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The Curious Case of Benjamin Button
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Composed, Co-Orchestrated, Conducted, and Produced by:
Co-Orchestrated by:
Conrad Pope
Clifford Tasner
Philip Klein
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LABEL & RELEASE DATE
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ALBUM AVAILABILITY
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Regular U.S. release.
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AWARDS
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Nominated for an Academy Award, a BAFTA Award, a Grammy Award, and a Golden Globe.
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ALSO SEE
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Buy it... if you are an established fan of Alexandre Desplat's
understatedly dramatic, remarkably intimate, and instrumentally precise
style.
Avoid it... if precision in structure, performance, and recording
cannot alone sustain music that remains surprisingly cold and distant
during its entire length.
BUY IT
 | | Desplat |
The Curious Case of Benjamin Button: (Alexandre
Desplat) Author F. Scott Fitzgerald penned this fairy tale in 1922, and
it's surprising that the story did not inspire a more successful
mainstream film from Hollywood before 2008. The entire lifetime of
Benjamin Button would have passed in that time, famously aging in
reverse through the majority of the 20th Century. The screenplay by
Forrest Gump scribe Eric Roth and direction by the notoriously
dark David Fincher take Fitzgerald's idea as only the foundation for an
entirely different version of the tale, gathering widespread praise that
figures to propel the film favorably into the awards season. Composer
Alexandre Desplat, himself gaining steam in America over the 2000's,
faced many of the same dilemmas as the make-up artists for the picture,
writing music and then manipulating it structurally and emotionally to
account for the awkward backwards aging of the title character. A
significant expanse of American and world history is covered in the
running time of The Curious Case of Benjamin Button, allowing the
composer to also address that character's ever changing surroundings.
The opportunity for creativity in inverted musical constructs was almost
limitless for this assignment, and Desplat was indeed keenly aware of
writing major and minor key ideas that could be performed in reverse
effectively. Another major element in The Curious Case of Benjamin
Button is the concept of time itself, and Desplat addresses this
idea with a sense of rhythmic movement that in many ways defines the
score. Pacing is extremely important in the work, and collectors of the
composer's music will recognize familiar employment of waltz rhythms
throughout. Like Forrest Gump, there is an affable sense of
innocence to the title character that is also evident in the music;
while never as sappy or melodramatic as Alan Silvestri's popular score
for the previous character, Desplat does offer Mr. Button a theme that
is highly malleable but always rooted in an upbeat attitude that usually
conveys a delicate spirit. Outside of a few necessary action sequences,
the score for The Curious Case of Benjamin Button is surprisingly
even tempered, highly consistent in its soft, pleasant variations on the
Button and time motifs and rhythms. Fans of the composer will be
thrilled by the resulting intimate nature of the score.
The key to appreciating the music for The Curious
Case of Benjamin Button is to pay attention to the details of the
deliberate rhythms, the instrumental colors, and, most importantly,
their mix. This is a score that requires a quiet environment and
correlation between the instrumentation, their constructs, and their
corresponding meanings in the film. Everything about Desplat's work here
is subtle, starting with the very slowly shifting series of instrumental
solos to address the different periods and locations in the film and
finishing with the agonizingly deliberate unfolding of themes in the
final cues. An extreme amount of patience is required when listening to
this score, and even then, some deconstruction of the main theme to
explore its forward and backwards incarnations will occupy the brain for
a while. From a technical standpoint, both in writing and (especially)
in the precision of the performances and recording, The Curious Case
of Benjamin Button is a very strong musical conceptualization of the
story. As a listening companion, however, the score is surprisingly cold
and detached. The very slow tempos and deliberate statements of theme,
especially in the latter half of the score, cause the music to stand at
a distance. The love theme for Benjamin and Daisy lacks any warmth in
its sparse presentations on strings and woodwinds. The sense of
innocence that runs through the score never allows for a lush, romantic
element to fully address that love, alienating the listener in the
process. The piano solo to close out the score is devoid of passion, a
description that could very well apply to much of the remainder of the
score. Thus, you hear a technically intellectual score that serves its
purpose, but outside of the slightly deeper layers of "Postcards," there
is little in Desplat's work for The Curious Case of Benjamin
Button that will actively engage you even if you choose to fully
envelope yourself in the listening experience. The inevitability of the
plodding rhythm for the concept of time is, therefore, the most dominant
factor in restraining the score's heart. On album, Concord Records
included a compilation of songs and dialogue from the film on a second
CD separate from the 60 minutes of score on the product, a welcome move.
While Desplat may receive considerable awards recognition for this score
due to the film's hype, don't expect to be overwhelmed by any part of
it.
*** @Amazon.com: CD or
Download
| Bias Check: |
For Alexandre Desplat reviews at Filmtracks, the average editorial rating is 3.39
(in 31 reviews)
and the average viewer rating is 3.22
(in 16,384 votes). The maximum rating is 5 stars.
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overrated!
kharol - January 27, 2009, at 10:32 p.m. |
1 comment (1717 views) |
Total Time: 59:59
• 1. Postcards (2:51)
• 2. Mr. Gateau (3:02)
• 3. Meeting Daisy (1:22)
• 4. A New Life (3:39)
• 5. Love in Murmansk (3:53)
• 6. Meeting Again (2:41)
• 7. Mr. Button (2:05)
• 8. Little Man Oti (2:02)
• 9. Alone at Night (2:33)
• 10. It Was Nice to Have Met You (1:43)
• 11. Children's Games (4:10)
• 12. Submarine Attack (2:40)
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• 13. The Hummingbird (2:35)
• 14. Sunrise on Lake Pontchartrain (3:33)
• 15. Daisy's Ballet Career (2:03)
• 16. The Accident (2:38)
• 17. Stay Out of My Life (1:44)
• 18. Nothing Lasts (2:54)
• 19. Some Things You Never Forget (4:36)
• 20. Growing Younger (2:14)
• 21. Dying Away (2:58)
• 22. Love Returns (1:44)
• 23. Benjamin and Daisy (2:32)
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(a second CD in the album contains only dialogue and source songs)
The digipak packaging includes an extensive pictorial from the film, a
list of performers, and a note about the production from Desplat.
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