With multiple sides to the personality of Sinatra's
character in the story, the score understandably mirrors that split; the
piercing, staccato brass of the action plays opposite a melodic, though
short, swinging woodwind theme of lonely contemplation. In between is
edgy, testy, and sometimes ill-tempered underscore. It's not necessarily
thematic, but never is it reduced to mere ambience either. All three of
these basic ingredients can be heard in several other Goldsmith scores
(and thus there is never any doubt whatsoever in any cue that
Contract on Cherry Street is his work), and each is arguably
developed to a better extent in those other works. The main brass
rhythmic motif is an echo of the ripping, staccato theme that would be
enhanced for
Capricorn One the following year. Many of the
movement-related cues in
Contract on Cherry Street also
foreshadow
Capricorn One in their obvious tension and linear
form. The use of muted brass solos would eventually return in
First
Blood and
Rent-a-Cop. The theme of contemplation is also an
echo of other Goldsmith works, relating back to
Chinatown and, in
"Eulogizing," exposing that when performed by electric bass and
woodwind, it actually carries many similarities in progression and
melancholy attitude as the theme that Goldsmith would provide for
Alien Nation and eventually
The Russia House. This
secondary theme lacks, though, the gritty flavor that would have made it
more compatible with the rest of the score's material. Finally, the
music that lies in between these two easily identifiable styles captures
much of the same turbulence that dazzled listeners in
L.A.
Confidential, though the use of the deepest registers of the
orchestra, including the piano, is a better match for
Basic
Instinct. Together, these styles provide a glimpse into Goldsmith's
more subtle touch in the disturbing police thriller genre. The ensemble
is noticeably small in size, but an absolutely crisp recording is a
major plus. The limited Prometheus album is superior in sound to the
just previously released
Breakout, also by Goldsmith, and remains
among the label's better early club releases.
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