SUPPORT FILMTRACKS! WE EARN A
COMMISSION ON WHAT YOU BUY:
Amazon.com
Amazon.co.uk
eBay
Amazon.ca
Glisten Effect
Editorial Reviews
Scoreboard Forum
Viewer Ratings
Composers
Awards
   NEWEST MAJOR REVIEWS:
     1. Superman (2025)
    2. Jurassic World Rebirth
   3. F1
  4. M3GAN 2.0
 5. Elio
6. How to Train Your Dragon (2025)


   CURRENT BEST-SELLING SCORES:
       1. Top Gun (2-CD)
      2. Avatar: The Way of Water
     3. The Wild Robot
    4. Gladiator (3-CD)
   5. Young Woman and the Sea
  6. Spider-Man 2 (3-CD)
 7. Cutthroat Island (2-CD)
8. Willow (2-CD)
   CURRENT MOST POPULAR REVIEWS:
         1. Spider-Man
        2. Alice in Wonderland
       3. The Matrix
      4. Gladiator
     5. Wicked
    6. Batman (1989)
   7. Raiders of the Lost Ark
  8. The Wild Robot
 9. Beetlejuice Beetlejuice
10. Doctor Strange: Multiverse
Home Page
 
Menu Options ▼

Edit | Delete
The thing about Lorne Balfe and ghostwriters
Profile Image
• Posted by: Orange Thrush
• Date: Monday, July 31, 2023, at 6:06 p.m.
• IP Address: ip70-191-219-146.pn.at.cox.net

Balfe doesn't like the ghostwriter reference because he doesn't understand why these reviews are using the word. To Balfe the assistant composers aren't ghostwriters because they get ASCAP and BMI credit and appear in the end credits crawl. For Filmtracks that isn't enough. The assistant composer names aren't on the major credits for the film, like the poster, and digital albums don't have all that information. There's no booklet with credits on most record sales these days. The average listener on Youtube or Spotify or whatever has no idea which of the nine assistant composers wrote what parts of what tracks. You think these people all sit for the end credits crawl's music names or sift through rights agency credit sheets? Of course not. That is why Filmtracks calls them ghostwriters. 99.9% of the public doesn't know they exist.







Copyright © 1998-2025, Filmtracks Publications. All rights reserved.
The reviews and other textual content contained on the filmtracks.com site may not be published, broadcast,
rewritten or redistributed without the prior written authority of Christian Clemmensen at Filmtracks Publications. Scoreboard created 7/24/98 and last updated 4/25/15.