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Danny Elfman
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Filmtracks Statistics:
Average Filmtracks Rating: 3.16 Average Viewer Rating: 3.27 Number of Reviews: 86 Number of Votes: 148,661 Number of Comments: 1,830
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Reviews in Filmtracks' Top 100 Traffic Ranks:
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Reviews in Filmtracks' Top 100 Voting Ranks:
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Filmtracks Editor's Recommendations:
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Related Pages of Interest:
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Additional Quotes:
"The music was such a blend of sentimental and peculiar. I could have done variations on Edward's theme forever." - 1996, on Edward Scissorhands
"The kind of romance I love so dearly... slow and dark, with a hero hung by the neck at the end... joy!" - 1996, on Sommersby
"What a sick, sick movie, God bless it... there aren't enough of them around." - 1996, on Freeway
"Still the most pure fun I've had writing a score... It was like a musical roller coaster." - 1990, on Beetlejuice
"When I found out they were doing a show hosted by a 'dead guy' I said 'this one's for me.'" - 1990, on Tales from the Crypt
"It was a lot of fun too, because Halloween has always been my
favorite night of the year. For me, writing something in the spirit of
Halloween is like Mother Teresa writing on charity and sacrifice. It's
just second nature to me." - 1993, on The Nightmare Before Christmas
"It's a very elitist community, much more so than any other aspect of film." - 1990, on the film music composing field in general
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Danny Elfman poses at his studio in 1988
"If there's one thing I really love... it's sad music." - Danny Elfman in 1996, regarding Black Beauty
Daniel Richard Elfman was born on May 29th, 1953 in Amarillo, Texas to Blossom and Milton Elfman. His father was a teacher and
his mother was a novelist of children's stories who won an Emmy award for her writing in a TV movie. Elfman spent his childhood in Los
Angeles, and when he turned 18, he moved with his older brother, Richard, to France (Richard's son Jimmy is married to actress Jenna
Elfman). There, he joined a theater group and became acquainted with the many different instruments of the orchestra. After spending a few years in
France, he moved to Africa. He eventually moved back to the U.S. after contracting malaria, though he still considers his time in Africa a
great benefit to himself.
In 1980, Elfman worked with his brother once again on the film Forbidden Zone, which Richard directed. He formed a group known as "The
Mystic Knights of Oingo Boingo" and they performed the score that Elfman wrote for Forbidden Zone (re-released in 1983). The group
could be found in dark taverns and makeshift stages around Los Angeles performing musical/theatrical gigs with theatrical elements. Oingo
Boingo, as it became known, emerged as a permanent group and drew a large cult following until 1995, when the group dissolved. In 1985,
Elfman met Tim Burton, who asked Elfman to score the music for Pee-Wee's Big Adventure. This was Burton's first time directing and
Elfman's first time composing for a big-budget film. Elfman called in his friend and fellow Oingo Boingo member, Steve Bartek, to orchestrate
for him and the quirky project was a success. Thus began the friendship between Elfman and Burton. Elfman first became known by soundtrack
fans in general with his funky, light-hearted score for Beetlejuice. Combined with Harry Belafonte's songs, the album was an
enormous cult success.
Elfman would continue to score several Tim Burton movies in the following decades, with the exception of Ed Wood. He won a Grammy
in 1989 for his magnificent theme to Batman, which Elfman considers to be one of his best scores. Countering notions that the Academy
refuses to honor composers who are self-taught, Elfman finally received two Oscar nominations in 1998, for Men in Black and Good
Will Hunting, but then would go several years again without a nomination. Standouts in his career include Edward Scissorhands in
1990, which contains a cue ("The Grand Finale") that is considered one of the best single tracks in the history of film, The Nightmare
Before Christmas in 1993, for which Elfman wrote the songs, composed the score, and sang the leading role as Jack Skellington in the movie,
and Alice in Wonderland in 2010. The composer's ability to merge orchestral and rock elements has yielded impressive results in
unlikely assignments ranging from Real Steel in 2010 to Fifty Shades of Gray in 2015.
Besides Tim Burton, Elfman has worked with many other directors, including Brian DePalma, Emilo Estevez, Warren Beatty (who Elfman says is
"insane" to work with), and the Hughes brothers. In 1996, he composed the score to Freeway which was directed by one of his high school
friends. In return for his services, Elfman asked to be paid only a dollar. He remains one of the few artists to have established himself as both
highly successful composer and a rocker, and he has drawn a large following of fans who find his works to be fresh and innovative. His most lasting
associations may be with superhero films, however, his contributions to Batman, Spider-Man, and The Avengers all balancing
his counter-culture popularity with enthusiasts of Burton's more bizarre inclinations. Outside of film music, Elfman, with the support of his
wife, actress Bridget Fonda, has been active in liberal American political causes, including launching an organization to repel
vice-presidential
candidate and Alaska Governor Sarah Palin in 2008.
(see legend below for abbreviations and codes)
| Title | FR |
VR | VT |
RD | TR | Dates |
Notes | 2024: | N | Beetlejuice Beetlejuice | *** | 3.04 | 206 | ||| | 2,143 | 10/24 | | 2023: | | 65 (co-wrote) | ** | | | | | | | 2022: | | White Noise | *** | 3.30 | 171 | ||| | 2,064 | 07/23 | | | Doctor Strange in the Multiverse of Madness (AW) | *** | 3.49 | 439 | |||| | 1,332 | 05/22 | multiple albums | 2021: | | The Woman in the Window | ** | | | | | | | 2020: | | Dolittle | **** | 3.31 | 317 | || | 1,841 | 12/20 | | 2019: | | Aliens, Clowns & Geeks (co-wrote) | * | | | | | | | | Men in Black: International (co-wrote) | *** | 3.02 | 295 | || | 1,657 | 12/19 | | | Dumbo | **** | 3.51 | 506 | ||| | 1,449 | 07/19 | | 2018: | | Dr. Seuss' The Grinch | *** | 3.30 | 338 | || | 1,535 | 12/18 | | | Fifty Shades Freed | ** | 2.96 | 278 | || | 1,474 | 03/18 | | | Don't Worry, He Won't Get Far on Foot | ** | 3.10 | 122 | ||| | 2,130 | 09/22 | | 2017: | | Justice League | **** | 3.59 | 805 | ||| | 617 | 12/17 | | | Tulip Fever | *** | 3.39 | 117 | ||| | 2,129 | 09/22 | | | The Circle | * | 2.98 | 122 | || | 2,116 | 09/22 | | | Fifty Shades Darker | *** | 3.09 | 417 | || | 1,272 | 02/17 | | 2016: | | The Girl on the Train | *** | 3.20 | 342 | || | 1,236 | 12/16 | | | Alice Through the Looking Glass | ***** | 3.89 | 1,073 | ||| | 783 | 06/16 | | | Before I Wake (co-wrote) | *** | 3.31 | 103 | || | 2,170 | 09/22 | | 2015: | | Goosebumps | *** | 3.10 | 345 | || | 1,264 | 12/15 | | | Avengers: Age of Ultron (co-wrote) | **** | 3.78 | 744 | ||| | 802 | 06/15 | | | Fifty Shades of Grey | **** | 3.33 | 722 | || | 838 | 03/15 | | | The End of the Tour | ** | 3.00 | 124 | || | 2,124 | 09/22 | | 2014: | | Big Eyes | *** | 3.20 | 112 | ||| | 2,167 | 09/22 | multiple albums | | Mr. Peabody & Sherman | *** | 3.17 | 253 | || | 1,580 | 02/15 | | | The Unknown Known | **** | 3.46 | 336 | || | 1,483 | 02/15 | | 2013: | | American Hustle | *** | | | | | | | | Epic | **** | 3.33 | 480 | || | 885 | 06/13 | | | Oz the Great and Powerful | **** | 3.43 | 751 | ||| | 585 | 03/13 | | 2012: | | Promised Land | *** | 3.03 | 279 | || | 1,549 | 08/13 | | | Hitchcock | *** | 3.13 | 341 | ||| | 1,171 | 12/12 | | | Silver Linings Playbook | ** | 2.93 | 349 | || | 1,119 | 12/12 | | | Frankenweenie | **** | 3.38 | 1,032 | ||| | 791 | 10/12 | | | Men in Black 3 | *** | 3.19 | 428 | || | 1,045 | 06/12 | | | Dark Shadows | *** | 3.32 | 771 | ||| | 922 | 05/12 | | 2011: | | Real Steel | ***** | 3.84 | 1,190 | ||| | 646 | 10/11 | | | Restless | *** | | | | | | | 2010: | | The Next Three Days | *** | 3.12 | 364 | || | 1,347 | 01/11 | all albums | | Alice in Wonderland (AW) | ***** | 4.18 | 2,989 | |||| | 272 | 03/10 - 06/11 | all albums | | Do Not Disturb (co-wrote) | ** | | | | | | | | Kick-Ass (co-wrote) | ** | | | | | | | | The Wolfman (co-wrote) | **** | 3.36 | 808 | ||| | 863 | 03/10 | | 2009: | | Taking Woodstock | ** | 2.89 | 268 | || | 1,829 | 03/10 | | | 9 (co-wrote) | *** | | | | | | | | Terminator Salvation | *** | 2.94 | 1,323 | ||| | 672 | 05/09 | | | Notorious | ** | | | | | | | 2008: | | Milk (AW) | *** | 3.23 | 521 | || | 1,092 | 12/08 | | | Hellboy II: The Golden Army | **** | 3.38 | 789 | ||| | 647 | 07/08 - 04/24 | multiple albums | | Wanted | **** | 3.30 | 582 | ||| | 1,244 | 09/09 | | | Standard Operating Procedure | *** | 3.21 | 292 | || | 1,609 | 09/09 | | 2007: | | The Kingdom | ** | 2.92 | 435 | || | 833 | 10/07 | | | Meet the Robinsons | *** | 3.13 | 710 | || | 502 | 02/07 | | 2006: | | Charlotte's Web | **** | 3.43 | 713 | || | 674 | 12/06 | | | Nacho Libre (co-wrote) | ** | | | | | | | | Deep Sea (co-wrote) | *** | | | | | | adaptation | 2005: | | Corpse Bride | *** | 3.41 | 1,930 | ||| | 341 | 11/05 - 06/11 | all albums | | Charlie and the Chocolate Factory (AW) | *** | 3.44 | 1,796 | ||| | 473 | 11/05 - 06/11 | all albums | 2004: | | Spider-Man 2 (co-wrote) | **** | 3.58 | 2,463 | |||| | 178 | 08/04 - 08/11 | | 2003: | | Big Fish (AW) | **** | 3.40 | 2,584 | ||| | 167 | 12/03 - 06/11 | all albums | | Hulk | ** | 2.55 | 5,121 | ||| | 175 | 06/03 - 03/09 | | 2002: | | Chicago (co-wrote) (AW) | **** | 3.50 | 4,794 | ||| | 84 | 02/03 - 03/09 | | | Red Dragon | ** | 2.71 | 2,675 | || | 362 | 09/02 - 01/09 | | | Men in Black II | ** | 2.91 | 989 | || | 809 | 03/03 - 01/09 | | | Spider-Man (AW) | **** | 3.49 | 4,155 | |||| | 79 | 06/02 - 03/23 | multiple albums | 2001: | | Novocaine (co-wrote) | ** | | | | | | | | Planet of the Apes (AW) | *** | 3.16 | 4,726 | ||| | 143 | 07/01 - 03/12 | all albums | | Spy Kids (co-wrote) | *** | 2.95 | 1,961 | ||| | 397 | 04/01 - 01/09 | | | Heartbreakers (co-wrote) | ** | | | | | | | 2000: | | The Family Man | **** | 3.67 | 1,954 | ||| | 408 | 02/01 - 11/08 | promotional | | Proof of Life | ** | 2.77 | 1,506 | || | 387 | 01/00 - 06/08 | | 1999: | | Sleepy Hollow | **** | 3.88 | 9,132 | ||| | 123 | 11/99 - 11/21 | all albums | | Anywhere But Here | *** | | | | | | | | Instinct | *** | 2.96 | 848 | || | 892 | 06/99 - 08/08 | | | My Favorite Martian (co-wrote) | **** | 3.15 | 575 | || | 889 | 03/99 - 10/07 | promotional | 1998: | | A Civil Action | *** | 3.09 | 679 | || | 834 | 01/99 - 04/07 | | | A Simple Plan | ** | 2.73 | 1,246 | || | 324 | 02/99 - 05/08 | | | Psycho (co-wrote) | **** | 3.26 | 381 | || | 1,433 | 11/09 | adaptation | | Modern Vampires (co-wrote) | | | | | | | | 1997: | | Good Will Hunting (AW) | *** | 3.15 | 877 | || | 308 | 03/98 - 08/14 | multiple albums | | Flubber | ** | 2.79 | 965 | | | 295 | 11/97 - 02/08 | | | Scream 2 (co-wrote) | *** | 2.80 | 1,006 | ||| | 243 | 07/98 - 03/22 | all albums | | Men in Black (AW) | *** | 3.15 | 2,133 | || | 162 | 01/98 - 09/06 | | 1996: | | Mars Attacks! | ** | 3.18 | 923 | ||| | 385 | 03/97 - 06/11 | all albums | | Extreme Measures | ** | 2.85 | 242 | || | 1,783 | 03/10 | | | The Frighteners | * | 2.76 | 608 | | | 544 | 09/96 - 09/08 | | | Freeway | FRISBEE | | | | | | | | Mission: Impossible | ** | 3.03 | 786 | ||| | 223 | 09/96 - 02/21 | multiple albums | 1995: | | Dead Presidents | * | | | | | | | | To Die For | ** | 2.90 | 279 | || | 1,604 | 03/10 | | | Dolores Claiborne | *** | 3.19 | 383 | || | 1,411 | 03/10 - 04/21 | all albums | 1994: | | Black Beauty | **** | 3.85 | 1,676 | ||| | 296 | 12/00 - 12/13 | all albums | | Shrunken Heads (co-wrote) | * | | | | | | | 1993: | | The Nightmare Before Christmas (AW) | **** | 4.00 | 15,373 | |||| | 14 | 09/96 - 05/11 | all albums | | Sommersby | ***** | 4.13 | 1,843 | || | 476 | 09/96 - 09/08 | | 1992: | | Army of Darkness (co-wrote) | | | | | | | | | Batman Returns | ** | 3.31 | 6,499 | |||| | 62 | 09/96 - 08/15 | all albums | | Article 99 | *** | 3.04 | 264 | || | 1,860 | 03/10 | | 1991: | | Pure Luck (co-wrote) | *** | | | | | | | 1990: | | Edward Scissorhands (AW) | ***** | 4.30 | 19,482 | ||| | 8 | 09/96 - 01/16 | all albums | | Darkman | ** | 3.15 | 516 | || | 478 | 09/96 - 07/20 | all albums | | Dick Tracy (AW) | *** | 3.27 | 714 | ||| | 400 | 07/98 - 03/17 | multiple albums | R | Nightbreed | *** | 3.19 | 450 | ||| | 601 | 07/98 - 08/24 | all albums | 1989: | | Batman (AW) | ***** | 4.32 | 13,904 | |||| | 18 | 08/97 - 08/15 | all albums | 1988: | | Scrooged | *** | 3.16 | 302 | ||| | 1,563 | 12/11 | limited | | Face Like a Frog | ** | | | | | | | | Big Top Pee-wee | ** | | | | | | | | Beetlejuice | **** | 3.85 | 5,833 | |||| | 56 | 03/99 - 05/11 | all albums | | Hot to Trot | *** | | | | | | | | Midnight Run | **** | | | | | | | 1987: | | Summer School | ** | | | | | | | 1986: | | Wisdom | ** | | | | | | | | Back to School | *** | | | | | | | 1985: | | Pee-wee's Big Adventure | *** | 3.31 | 386 | ||| | 1,365 | 05/11 | multiple albums | 1983-1984: | | (none) | 1982: | | Forbidden Zone | ** | | | | | | | | (reviews listed with a "co-wrote" indicate that either the composer wrote the score with another person or that more than one composer worked separately to provide a score for the production)
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Status:
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N
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R
| - indicates an older review that has been significantly revised in the last 180 days
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Awards:
| AW |
- or a golden year indicates that the music won or was nominated for a major award
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Ratings:
| FR |
- Filmtracks Rating ("Varied"
indicates a split rating with no overall designation) |
VR |
- Viewer Rating (overall average) |
VT |
- Vote Total (for viewer ratings)
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Comments:
| Comment Total (the number of messages posted in the review's comment area)
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Review Depth:
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- Massive Review (over 4,000 words)
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- Very Long Review (between 2,200 and 4,000 words)
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- Long Review (between 1,200 and 2,200 words)
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- Average Review (between 800 and 1,200 words)
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- Short Review (under 800 words)
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Traffic Rank:
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Popularity Rank (lower numbers indicate more cumulative reads; new reviews take time to climb the ranks)
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Dates:
| 1st
| - indicates the month and year during which the review was first published
| 2nd
| - indicates the month and year of the review's most recent significant revision (if any)
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