electronics. Her personality is honest and down-to-earth, and she
composes her scores from her home in England.
The lush orchestrations and creative
use of strings in Portman's works distinguish her from other
romance/comedy score composers of the 1990's. Arguably the best effort in
the first decade of her career is Only You, a score with an
abundance of whimsical, sweeping themes and irresistible charm. Three
years later, Addicted to Love revisited many of these
light-hearted, enjoyable cues. The odd score in her career came the same
year as Only You; The Road to Wellville was released on an
album complete with quotes about defecation. Most importantly, though,
the true beauty of Rachel Portman's music is evident through the love of
her profession. Because she enjoys her music and scoring career, that joy
is reflected in her compositions, making almost every one of her albums
an enjoyable listening experience.
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Filmography/Reviews at Filmtracks: |
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(see legend below for information on abbreviations and codes)
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FR | VR | VT |
RD | TR |
Dates | Notes | | 2012: | | | The Vow (co-wrote) | ** | 2.61 | 127 | || | 1,348 | 02/12 | | | 2011: | | | Snow Flower and the Secret Fan | *** | 3.16 | 153 | || | 1,488 | 08/11 | | | 2010: | | | Never Let Me Go | *** | 2.98 | 249 | || | 1,281 | 09/10 | | | 2009: | | | Grey Gardens (TV) (AW) | *** | 3.02 | 148 | || | 1,558 | 07/09 | | | 2008: | | | The Duchess | *** | 3.25 | 345 | || | 1,099 | 10/08 | | | | The Sisterhood of the Traveling Pants 2 | *** | 2.92 | 107 | || | 1,597 | 09/09 | | | 2007: | | (none) | | 2006: | | | Infamous | ** | | | | | | | | | The Lake House | *** | 3.14 | 169 | || | 1,184 | 02/07 | | | 2005: | | | Oliver Twist | **** | 3.48 | 438 | | | 783 | 11/05 | | | | Because of Winn-Dixie | *** | 2.24 | 216 | || | 826 | 02/05 - 10/11 | | | 2004: | | | The Manchurian Candidate | ** | 3.20 | 447 | || | 453 | 09/04 - 10/11 | | | | Lard | | | | | | | | | 2003: | | | Mona Lisa Smile | *** | 3.20 | 378 | || | 497 | 02/04 - 03/09 | promotional | | | The Human Stain | *** | 3.23 | 617 | || | 528 | 10/03 - 03/09 | | | 2002: | | | Nicholas Nickleby | *** | 3.29 | 1,218 | | | 722 | 04/03 - 03/09 | | | | The Truth About Charlie (co-wrote) | *** | | | | | | | | | Hart's War | **** | 3.54 | 1,915 | || | 825 | 02/02 - 02/09 | | | 2001: | | | The Emperor's New Clothes | *** | | | | | | | | 2000: | | | Chocolat (AW) | *** | 3.59 | 3,041 | || | 158 | 12/00 - 01/09 | | | | The Legend of Bagger Vance | ***** | 4.10 | 3,551 | ||| | 225 | 10/00 - 11/07 | | | | The Closer You Get | *** | 3.05 | 188 | | | 726 | 10/00 - 06/08 | | | 1999: | | | The Cider House Rules (AW) | **** | 4.13 | 6,016 | || | 149 | 12/99 - 04/08 | | | | Ratcatcher | | | | | | | | | | The Other Sister | | | | | | | | | 1998: | | | Beloved | ** | 2.69 | 241 | | | 964 | 12/98 - 01/07 | | | | Home Fries | | | | | | | | | 1997: | | | Addicted to Love | **** | 3.95 | 2,066 | || | 188 | 07/97 - 03/08 | | | 1996: | | | Marvin's Room | *** | 2.98 | 145 | | | 1,156 | 05/03 - 03/09 | | | | The Adventures of Pinocchio (co-wrote) | *** | 3.07 | 151 | | | 1,003 | 06/03 - 03/09 | | | | Emma (AW) | *** | 3.16 | 163 | | | 509 | 09/96 - 04/06 | | | 1995: | | | To Wong Foo, Thanks for Everything! Julie Newmar | | | | | | | | | | Palookaville | | | | | | | | | | Smoke | ** | | | | | | | | | A Pyromaniac's Love Story | *** | | | | | | | | 1994: | | | The Road to Wellville | *** | 2.90 | 429 | ||| | 1,075 | 06/03 - 03/09 | | | | Only You | ***** | 4.18 | 2,271 | || | 329 | 09/96 - 02/08 | | | | War of the Buttons | *** | 3.14 | 205 | | | 819 | 07/98 - 08/08 | | | | Sirens | *** | | | | | | | | 1993: | | | Friends | | | | | | | | | | The Joy Luck Club | **** | 3.29 | 161 | || | 933 | 04/04 - 10/11 | | | | Benny & Joon | *** | | | | | | | | | Ethan Frome | *** | | | | | | | | | Great Moments in Aviation (TV) | **** | | | | | | | | 1992: | | | Used People | *** | 3.05 | 144 | | | 1,244 | 07/98 - 08/08 | | | | Mr. Wakefield's Crusade (TV) | | | | | | | | | | Rebecca's Daughters | | | | | | | | | | Elizabeth R (TV) | | | | | | | | | | The Cloning of Joanna May (TV) | | | | | | | | | 1991: | | | Antonia and Jane | | | | | | | | | | Where Angels Fear to Tread | | | | | | | | | | Life Is Sweet | ** | | | | | | | | | Flea Bites (TV) | | | | | | | | | 1990: | | | Oranges Are Not the Only Fruit (TV) | | | | | | | | | | Shoot to Kill (TV) | | | | | | | | | | The Widowmaker (TV) | | | | | | | | | 1989: | | | The Woman in Black (TV) | | | | | | | | | | Monster Maker (TV) | | | | | | | | | | Precious Bane (TV) | | | | | | | | | | Living with Dinosaurs (TV) | | | | | | | | | 1988: | | | Loving Hazel (TV) | | | | | | | | | | Sometime in August (TV) | | | | | | | | | 1987: | | | 1914 All Out (TV) | | | | | | | | | | The Falklands War: The Untold Story (TV) | | | | | | | | | | The Short & Curlies (TV) | | | | | | | | | | 90 Degrees South | | | | | | | | | 1986: | | | A Little Princess (TV) | | | | | | | | | | Good as Gold (TV) | | | | | | | | | 1985: | | | Four Days in July (TV) | | | | | | | | | 1984: | | | Sharma and Beyond (TV) | | | | | | | | | | Reflections | | | | | | | | | | Last Day of Summer (TV) | | | | | | | | | 1983: | | (none) | | 1982: | | | Experience Preferred... But Not Essential | | | | | | | | | | Privileged | | | | | | | | | (reviews listed with a "co-wrote" indicate that either the composer wrote the score with another person or that more than one composer worked separately to provide a score for the production)
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Status:
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N
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R
| - indicates an older review that has been significantly revised in the last 90 days
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Awards:
| AW |
- indicates that the music won or was nominated for a major award
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Ratings:
| FR |
- Filmtracks Rating ("Varied"
indicates a split rating with no overall designation)
| | VR |
- Viewer Rating (overall average)
| | VT |
- Vote Total (for viewer ratings)
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Comments:
| Comment Total (the number of messages posted in the review's comment area)
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Review Depth:
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- Massive Review (over 4,000 words)
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- Very Long Review (between 2,200 and 4,000 words)
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- Long Review (between 1,200 and 2,200 words)
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- Average Review (between 800 and 1,200 words)
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- Short Review (under 800 words)
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Traffic Rank:
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Popularity Rank (lower numbers indicate more cumulative reads; new reviews take time to climb the ranks)
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Dates:
| 1st
| - indicates the month and year during which the review was first published
| | 2nd
| - indicates the month and year of the review's most recent significant revision (if any)
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